“Ketamer01B (simm’ a MAFIA)” by Italian DJ/Producer Doc Ketamer

“Ketamer01B (simm’ a MAFIA)” is a track off the 2019 EP “Ketamer” by Italian DJ/Producer Doc Ketamer. Today’s EDM scene is at the height of its commercial success. Everybody wants to be a DJ or Producer now, and pop music, more or less, equals Electronic music. On his latest single, Doc Ketamer, who has been in the game for two decades gives us his authentic European flavored electro-jam blend. The track is victorious and uplifting, as the music pumps into your bloodstream. Doc Ketamer brings us back to what we all loved about electro. He seems to have given us

Monjyoti – “Neighbor Syndrome” is meticulously structured

Monjyoti Bhattacharyya known by his stage name, Monjyoti, released his second official single “Neighbor Syndrome”, taken from his upcoming album, “Hypnosis”, recorded in collaboration with music producer Papu Gogoi. I don’t even need to hear the rest of the album. This single is simply a dexterous, dynamic and sublime smorgasbord of instrumentation and lyrical canny, on a level I’ve not heard in a long time. Music can’t always be this good because we would have nothing by which to benchmark its ingenuity. There are sections that are nice mellow journeys to somewhere else and there are downright monstrous sections that

Pat Rossi – “Let you Go” – embellished with impressive vocal and instrumental décor

Pat Rossi is a self-taught multi-instrumentalist, songwriter, singer and producer. He is also the founder and front-man of the popular Canadian Rock band The Falling. Rossi, whose acclaimed songwriting skills led him to perform with Bon Jovi after winning the XM/Serious Satellite Radio Songwriting Competition, has now set his sights on being a solo artist. The artist who has worked with, and performed alongside names such as, 3 Doors Down, Gilby Clark of Guns N Roses, Jonas and The Massive Attraction, among others, brings to the table his latest single, “Let you Go”, via the RedJam Records indie label. The

lIne – “I wanna kill you in the shower” will certainly garner critical acclaim

Kristoffer Hilmarsson, the artist behind -lIne-, has been in several band line-ups before the forming this project. Hilmarsson has also performed at almost every open stage in his home country, Sweden, as a solo artist. In May 2019 he decided to move his career to the next level by creating -lIne-, and has released 3 singles since then, including “I wanna kill you in the shower”. From the opening jangling jazz guitar intro of his first single “Where You Are”, to the last reverberant notes of his latest release, “Lovely”, you’re subjected to an incredible journey that seamlessly straddles a

Omar Bowing – “Paradox” – is simply breathtaking in its composition and emotive power

Atmospheric, ethereal, moody, dark, progressive … these are all words that come to mind listening to the opening bars of “Paradox” – the latest track from Omar Bowing, featuring singer Tyson Yen. The music is as one would expect from this consummate composer and Guitarviol player – engulfing and entrancing. Using a whole host of rock driven instrumentation, it should not be surprising that the soundscape is lush, expansive and blasting. “The idea of the song,” explains Bowing, “is about the recognition of the power of a Paradox to challenge or even destroy a concept, idea, belief, etc., that is

MORISH RELEASES DEBUT SINGLE “BETTER THAN ME”

The emerging young rapper introduces himself to the world with a confrontational, attention-grabbing track. One of the most exciting young voices emerging on the international scene, Morish is ready to make himself known, and his debut single “Better Than Me,” is the perfect introduction to the young artist. “You will never find nobody better than me,” Morish repeats throughout the song. Addressing a former lover who’s wronged him, he makes a convincing case, taking his heartbreak and turning it into a vengeful send-off. “I wrote you many songs, but this is the last one,” he concludes, triumphantly moving past a

K Swayz – “1st Born” – riding a seemingly unstoppable and forever-cresting wave

Twenty three year old Brandon Nelson aka K Swayz, has been producing for about 8 years now, while he’s been an artist for a one year. The Charleston, SC creative is currently promoting his 11 track project, entitled, “1st Born”. Since this album is meant as an embodiment of the artist’s skillset, it only makes sense that he shows a lot of flexibility. He delivers a lot more than the obvious slide between rapping to singing and juxtaposition of up-tempo vibes and down-tempo tunes. Right from the opening track, “No Matter The Cost” ft. Colossal Capone, he drops mind-blowing switches

YellaCatt – “Super Power Pussy” – exudes an energy that is captivating

YellaCatt’s latest single debut album “Super Power Pussy”. Introduces one of the finest new female talents I’ve heard in a long time. I say new, because she’s new to me. ‘She’ is of course none other than Daniella White aka YellaCatt. A painter who has created her own successful headdress atelier – “The Plumed Serpent’’. Daniella is also sound healer, reiki master, and clairvoyant. So she wears many hats, which all seem to fit her perfectly well. Her approach to song writing is fresh and intelligent, while her performances exude an energy that is captivating. I’m not sure if she

Manu Francois – one of the most innovative independent crossover creatives heard in recent years

Manu Francois known for his rapid fire flow, superb singing, solid writing, sharp as hell production, and iconic rasta hairdo has been one of the more slept on powers in the musical community in recent years, always bubbling underneath the surface of the mainstream on the various audio and video platforms, as well as live sets around the world. Manu’s past work on projects like “Release” (2018) and “Check It” (2017), are just begging to be uncovered. Thankfully, his latest singles from 2019 have been more than just good enough to get noticed; they’ve brought an excellent mix of creativity, self-awareness, and super dope production. Every

Ozaka Bondage – “Tiny Giants” is a colorful, richly textured arrangement

Ozaka Bondage is an energizing indie-electro-pop band from Frankfurt on Main that will motivate you to climb that mountain, ask that girl out, or start that revolution you always wanted. They is nothing short of a bombastic bunch of talented musicians who smoke on their instruments like no one’s business. The accompanying video clip proves it with nothing hidden from view. The groove is infectious, the musicianship is on fire, and the audio mix sparkles.  “Tiny Giants” hits all the right buttons for me. Peaks and valleys in all the right places – even in the solos. Everything builds

Critical Opinion – “Blocks” – acute wordplay and smooth flows!

Critical Opinion are made up of two best friends – Ardin (AKA DIZZ-E) is from the UK, and Peter (AKA Base – P) is from the US. Both highly educated doctors – Peter is a Medical Doctor and Ardin is a criminal Psychologist – they met in the Czech Republic back in 2010, when they were teaching at the same high school. Coming from tough backgrounds, where they lost many friends and family members along the way, they managed to make it out. Now working hard to accomplish Rap music has helped both of them to stay positive and motivated. Currently still living in the Czech Republic, where they continue to teach, Critical Opinion have dropped their album “Blocks”, which is the first in a series of 5 they have planned. Ardin and Peter also have their own record label called, Phat Track Records, and video production company called, Kool Kats Production.

Straight of the bat, this duo has a consistency in their music that’s rather inspiring. “Blocks” comprises 12 songs with a variety of sound, rhythm and melody. For their beats BASE-P and DIZZ-E rely on producer Valentine Beats and good friend, Simon Kang, who mixes and masters their material.

The beats on this album are so well laid out, and they only get better after each listen. They hook you hard and don’t let go until the songs are over. The beats match the mood and theme of each song very well, proving that they aren’t there just to give Critical Opinion something to rhyme over, but they are good enough to stand on their own.

Add in the in-depth rhymes, the acute wordplay and the smooth flows that Critical Opinion deliver, and you have an explosive combination that runs from track one to the very end of the recording. In fact you’ll be so overpowered by the constant pull of the album, that you’ll be left with only two listening options for “Blocks” – play it loud, and play it often.

From when the album opens with the mellifluous “Not Gone Forever”, BASE-P and DIZZ-E prove their ability to create music that endures without ever compromising their vision, elevating their skills without ever chasing trends. In an ideal world, they could flourish indefinitely.

On “Hustlin”, the duo turn up the urgent ruggedness in their toolkit, without losing the melodic edge which is served in the hooks. “Ain’t No Sunshine” leans on its anthemic groove while lyrically Critical Opinion roll out a set of conscious rhymes. This leads us to the title track, “Blocks”, which is built on a rich and thickly layered orchestration.

This might be some of the best rapping you’ll hear all year, at least in the old-school style. The chemistry between BASE-P and DIZZ-E is insane, and the production is killer. “Perfect” increases the booty-shaking quota of the album with a warm tropical bounce.

“Warning” takes Critical Opinion back to the lyrical grindstone, with an incessant rhyme-scheme riding the hard-hitting beat which has a subtle eastern flavor. By now it’s fairly clear that Critical Opinion is a hip-hop group who are definitely much better than the majority of hip-hop crews that have been spoon fed to the masses like so much fodder over the last few years.

Compared to much of the future-oriented lyrics and beats of artists that have been releasing records recently, BASE-P and DIZZ-E sound like they come from a legendary category. You only have to listen to the album’s centerpieces and standouts, like “Realest”, “Respect” and “Crooked Cops” to hear the vintage quality in creating lyrical jams that are simultaneously effortless and complex.

Unlike many of their contemporaries, or so-called peers, Critical Opinion have a level of substance that can rival Rap artists from any genre and style. And on this album, the duo does a great job of delivering stellar beats and rhythms, while bolstering their songwriting with creative concept songs, such as “No Limits”, “Pay Homage” and “Power”.

Rap and Hip-hop is in an animated state at the moment, with mainstream misfires, and once dependable artists who seem to have lost their edge, substance, and confidence as of late. This makes the album, “Blocks”, and the duo, Critical Opinion, stand out even more in the current urban scenario. BASE-P and DIZZ-E have been steadily laying out their path — always honing their sound, always evolving their style, and, most importantly, always having fun doing it.

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