FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Marshall Artz Productionz – “Go Missing” ft. SeanQ – is incredibly hypnotic, with crystal-clear production

Released Aug 28th, “Go Missing” Prod. by Marshall Artz Productionz, is the producer’s 3rd single release since June. The track will be featured on his upcoming 2021, self-titled LP “Marshall Artz Experiment”. The song features singer-songwriter SeanQ, from Dallas, Texas. The producer’s blend of R&B-inspired neo-soul and smooth chill sounds becomes its own entity within the hip-hop and urban music world. Marshall Artz Productionz work should gain high appraisal through its colorful and subtly amped vibes that play to any genre lover’s ears alike. After listening to this track, I expect that the outpouring of demand for more of the

Evie Calabasas – “STARGIRL” – strong, sensitive vocals and soul-baring songs

Evie Calabasas is a 20 year-old singer and songwriter. She started playing guitar at the age of 6 and started singing at 15 years old. After attempting to be part of band on numerous occasions, Evie finally opted for a solo career. Her first solo project, the 3 track EP “STARGIRL”, has its title inspired by the first song she ever played live.  It is a tempered and exceptional record. It shakes, rattles and rolls with minimal, almost absent percussion, a dominantly strummed acoustic guitar and occasional keyboard interludes. Above all, is Evie Calabasas’ voice, which delivers an untethered, sweetly

LaPrece Noir – “Bout Money” – deft skills and sharp delivery!

Born Kenyatta LaPrece Dugans, Flint Michigan’s LaPrece Noir, is Hip Hop/R&B artist, songwriter, and music producer. She credits her creativity and artistry to the likes of Nas, Lauryn Hill, and Mary J Blige, among others. Over the years she LaPrece Noir aka Mahogany, has transitioned from studio artist to featured artist and live performer. Her music has been featured on TV shows such as; Pit Bulls and Paroles, Rehab Party at Hard Rock and many more.

Now LaPrece Noir unleashes her brand new single “Bout Money”. This latest material is strong, with our up and coming visionary showing how she can flip and reverse even the most tired genre tropes.

“Bout Money” is a skeletal banger that shows how less can be more when it comes to making speaker-shattering rhymes, and how that maxim can be made more true by LaPrece Noir’s deft skills; her sharp delivery only adds to the verses’ potency, while the chants and scratches call back to hip-hop’s two-turntables-and-a-mic early days.

It may sound like a retro move, but music gives off the vibe that LaPrece Noir is some sort of beat-riding oracle, and she makes it work perfectly. The lady is blazing a trail for hip-hop diversity, and it’s veering off, the lame mainstream directions, is par for the course.

However this is still a contemporary hip-hop record, particularly in regard to the sleek nature of the production work.  As far as the flow, and her rhyming skills is concerned, “Bout Money” is a perfect example of how LaPrece Noir can easily fit the bill of the flex-driven nature that rap employs nowadays.

Only a few artists known more for their rap prowess could pull off a record like this. LaPrece Noir delights in busting boundaries and transforming perceptions – be it her insane rhymes, songwriting expertise, otherworldly production choices and, of course, her iconic good looks.

LaPrece Noir’s growing resume is bulletproof, and she has no problem adapting her style to any musical landscape. Her lively delivery is as infectious as ever, as is her swagger and wit on “Bout Money”.  The track is a sticky hip-hop blend with an addictive beat that isn’t afraid to embrace both minimal and sexy.

The writing, the energy and the fun are all here. It’s almost impossible in rap, a genre that seems to take an evolutionary musical leap every three months, to stay relevant, but LaPrece Noir aka Mahogany seems to have all the requisites for staying abreast of modern trends while forging her own style.

LaPrece Noir’s latest body of work, is a taut arrangement of slinky, self-assured hip-hop that fuses throwback sensibilities with the absolute futurism. The rapper dismisses any odds that may be stacked against her with ease and swagger, turning her grand performance into a victory lap.

Her delivery is confident, vibrant and injected with the gusto of a self-assured player holding roll the dice in hand. Despite its brevity, “Bout Money” feels like a kaleidoscopic portrayal of the rapper’s multifaceted skillset as an artist. It is a sure sign of great things to come.

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