This Is Elle releases her debut song ‘Killing My Love’

Powerful, soulful vocalists don’t come around every day, and Italian singer/songwriter Laura Pizzicannella is one of them. Her debut single “Killing My Love” set for release on Jan. 17, 2020, showcases her soaring vocals which are reminiscent of both Florence Welch (of Florence and the Machine) and Adele. “Killing My Love” is a love song about a relationship that has ended and how you try to kill any feelings for the other person that are left in your heart. It’s a very strong, heartfelt and melancholy track written and produced by Flavio and Claudio Zampa. As a founding member of

Gemtarra – “Fire Me Up” captures a sense of urgency and energy

Formed twin sisters Gina and Tina Ciera in 2018, Gemtarra is a Philadelphia based band who get its name from the Italian words Gemelli (which means twins) and Chitarra ( which means guitar). The band who recorded their EP “Fired Up” with Grammy award-winning Producer/Engineer Phil Nicolo, is made up of Gina and Tina Cieri (songwriting and guitars), Bryan Feddish (bass), Sunny Dee (drums), Megan Glaubitz (lead singer) and Tawana Simons (percussion). Their latest single “Fire Me Up” is lifted from the aforementioned EP. There is a lot to appreciate about Gemtarra. Their music has a driving beat, with harmonized

Darshae Kiér – “Halasana Girl” is geared towards turntable dominance

Despite a rough start in life, being shuffled from foster home to foster home, Miami, FL based artist Darshae Kiér, has always moved ahead in life with positive conviction and determination. He has created his sound and steadily built up a fanbase mixing pop, dance and reggaeton flavors into his music. Throughout his latest track – “Halasana Girl”, Darshae’s sensitive but street-savvy personality is on display. He returns reggaeton music to its island roots and takes the listener along for the ride. This is Darshae Kiér vibrant getaway into what more the Latin music movement has to offer to Pop

Kidricc James – “Gravy” – The gravity in the words is matched by the sound of the production!

Texas-based rapper, Kidricc James drops his dynamic new single “Gravy”. The track which has been peaking on Digital Radio Tracker’s Global Top 150 Independent Airplay Chart, is also supported by an engaging video shot in Houston. If I had to give a quick intro into this track, it would be: Great emotional depth in storytelling. Engaging beat. Thoroughly satisfying rap skills. More than just multisyllabic rhymes. Relatable and relevant. I think Kidricc James accomplished his intents with this track. “Gravy”really revolves around him in a much more different way than his prior works. It’s his vision in a much fuller

Buss – ‘ELEMENT OF SURPRISE’ sounds like a mission statement

An artist and songwriter, Buss is also the CEO, owner and founder of the label Fatal Thoughts. They have signed a handful of artists, including standout performer Hype Bigga his good friend, and lil brother, and then his twin sons, Johnboy and Jaredteez. ‘ELEMENT OF SURPRISE’ is Buss’ latest EP release.  He also has two mixtapes out, called ‘The Takeover’ and ‘The Takeover Pt2’. ‘The Takeover Pt3’ is set to drop on Jan 31st. In typical hit fashion, this EP release is packed heavily with quality samples from epic tracks, to give each song a nostalgic flavor that will have

Irish Indie Pop Duo – Yes We See

Yes We See is a young Irish band from Roscommon, Ireland made up of Liam Kilcline (lead singer) and Shane Finneran (lead guitarist). Childhood friends, they have been writing music together for over 15 years. Having spent the last 3 years living in Vietnam they have worked hard to create their sound and began building on all the original music they have created over the years. The duo describe their music genre as Indie Pop. Yes We See take inspiration from a range of genres and artists, from Catfish and the Bottlemen, to Two Door Cinema Club and Hozier who

Ervin Mitchell drops the official music video for ‘Break The Internet’

Emerging rap star Ervin Mitchell reminds us to “count our blessings every day” in the official music video to ‘Break The Internet’. On the track, Ervin Mitchell proves that he is a master at his craft of writing. I also love his style when it comes to his vocal and rapping abilities. His sound is different, laidback, almost melancholic in a way. The track is a beautiful character study that will make you consider the importance of social media, the problem of money, and the meaning of life in general. In a world full of meaningless music, it’s always great

INTERVIEW: Malcolm.E – A Hip Hop Artist, Sound Engineer and Producer, from Swaziland

Malcolm.E is a 22 year old Hip Hop artist, Sound Engineer and Producer, from Eswatini (Swaziland). He found his love for rap music during his early high school years and in his last year of high school decided he wanted to create music for a living. Since then he has been releasing music consistently and growing his fan base. In 2018 Malcolm.E graduated from the Cape Audio College in Cape Town, South Africa, with a 3 year Diploma in Sound Technology and Production. He now uses his skills in his everyday life of making music. He dropped his second project

Tatono – “Far” – at the forefront of travel-induced electronic music!

Tatono’s travel-inspired music is created while he explores the world, and which he incorporates into his own filming for breathtaking self-composed videos. Tatono’s music has been featured across many travel shows and on highly acclaimed YouTube channels. The Bend, Oregon-based artist began musical his journey at the young age of 17, when he played drums in high school garage bands. The artist, who has been inspired by the likes of Moby and Thievery Corporation has just released his 2020 album “Far”, which he says sums up his year of 2019. Some songs on the album were made for collaboration projects

Warchief Rasco – “Good Ones Go To Soon” continues his atmospheric Hip-hop fusion sound!

“Good Ones Go To Soon” is an oath for the real ones I’ve lost in my life from either drugs, violence, or suicide to keep going hard and following the dream while spreading love all at the same time,” says Warchief Rasco. Rasco has a gift for writing concise, infectious earworms. When a track such as “Good Ones Go To Soon” arrives at its conclusion, it leaves a void in the listener that can only be filled by playing the track again and again. The cut has a quality backing instrumental, complete with a reverbed staccato guitar riff and a

Kambiz Mirzaei – “The Lost Ambient” – a dominating melodic mellowness behind a rising wave of dynamic, ascending energy.

The Toronto based composer, Kambiz Mirzaei, has navigated between two musical cultures: from authentic transcendental Middle Eastern melodies to North American flavored ambient, electronic and orchestral arrangements. His collaboration with Jamshid Andalibi in 1999 initiated an alternative approach to traditional use of the folk instrument, Ney, in modern compositions. If you’re looking for an instrumental record that explores cross-culture electronic and ambient themes cohesively, look no further than the album – “The Lost Ambient” by Kambiz Mirzaei. I am astounded that Mirzaei isn’t talked about more often, because there is so much innovation in his compositions and production that it’s just strange to me that so few have heard of him.

Nevertheless, this record’s sound is that of an electronic artist giving true organic characteristics to digital instruments, infusing them with potent imagery and emotion. There’s engaging instrumental hooks that use alluring melodies in clever ways. There are rich harmonic layers that transport you to exotic cinematic visions.

There’s always new musical ideas and themes fading in and out to keep the listener engaged. Every instrument designed over the main foundation does something new and different all the way through the songs, but always maintains excellent thematic cohesion all the way through. The production of “The Lost Ambient” is nothing short of perfect.

There wasn’t a single moment where a written part didn’t come through to find my ears or attention. Despite there being so many parts to keep track of, there is unprecedented cohesion in the mixing as well. Kambiz Mirzaei understands how to put many different parts together in a way that makes them all bounce off each other, and you will hear that in every track.

Instrumental electronic music is hard to get right, because often music makers throw in as much technology and sounds as they can in the hope of sounding ‘epically’ impressive. More often than not, the result is a mass of overwhelming sound – No nuancing, less atmosphere, and zero emotional valleys and peaks.

Not on “The Lost Ambient” though – the arranging, mixing and production is this record’s strongest point, as Mirzaei transports us through a myriad of sonically induced sentiments, right from the eloquence of the opening track, “Symphony of Lights”.

From there, the album embarks on a remarkable 9 track voyage that is engrossing and full of magic and mysticism. The ominous lows of “Peaceful Contradiction” entwines with the sweeping strings on “Trapped in Time”, while a resonant quivering melody introduces the exotic ambience of “Eastern Calling”.

Although Kambiz Mirzaei is in essence crafting electronic music, with his use of orchestral instruments and his art-focused approach to producing, his pieces will even appeal to those who are more interested in the works of classical or soundtrack music.

Moving ahead to tracks like “Floating Dream”, “Rhythm of Hope” and “Deep Ambiguity” we get further proof of his variegated depth of musical composition. With a meticulously curated approach, Mirzaei bestows a transcendental listening experience that sifts through astral planes from start to finish on these tracks.

By the time we reach “Forgotten Melody” and “Awareness Waves”, Kambiz Mirzaei has already taken us through a cerebral examination of celestial proportions. It’s the kind of music that’s hard to put into words because it makes you feel in abstractions.

It is instrumental music that commands your entire presence and attention. There is no invasive dissonance, just slow rising climactic atmospheres that lead into spectral head-space, made by sounds casting delight into your ears. “The Lost Ambient” is a dominating melodic mellowness behind a rising wave of dynamic, ascending energy.

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