Midwest Hiphop duo Strangers Of Necessity drop their new single “Abundance”

Strangers Of Necessity are an American hip-hop duo, based in the Midwest, consisting of prolific producer, CoryaYo and veteran lyricist, Fooch the MC. They linked via Twitter and quickly became friends, sparking an immediate chemistry and need to make quality music together; hence the name Strangers Of Necessity. They instantly began recording music and doing shows locally, generating a nice buzz in the area. Their sound is best described as a fresh take on that golden era of hip-hop, blending tasteful jazz and soul samples, crisp snares, boomy kicks on wonky patterns with a soulful delivery, dense schemes and potent

Kilo M.O.E. – ‘Fly G’z and Palm Treez’ – serves as the perfect canvas for the rapper’s elite lyricism

The Baltimore-based producer, songwriter, rapper, Kilo M.O.E.’s evolution over his past three albums has been inspiring to see. I’ll always admire artists who push themselves creatively, and that’s exactly what, Kilo M.O.E. has done on his fourth studio album, ‘Fly G’z and Palm Treez’, and it pays off in leaps and bounds. Each instrumental is rich and developed, serving as the perfect canvas for the rapper’s elite lyricism. Something that this recording and Kilo M.O.E.’s recent albums have done well is allow him the freedom to rap for the sake of his craft within the confines of the album’s larger

Jim Wyly – “You Took Me” – It’s rhythmically tight, warm and edgy

Texas singer songwriter Jim Wyly is back with another soul-stirring track from his “The Artisan” album. Over 40 years deep into his craft, the Austin troubadour sounds like a home-cooked meal. He deals out comfort food for the head, heart, and soul. All of this serves his finely drawn guitar lines, bourbon-stained-like vocals, and funky acoustic-driven grooves as thick as molasses. A subtle blend of blues, country, folk and southern rock runs right down the middle of “You Took Me”. “Musicians’ musician” is an overused term. Why wouldn’t anyone with two good ears appreciate Jim Wyly? As Jim doesn’t cater

Hanen Release Brand New Video For The Song “Breathe”

It’s never been easier for artists to stay independent. Of course you can get good music producers, good visual directors for videos, good rappers and good singers to feature on your track without a great budget, but you have to search the world over to find deals you can afford, or convince creatives to work with you. Texas born artist, now living in the LA area, Hanen, somehow got it all together on his latest track called “Breathe”. He sings soulfully and raps with an urban edge all by himself, backed by an atmospheric slow-burning, and ear-warming beat made by

Angry B – “Hey Corona! (Nice to Meet Ya)” – reflects the realities with a good dose of wit

On his latest single, “Hey Corona! (Nice to Meet Ya)”, underground music hobbyist Angry B pinned his rap skills and dark wit, to the sounds of mainstream pop and a funky EDM template. He blurs the lines between genres with the top of the charts — and only the top — in his sights. As can be deciphered from the song title, Angry B pulls his aspirations from the dramatic Covid-19 disease hitting mankind across the globe. “It’s one of the most critical situations we’ve had and there will be a lot of sad stories connected with it,” says Angry

Izzie’s Caravan – “Leo’s Guitar EP” – an understated guitar virtuoso

On the recording, “Leo’s Guitar EP”, Izzie’s Caravan and his guitar conspire to use every single crayon within the blue color box to deliver one of the best underground independent studio blues releases I’ve heard this year. Among others, Izzie takes his cue from greats such as Lightnin’ Hopkins, Buddy Guy, John Lee Hooker, and Eric Clapton. So you can expect a wide and wholesome finger bending spectrum of sounds. The aforementioned guitar heroes are points of reference, not simple deductions for resemblance. The opening song, “Two’s In The Bush”, has a highway drive, and jangly timbre that’s upbeat and

‘Mind Blown’ – The Video and Brand New Single by EyeKonic

EyeKonik is an artist with a focus on creating punchy and appealing pop music with a personal twist. Recently, he released a brand new single called ‘Mind Blown’. What really makes this track stands out is definitely the fact that it’s so well produced, and the performance value is excellent as well. EyeKonik sings with passion and intensity, and the artist’s vocals soar through the atmospheric melodies and punchy tones of this mix. Fans of artists as diverse as Mac Miller, Michael Jackson, Prince, and Eminem are definitely going to enjoy this amazing single. Check out the newly released music

Sundance Jump with W. Dire Wolff release the Indie Rock Video “Zodiac Killer”

Zodiac Killer is a wild Indie Rock song with crazy slide guitar laid over a rockabilly beat. The song is about a woman who frequents a night club called Zodiacs by nights, and cruises around town by day. Deep Purple Sage is a CD, Vinyl, and Digital release by Sundance Jump with W. Dire Wolff. The album blends Alternative Rock with Psychedelic Acid Rock. Recorded in Joshua Tree, California at Skylab Studios; the album has an underlying desert theme.  The LP is recorded in the old school style of Acid Rock vintage tube amp guitar sounds, mixed through analog

THE BRKN DEBUT EP ‘NO. 3’ OUT NOW VIA INGROOVES

FRONTMAN JACOB CADE’S ‘ACOUSTIC HANG WITH JACOB FROM THE BRKN’ WILL LIVE STREAM VIA THE BANDS INSTAGRAM AND FACEBOOK THROUGH THE END OF APRIL AT 6PM PST/7PM MST/9PM EST THE BRKN recently released their debut EP No. 3 via Right Brain Music Group/Ingrooves. Their new video for their song “Broke” has garnered over 100 views in just two weeks. Since the band’s spring tours have been cancelled due to the Coronavirus, frontman Jacob Cade will be live streaming acoustic sessions every Tuesday through April via the band’s Facebook and Instagram. Tune in at 6PM PST/7PM MST/9PM EST at https://instagram.com/thebrkn or https://facebook.com/thebrkn and #BeatTheVirusWithTheBRKN. “We’re

D-Witt flexes the pen of a budding cinematic storyteller

I recently heard about an artist called D-Witt from Rockford, IL.  Illinois is the home of some prestigious sons who have left unforgettable marks on hip-hop’s history. I’m expecting an unfiltered rebel who is unafraid to bare his soul and burn down buildings. A fearless heart is a quality that makes fearless art, and I hope that’s exactly what D-Witt has arrived to present us.  So I press play on the first track called “Enemy”. The sound is open and strong-willed. There’s no doubting that D-Witt has something to say. The amount of care that goes into his lyricism stamps

IJK – “High Tide” – an undeniably radiant surge of energy throughout!

I normally don’t like anything this pristine and clean sounding, but “High Tide” by Imad Jack Karam – better known simply as IJK,  is so undeniably catchy (the kind that subconsciously takes over your mind) that throughout its clean and safe runtime, it hardly matters. The melody is so clear and sharp, the rhythm effortlessly danceable, every little vocal croon rings as charming and captivating. IJK’s sweet, funky and resonant pop-rock is as lovable as can possibly be. It is also quite a layered sound that the Lebanese-born singer-songwriter produces, as pricks of melody float through an obscenely catchy chorus that eventually falls into a rhythm which beautifully interchange fiery guitar, thumping bass, banging drums and shimmering keys, in a way that is as impacting as it is endearing.

“High Tide” shows an impressive maturity in IJK’s songwriting. This is simply a piece of indie-pop/rock goodness, the only complaint being is it doesn’t go on forever. The track comes fully equipped with plenty of bells and whistles to push the artist’s sound to new heights.

IJK find ways to disregard all the clichéd modern mainstream trends and still comes out with a very strong track, filled with plenty of catchy guitar play, tons of groovy bass lines, and at the end of the day, he is as listenable and danceable as ever.

In the verse to the bridge, and then the chorus “High Tide” hits us with that infectious guitar melody that we can never get out of our heads but throughout the song, we get a heavy buildup of bass booms which take us to an epic pre-chorus and chorus overlapping over that undeniably addictive guitar.

The clever use of angular guitars helps raise the roof and expand the soundscape. But of course the cherry on top of this recording, is IJK himself. His vocal performance possesses an undeniably radiant surge of energy throughout. Hence, the finished product packs enough punch to spread like wildfire among the indie rock and the cross-over lovers of Brit rock and pop.

“High Tide” is an excellent party-starter or anthem to the night out, and IJK follows the indie trend of matching the danceable rock beat, the pop straight-forwardness, and the massive guitar riffing with melancholy in the melody and personal narrative in the lyrics. This is certainly one of the catchiest guitar driven crossover tracks I have heard all year.

The track has got so many glistening hooks it’s impossible for it to not get stuck in your head. Such a well-produced, balanced, strong, confident, consistent indie rock track has, as a matter of fact, not yet been delivered from across the pond, this season. It is scarily enjoyable, addictive and irresistible.

Simply put: Imad Jack Karam bka IJK, just makes this kind of music so much darn better than anyone else right now. “High Tide” is proof that IJK knows how to make his kind of music, taking from the big picture only what works for him and not everyone else.

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