Emerald Suspension is set to release the EP “Eruptions” on the 4th of March 2020

The band Emerald Suspension recently debated about the best guitar solo in the world. That discussion ignited a plan to create a single to be titled ‘Eruption’. Inspired by the Eddie Van Halen guitar solo of the same name, there is no mistaking the two. In the meantime, other tracks came together, with and without guitars. So now the release is ‘Eruptions’, an EP with six nifty tracks. ‘Eruptions’ features an unconventional mix of guitar, percussion, vocals, samples, noise, effects, and DIY instruments. The unique works range from noise to alt-rock to an orchestral ballad (of sorts). ‘Eruptions’ with different

Star Trek Picard Martial Arts Dance Video Starring Ben Ryan Metzger

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Love Ghost – “Dead Brother”- a fresh new synthesis!

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Bruce Engler – “Not You & Me” will make an instant impression on thoughtful music listeners

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C0MBINE – “Duetz” – emotional, infectious melodies while keeping it lyrical

Northwest-based artist, rapper, and musician, C0MBINE, formerly known as Lone Seeker 777, started out his creative career in 2014 writing the song “I’ll Never Forget” in a junior talent show. He has since built upon that initial foray, raising the bar on each subsequent release – the single “K1ck It”, then the album “Rise”, followed by “Christian Girl” in 2018. The fruit of his endeavors though, started to truly come to the fore with the release of his double-sided single “Duetz” in November 2019, which was positively received by fans and critics alike. Beautiful instrumentals and thought provoking lyrics drive

Pop singer & songwriter DAYVID releases new single ‘Spinning Bottles’

“Spinning Bottles,” produced by Grammy-Nominated producer Morgan Taylor Reid, is a follow up to DAYVID’s popular single, “Wasted Luv,” from his self-titled EP that was released in October 2019. “Spinning Bottles” is the first single from a forthcoming album scheduled for release late this year. DAVYID’s last single, “Wasted Luv,” was praised by critics and listeners around the world. Upon its release in September 2019, the single became #4 on All Access Music Top 40/Mainstream Cool Music Chart and has enjoyed Top 40 radio play in major markets across the US, as well as Sirius XM.  DAYVID was also recently

Strange Music Release “Heart Of Darkness” The Song & Video By Mackenzie Nicole

STRANGE MAIN/STRANGE MUSIC RELEASE “HEART OF DARKNESS” OUT NOW THE DEBUT SONG AND ACCOMPANYING VIDEO FROM MACKENZIE NICOLE’S UPCOMING ALBUM MYSTIC OUT ON FEBRUARY 14. GUEST PERFORMER AND SPEAKER ON TEDX TED TALK FEBRUARY 29 Strange Main the pop music division of Strange Music to release Mackenzie Nicole’s Mystic on February 14, written by Mackenzie Nicole and produced by Michael “Seven” Summers (Tech N9ne, Mac Lethal, Krizz Kaliko). Preorder Mystic here: http://smarturl.it/MYSTICpreorder “Heart of Darkness” is the debut song and accompanying video that begins the unveiling of a musical and visual video series leading up to a short film. Mackenzie

Asian Rock Singer AMEL D is going viral with single “I’m Your Rain”

The essence of good music is like a gust of fresh air which can carry away all the negativity from our minds in a flick. This spirit of soulful music reflects in twenty-six-year-old Asian artist called Amel D. A prolific singer and songwriter, she is also well-known for being an entrepreneur and business women. Her recent track ‘I’m Your Rain’, shows her signature tonality and natural creative flavor. This track perfectly fits the requirements of indie rock in every aspect, and stands out as a unique piece of art. The track successfully captivates a large section of the music lover

Award-winning Mario Marco Farinato Releases The Video for “Perchè”

Mario Marco Farinato winner of SanRemo Rock 2019 and Tienilpalco 2019 presents his latest video, “Perchè” completely created in cartoon animation, with music produced on a Linux audio system for a lower environmental impact. The video was completely produced on second-hand laptops, to reduce impact on the environment. “I believe in a world where there is equality, participation and awareness, in memory of the victims of Australia’s recent Wildfires,” says Farinato. “The video has been produced with rubbish from Xmas package, toilet paper and recycled paper on a laptop running on battery, to reduce our environmental impact,” continues the award-winning

Rajah Mahdi shows that he’s more than willing to experiment

Rajah Mahdi Byrd is a Recording Artist from Glassboro, NJ. Born two months premature, he received brain damage during delivery, resulting in cerebral palsy. However despite this bad turn of events he has still managed to live a normal and social life growing up. In 2010 Rajah started recording music as a means to express his opinion on social situations and issues. It became a frequent hobby and in 2013 he decided to start taking it more seriously. Rajah’s goal is to create a solid platform with his music and to eventually spark social reform with the values and ideals

Obsidian Tide – “Pillars of Creation” – Rich in fabulous melodies, shining with amazing solos and texturally aural soundscapes

When I heard the intricate themes and the heavy progressive direction on the album, “Pillars of Creation”, I was enthralled. Few bands are able to merge progressive metal and melody in a heavy fashion whilst maintaining an edgy, somewhat original vibe. Obsidian Tide have solved that puzzle for the most part. Their penchant for heavy, dark metal shines forth on this album, a conceptual piece filled with emotional peaks. Critics and consumers of epic rock and concept metal will be blown away by the originality of the music here. I think the Israeli band has crafted a compelling and incredible journey, both lyrically and musically, across the 7 tracks that make up this recording.

“Pillars of Creation” is an incredibly smooth album, condensed into an intense and emotionally charged experience from beginning to end, leaving nothing to speculation – this is progressive metal, at times, wearing its influences apparently – fully energetic and unapologizing.

At times it is hard to believe that this is only a three piece unit – made up of Oz Avneya (guitars and clean vocals), Shachar Bieber (bass and harsh vocals) and Erez Nadler (drums and programming) – such is the astounding power and explosion of sound pushed out by Obsidian Tide. This is by far their most mature work to date and is without a doubt, their best.

Rich in fabulous melodies, shining with amazing solos and texturally aural soundscapes, Obsidian Tide forge true artistic sound sculpting at its finest. The tunes are fresh, and all the musicians are virtuosos, yet there is never any overplaying or childish showboating.

The melodies can actually survive on their own, even without the masterful instrumentation. And that is something highly unusual in any genre of metal. Right from the opening title track, “Pillars of Creation”, the band deliver staggering vocal performances, mathematically precise instrumentation, impenetrably complex and challenging arrangements, and a willingness to embrace variation.

The extreme proficiency with which Obsidian Tide creates music has indeed made me a fan. “Seven” launches with a rolling percussive riff that develops into a twisting harsh vocal tornado. The guitar controls this whirlwind of musical psychosis with determined precision. The band is in a frenetic mood, and vocalist Oz Avneya is in melodic voice despite the heavy and contiguous rhythm that hammers under his vocal line.

“King Of A New Realm” is the first sign that we are to expect something different, yet at the same time mystifyingly familiar, from Obsidian Tide. It is eight minutes of seizure-like rhythms that defy any analysis, including a solo piano interlude which introduces a spell-breaking segment into the song.

“Portent Of Betrayal” is a cranium-shattering experience with driving guitars and harsh vocals dominating the song. By now exhausted, the listener might be left wondering what, if anything, the band could now do to offer some respite. It comes by way of the quieter introduction of “Hireath”. But it is only a brief recess, before the song explodes into overdrive.

However the arrangement allows for softer and louder sections with vividly captivating orchestrations. Obsidian Tide fluctuate between quirky ferocity and vibrant serenity with enchanting confidence and catchiness on “The Harbinger And The Millennial Vengeance”. It conjures a mesh of crushing riffs, feisty rhythms, and the band’s characteristic vocals, to immediately feel at home in their catalog.

In contrast, the ultimate “Magnanimous” is a beautifully atmospheric ode that builds masterfully from luscious delicacy to complex frenzy without subjugating its core emotion. The song again features Obsidian Tide’s innate ability to extract both melodic and power-metal aggression simultaneously.

It is filled with polyrhythms, pleading melodies, jaw-shattering guitars and bass and an excellent saxophone interlude. Bewildering, impressive and satisfying, all at the same time. Formed in 2012 in the suburbs of Tel-Aviv, Obsidian Tide are certainly no newcomers to the progressive metal scene, and with this album they prove that they do it infinitely better than most.

OFFICIAL LINKS:
Follow: https://twitter.com/obsidiantideListen
Enjoy & Share: https://soundcloud.com/obsidian-tide
Music & Merch: https://obsidiantide.bandcamp.com/
Watch & Share: https://www.youtube.com/channel/UCZN5tk3aptDxNBnfgYEcf3g
Last.fm: https://www.last.fm/music/Obsidian+Tide
Facebook: http://www.facebook.com/obsidiantide
Instagram: http://www.instagram.com/obsidiantide
Website: https://www.obsidiantide.com/

 

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