Andy Pett – “Back Again” turns hurt into art with great results on this song

Experience with adversity builds exemplary character and a spirit of resilience that allows artists to deliver great music. Their personal stories provides them with original ideas and profound insight to rap or sing about, creating a relatable feeling of vulnerability that fans emotionally connect with. Many prominent artists from today’s culture have battled through adversity to become widely accepted and beloved. There is an interesting argument – and quite a lot of statistics lean toward this theory – that adversity is necessary to become successful.  The bottom line seems to be that many artists lack the ambition to succeed because

Onicks – “High” is a deep slow-burn

With its enigmatic beauty, intoxicating depth and intense emotion, the follow-up to “High” is one of the most intriguing records of the year so far. The lyrics are elliptical and fragmented, touching on addiction, identity and eroticism. The track’s mood is druggy, dislocated and tortured – there are frequent metaphoric references to substances and psychedelics – the shape-shifting structure of “High” will capture your attention from top to bottom. Snapshots of elusive love and fleeting lust are scattered throughout – for whom, or for what, is where you need to read between the lines. Born and raised in the San

Midwest Hiphop duo Strangers Of Necessity drop their new single “Abundance”

Strangers Of Necessity are an American hip-hop duo, based in the Midwest, consisting of prolific producer, CoryaYo and veteran lyricist, Fooch the MC. They linked via Twitter and quickly became friends, sparking an immediate chemistry and need to make quality music together; hence the name Strangers Of Necessity. They instantly began recording music and doing shows locally, generating a nice buzz in the area. Their sound is best described as a fresh take on that golden era of hip-hop, blending tasteful jazz and soul samples, crisp snares, boomy kicks on wonky patterns with a soulful delivery, dense schemes and potent

Kilo M.O.E. – ‘Fly G’z and Palm Treez’ – serves as the perfect canvas for the rapper’s elite lyricism

The Baltimore-based producer, songwriter, rapper, Kilo M.O.E.’s evolution over his past three albums has been inspiring to see. I’ll always admire artists who push themselves creatively, and that’s exactly what, Kilo M.O.E. has done on his fourth studio album, ‘Fly G’z and Palm Treez’, and it pays off in leaps and bounds. Each instrumental is rich and developed, serving as the perfect canvas for the rapper’s elite lyricism. Something that this recording and Kilo M.O.E.’s recent albums have done well is allow him the freedom to rap for the sake of his craft within the confines of the album’s larger

Jim Wyly – “You Took Me” – It’s rhythmically tight, warm and edgy

Texas singer songwriter Jim Wyly is back with another soul-stirring track from his “The Artisan” album. Over 40 years deep into his craft, the Austin troubadour sounds like a home-cooked meal. He deals out comfort food for the head, heart, and soul. All of this serves his finely drawn guitar lines, bourbon-stained-like vocals, and funky acoustic-driven grooves as thick as molasses. A subtle blend of blues, country, folk and southern rock runs right down the middle of “You Took Me”. “Musicians’ musician” is an overused term. Why wouldn’t anyone with two good ears appreciate Jim Wyly? As Jim doesn’t cater

Hanen Release Brand New Video For The Song “Breathe”

It’s never been easier for artists to stay independent. Of course you can get good music producers, good visual directors for videos, good rappers and good singers to feature on your track without a great budget, but you have to search the world over to find deals you can afford, or convince creatives to work with you. Texas born artist, now living in the LA area, Hanen, somehow got it all together on his latest track called “Breathe”. He sings soulfully and raps with an urban edge all by himself, backed by an atmospheric slow-burning, and ear-warming beat made by

Angry B – “Hey Corona! (Nice to Meet Ya)” – reflects the realities with a good dose of wit

On his latest single, “Hey Corona! (Nice to Meet Ya)”, underground music hobbyist Angry B pinned his rap skills and dark wit, to the sounds of mainstream pop and a funky EDM template. He blurs the lines between genres with the top of the charts — and only the top — in his sights. As can be deciphered from the song title, Angry B pulls his aspirations from the dramatic Covid-19 disease hitting mankind across the globe. “It’s one of the most critical situations we’ve had and there will be a lot of sad stories connected with it,” says Angry

Izzie’s Caravan – “Leo’s Guitar EP” – an understated guitar virtuoso

On the recording, “Leo’s Guitar EP”, Izzie’s Caravan and his guitar conspire to use every single crayon within the blue color box to deliver one of the best underground independent studio blues releases I’ve heard this year. Among others, Izzie takes his cue from greats such as Lightnin’ Hopkins, Buddy Guy, John Lee Hooker, and Eric Clapton. So you can expect a wide and wholesome finger bending spectrum of sounds. The aforementioned guitar heroes are points of reference, not simple deductions for resemblance. The opening song, “Two’s In The Bush”, has a highway drive, and jangly timbre that’s upbeat and

‘Mind Blown’ – The Video and Brand New Single by EyeKonic

EyeKonik is an artist with a focus on creating punchy and appealing pop music with a personal twist. Recently, he released a brand new single called ‘Mind Blown’. What really makes this track stands out is definitely the fact that it’s so well produced, and the performance value is excellent as well. EyeKonik sings with passion and intensity, and the artist’s vocals soar through the atmospheric melodies and punchy tones of this mix. Fans of artists as diverse as Mac Miller, Michael Jackson, Prince, and Eminem are definitely going to enjoy this amazing single. Check out the newly released music

Sundance Jump with W. Dire Wolff release the Indie Rock Video “Zodiac Killer”

Zodiac Killer is a wild Indie Rock song with crazy slide guitar laid over a rockabilly beat. The song is about a woman who frequents a night club called Zodiacs by nights, and cruises around town by day. Deep Purple Sage is a CD, Vinyl, and Digital release by Sundance Jump with W. Dire Wolff. The album blends Alternative Rock with Psychedelic Acid Rock. Recorded in Joshua Tree, California at Skylab Studios; the album has an underlying desert theme.  The LP is recorded in the old school style of Acid Rock vintage tube amp guitar sounds, mixed through analog

The Jake Stutsman Band – “Drifter” delivers a vast range of impressive nuances

How do you blend the big band sound, with cinematic electronics and guitar pyrotechnics? You infuse the influences of Stevie Ray Vaughan, Eric Clapton, and Robert Cray, with The Brian Setzer Orchestra and allow it to instill and mature in the mindset of an Alaska based musician, Indiana native, father, husband, and guitar player who goes by the project name of The Jake Stutsman Band. The proof of the materialization of the aforementioned amalgam can be savored in the single “Drifter”. Guitarist Jake Stutsman arrived at this project via concert band experience and a 3-piece instrumental progressive rock band, called Sonic Karma which he founded with school mates.

Balancing between big-room melodic electronics and old-school guitar progressions, “Drifter” delivers a vast range of nuances that will satisfy your needs. Embracing the current trends in EDM to utilizing non-electronic elements, such as the electric guitar, the single builds into a full-blown orchestrated anthem.

Stretching just over 3-minutes, the instrumental track settles into a driving groove, where the guitar melody arrangements allow for breathing room between the massive synth and percussive peaks.

There was much excitement and a high level of expectation when I first loaded this single into the player, especially during this time of an ever changing musical expectation from the rise of lesser known underground artists.  What can we expect from this single? Well for starters “Drifter” exceeds expectations, as The Jake Stutsman Band captivates, intrigues and moves the listeners to new sonic heights with an unusual blend of styles and genres on one single track.

The song comes alive with the strong guitar voicings enclosed around inspiring chord progressions and a very uplifting bass line. Intense and euphoric; “Drifter” emblematizes the artistic diligence that ceaselessly drives Stutsman throughout this project.

And is ample proof of the artist’s exhaustive commitment to his craft. The dexterity of Jake Stutsman’s production, paired with his acute ear for the radio-driven maximalist sound that befits today’s airwaves are apparent on this track.

Neatly packaged alongside the aforementioned elements, “Drifter” also exudes Stutman’s affinity for the larger-than-life instrumental domination that resides on this track. And with the same stroke of his pen, Jake Stutsman effortlessly turns the musical tables with inclusions that scale modern guitar music’s stylistic continuum.

The delight of “Drifter” is the question that it begs: does The Jake Stutsman Band have a sonic comfort zone? If it does, it’s nearly impossible to discern along the chromatic length of this nuanced single.

From the fiery guitar plucks to the thumping percussive motifs and the gargantuan synth-lines, Jake Stutsman proves he trembles at the foot of no aural opportunity. With its broad assembly of sonic elements, anthemic chord progressions, instrumental constructions, and ear-catching concepts and guitar hooks – across this studio showing – resonate poignantly or spike listeners’ adrenaline (often both successively).

“Drifter” is proof not only of The Jake Stutsman Band’s creativity, but also of the artist’s absolute performance ardor. Sheer talent and hard work are keywords here.



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