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They maintain their glossy, radio-ready pop sensibilities, but infuse it with a definite alternative rock crunch and bite. The band have clearly improved on every level, becoming a very tight, top tier unit. Plus, the production crew’s crystal clear mixing not only enhances all of Between Giants’ strengths, but also successfully blended their cutting rock edge with the gorgeous melody and soaring vocals.

The tune ends up sounding extremely compact, while going through multiple nuances. The heavy-soft contrast is present, albeit in a smooth form. Pat Williams is impressive, showcasing busy, but tasteful drumming throughout. He manages to balance highly technical patterns with breezier ones.

Tyler John does a wonderful job crafting jaw dropping vocals and kick-ass guitar motifs. At the same time, Hans Massaquoi’s keyboard lines are just as ingenious between the band’s interplay. There is no shortage of instrumental inspiration, making it clear the band worked tediously on this track and it pays off.

The “Play Dead” soundscape is one of the band’s most infectious instrumentals, pushing the lovely vocal performance of Tyler John right to the front. The blissful portions – between verse and chorus – are cut by gritty guitars, squealing synths and smashing drums, as everything is carefully and perfectly arranged.

Their engrossing musicianship gives off the sound of powerful determination. This track alone showcases how well Between Giants’ balances their technical side and emotional side with ease. At this point in time, it’s quite difficult for any band to create something that’s both innovative and original, with so much music being constantly released.

However the key is to make whatever you’re doing, engaging enough to grip the listener from beginning to end. In Between Giants’ case, their newest outing completely nails it. They excite due to their energetic passion, gripping songwriting, impressive vocals and ability to transcend any one genre you want to lock them into. “Play Dead” will consistently get your blood pumping.

The song drops officially on the 17th of April.

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