INTERVIEW: Marc Marut of Cool Ass

Cool Ass was created by Marc Marut, with a sound that’s reminiscent of 90’s alternative. Combining a hard hitting, toe tapping, energetic rock style with other influences, Cool Ass music gets people moving as much as the lyrics get them laughing. Not only is Marc a musician/songwriter, he is also an accomplished actor. He has starred in feature films such as “The Paperboy (1994)”, as well as many TV shows such as “Goosebumps” and “Road To Avonlea”. Marc does all the composing, recording, and audio engineering himself. Can you tell us a bit about where you come from and how

Lino Camilo drops the video for new single ‘shut the fuck up’

Lino Camilo’s new single ‘shut the fuck up’ is an answer to a busy society, a noisy mind, and a cathartic outlet for pent-up aggression and transgression. The video features Viennese buildings of the renaissance, hinting at a sense of rebirth while balancing imagery of the innocent with the promiscuous. Connect with Lino Camilo on INSTAGRAM and SPOTIFY 

Social Distance – “I’m Outside Your House” – takes the spirit and emotional energy of classic punk-rock and add a more mature flavor

The Los Angeles punk band, Social Distance could easily have fallen into the trap of focusing on their female lead singer as eye candy and letting image triumph over quality music. Instead they have managed to avoid doing this and just focus on crafting brilliant punk-rock tunes instead. In an age when image and marketing nearly always take priority over substance Social Distance should be cherished. “Quarantine brought us together,” says the band. “We play because we’re musicians and we are not really good at much else.” If you are sick of fake image focused bands and artists who put

Ike Tanner – “Garden Talks” – a string of brilliant vocal performances

Ike Tanner is a 21 year old Music artist From Russellville AL. He is The CEO of YungGMusic & Gravity XO which are Film/Music Marketing Companies. He has 3 music artists from Alabama, namely JayGoldz, Trench Godd and Yung Cody TYBG signed to a marketing contract with his companies. Tanner is currently promoting his mixtape “Garden Talks”. Tanner’s style, lyrical content and overall attitude as expressed on this mixtape reflect a rapper trapped in the body of an R&B singer and a rockstar. His rich timbre and genre bending implies an influence of esteemed hip-hop singers. Combining soulful singing with

Mason Monroe and Haze present the visuals to “Crown” the first single from the project “Genesis”

Underground Tampa artist Mason Monroe has been on the prowl undercover for years all throughout the south and east coast. As an event curator and local promoter Mason has worked with his team to piece together shows and tours for artist such as Young Bans, Xavier Wulf, Famous Dex, Kid Trunks, Yund Simmie, Key!, and other major artist in aid of their early careers. From there they started creating a sound that can only be described as his own. The song “Crown” ft. Haze, is an introduction into the world of cadence and rhythm, in which he thrives in. 

Zoey The White Lioness – “Annihilation” – beautiful and brutal!

Zoey The White Lioness has the most incredible and unusual female voice you’ll hear this year. She can bring the heavy while keeping the melody in check, delivering thought provoking angst-filled lyrics. She’s amazing, really. The guitar riffs are tight, massive, and atmospheric, while, the presentation is both bombastic and stylish. A determined and fierce hard rock artist, Zoey strives to put out quality content complete with harsh realities, personal mental struggles, and songs of pure angst. The EP, “Annihilation” is an incredible effort by an incredibly original and talented woman. Zoey The White Lioness demonstrates that she has one

Swamp Doctor Drops Official Video for “Goodbye To Nashville”

Swamp Doctor’s second single “Goodbye To Nashville” is taken from his Debut Album ‘The Swamp Doctor’ released on Silverfox Records Internationally on the 21st August 2020. “Swamp Doctor’s voice puts me in mind of 70’s crooner/whistler Roger Whittaker, It’s so deep (it’s so deep) and has the same comforting tone that brings back childhood memories for me.” – Forever British Country  OFFICIAL LINKS: SILVERFOX RECORDS: YOUTUBE: FACEBOOK: APPLE MUSIC: AMAZON:

Neptyoon – “Laid Back” – expect moments of pure mesmerism on this track

Influenced by artists such Juice Wrld, 50 Cent, Future, Jay Z, Kevin Gates, Project Pat, Juicy J, and more, Neptyoon makes music that kids can, and do relate to. His brand new release is entitled “Laid Back” produced by CJ Beatz, LLC. Fueled by weed and chilling with his homie, Neptyoon recorded this track on a laptop in the heat of the moment. “Laid back getting high, yeah. I’m just tryna to smoke. Stay fly go away and die,” sings the rapper, as he makes his thoughts clear: “Life been getting to me. I don’t know which way 2 go.

G Angels – “Born” – a true genre-transpiring gem!

G Angels is an independent group that released their debut single “Never Confident” on 24th May 2020. The group consists of singer-songwriter Gleb, and composer, engineer, and sound producer Tosha, who initially made electronic music. The duo, who create in different styles and genres, released their second single, “Born” on July 24, and the track shows a remarkable amount of confidence. And that’s a fantastic thing for a new group. Through the atmospheric buildup of the opening bars, though the spectacular swirling verses, and right up to the aching choruses, the darkened atmosphere is as relentless as it is cohesive

Paolo Virdis is back on the scene with a new release: “Abisso” (Abyss)

Paolo Virdis is back on the scene with a new release: Abisso (Abyss). A brand new production with a tech feel and other influences. Artist and producer Paolo Virdis is back on the scene with a distinctive sound and a one-of-a-kind attitude. His most recent release is titled Abisso (Abyss), and it showcases some of his best creative output to date. The track has a distinctive beat and a nice layering of synth parts, reminiscent of techno, as well as trance music and other EDM currents. This production has a nice retro vibe, but it also feels compact and direct.

Terry Blade – “Misery (Mastered for Headphones)” magnificently fuses urban contemporary and indie-soul

Chicago’s Terry Blade makes no missteps on his EP “Misery (Mastered for Headphones)” – it’s truly consistent from start to finish. That said, there are some awesome songs, many of which could duel it out for the title of crowning achievement. The opener “The Unloveable” for example, magnificently fuses urban contemporary and indie-soul, tapping into acoustic guitar motifs for some stunning contributions. The cut is dark and enigmatic and finds Terry directly referencing his emotional deficiencies. “Tell me who’s gonna love me like this. A soul in constant crisis. The future is not the brightest, in self-imposed silence.”

Notably, in line with the majority of the album, sexuality and mental illness plays a sizable role, in the song narratives.  Terry Blade often affronts issues affecting the black and queer communities, but the truths he divulges have genuine universal appeal.

“The Mentally Ill” has a legitimate argument for being a crowning achievement, with its sad and melancholic demeanor: “I’m so unhappy, bitter and nasty. And that’s why I’m incapable of love,” sings Terry.

But arguably the biggest, most transcendent statement of love lost arrives on “The Widow”. “You left so suddenly, had no time to make a recovery. So much to do. Carried you in a hearse, who knew that you’d be first. I had no clue. Now I sit here feeling gray and sobbing, that type of pain just don’t go away. I’m not a weeping willow, just a breathing widow who has lost a superhero.”

As infectious as “The Broken” is, it’s the message behind it that carries the most weight. Terry speaks directly, his voice powerfully resonant in its plea: “If I wasn’t broken, would you have even noticed me? And if I weren’t so spoken, would I be your cup of tea?” The transcendence comes in the afflicting sentiments Terry infuses into his lyrics. These are not simple words of circumstance, these are sharpened arrows, shot straight from the heart.

The slow burning groove and strummed acoustic guitar that is irresistibly delicious on “The Other Side”, doesn’t cover the sensational, nuanced lead vocal performance, and the mellifluous harmonies. “Tick Tock (The Lonely)” closes the recording on another high technical note, with an interesting vocal arrangement.

All throughout “Misery (Mastered for Headphones)”, Terry Blade puts his artistic skills to use in full, reaching new emotional and technical heights while delving into heartbreaking lows. Terry manages to strike a remarkable balance as he lays scenes of personal pain before us, bare and brutal, and shows us how this affects him and fits into a larger landscape of widespread trauma.

Unusually for contemporary R&B/Soul, Terry Blade’s songs seem mostly to have been produced with dominant clean guitars, giving them a rootsy core that’s rare in most popular music today. Terry uses melody and space beautifully over downtempo rhythms, slipping between styles with authority and authenticity. And as personal as the recording may be at times, it’s also a universal take for anyone who’s experienced a troubled and afflicted life or shared time with anyone who has.



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