Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Joe Bonamassa Upcoming Album and Tour Dates

Joe Bonamassa has set a May 22nd release date for his 13th solo album, Driving Towards The Daylight, which features an array of guest players including Aerosmith guitarist Brad Whitford.

Driving Towards The Daylight was produced by Kevin “Caveman” Shirley (Black Crowes, Aerosmith, Led Zeppelin) and to get fans ready a new reality mini-series has premiered online and a free song download will be coming soon.

Apart from Whitford, the album also includes guest spots from Blondie Chaplan (guitar), Anton Fig (drums and percussion), Arlan Schierbaum (keyboard), Michael Rhodes (bass), Carmine Rojas (bass), Jeff Bova and The Bovaland Brass, Pat Thrall (guitar), and Brad’s son Harrison Whitford (guitar).

Brad Whitford, speaking from the studio in Vegas, said, “This is definitely more influenced by the stuff that the guys and musicians in this room love, early ’60s English and American rock and blues. I guess we’ll never get that out of our system and its fun to come in here and find our own path down that highway.”

To support the release, Bonamassa’s label J&R Adventures premieres the reality mini-series “Countdown to Daylight” which debuts today and can be viewed here. The official music video and free download for title track “Driving Towards The Daylight” will be unveiled on May 1.

Recorded at Studio At The Palms in Las Vegas, NV, The Village Recorder in Los Angeles, CA and The Cave in Malibu, CA, Driving Towards The Daylight is a balanced back-to-basics album that highlights Bonamassa’s signature style of roots blues with rock-and-roll guts, while honoring the traditions of the original blues musicians. “We’ve taken some really traditional old blues songs – the Howlin’ Wolf song ‘Who’s Been Talkin’?’ and the Robert Johnson song ‘Stones In My Passway,’ and we’ve tried to imagine how they would do them in a rock context,” said Shirley. “It’s a very exciting return to the blues in a very visceral way. It’s vibrant and it’s gutsy and it’s really, really rugged.”

The album features four Bonamassa-penned originals including the bruising opener “Dislocated Boy,” the road warrior title track (and first single) “Driving Towards The Daylight,” “Heavenly Soul,” and “Somewhere Trouble Don’t Go.” Other tracks include Bonamassa’s versions of Tom Waits’ “New Coat Of Paint,” “Lonely Town Lonely Street,” by Bill Withers (Lean On Me, Ain’t No Sunshine), “A Place In My Heart” by Bernie Marsden of White Snake (Here I Go Again), and “I Got All You Need,” by Willie Dixon, widely considered the “father of modern Chicago blues.” On the album closer, Australian rock singer Jimmy Barnes sings lead vocals on his 1987 hit “Too Much Ain’t Enough Love.”

Tracklist
1. Dislocated Boy
2. Stones In My Passway
3. Driving Towards The Daylight
4. Who’s Been Talkin’?
5. I Got All You Need
6. A Place In My Heart
7. Lonely Town Lonely Street
8. Heavenly Soul
9. New Coat Of Paint
10. Somewhere Trouble Don’t Go
11. Too Much Ain’t Enough Love (w/ Jimmy Barnes)


U.S. SPRING AND FALL TOUR DATES:
04/17 Los Angeles, CA Saban Theatre
04/19 Fresno, CA William Saroyan Theatre
04/20 Reno, NV Reno Events Centre
04/22 Salt Lake City, UT Abravanel Hall
04/24 Denver, CO Paramount Theatre
04/26 Omaha, NE Civic Music Hall
04/27 Wichita, KS Concert Hall
04/29 Oklahoma City, OK Civic Ctr Music Hall
05/01 Springfield, MO Juanita Hammons Hall
05/02 Topeka, KS Topeka Pac
05/03 Des Moines, IA Civic Centre
05/05 Indianapolis, IN Murat Theatre
05/07 Evansville, IN Aiken Theatre
05/08 Springfield, IL Sangamon Auditorium
05/10 Nashville, TN Tennessee PAC
05/11 Lexington, KY Rupp Arena
05/12 Pittsburgh, PA Benedum Center
05/14 Red Bank, NJ Count Basie Theatre
05/16 Buffalo, NY Shea’s PAC
05/17 Syracuse, NY Landmark Theatre
05/19 Hartford, CT Mortensen Hall At Bushnell
05/22 Providence, RI Providence PAC
05/23 Portland, ME Merrill Auditorium
05/25 Hampton Beach, NH Hampton Beach Casino

10/13 Honolulu, HI Hawaii Theatre
10/30 Dallas, TX Music Hall At Fair Park
11/01 Tulsa, OK Brady Theatre
11/02 Kansas City, MO Kansas City Music Hall
11/03 St. Louis, MO The Fox Theatre
11/06 Merrillville, IN The Star Plaza
11/07 Ft. Wayne, IN The Embassy Theatre
11/09 Cincinnati, OH Taft Theatre
11/10 Columbus, OH Palace Theatre
11/13 Toledo, OH Stranahan Theatre
11/14 Youngstown, OH Deyor PAC
11/16 Rochester, NY Auditorium Theatre
11/17 Toronto, ON CAN Roy Thomson Hall
11/20 Springfield, MA Symphony Hall
11/23 Long Island, NY Tilles Center For Performing Arts
11/24 Washington, DC Warner Theatre
11/27 Charleston, WV Clay Center
11/28 Durham, NC Durham PAC
11/30 Columbus, GA River Center
12/01 Biloxi, MS Mississippi Coast Coliseum
12/03 Greenville, SC Peace Center PAC
12/05 Montgomery, AL Montgomery PAC
12/07 Tallahassee, FL Tallahassee County Civic Center
12/09 Jacksonville, FL The Florida Theatre
12/10 Orlando, FL Bob Carr PAC
12/11 Melbourne, FL Kings Center For The Performing Arts
12/13 Hollywood, FL Hard Rock Live
12/15 Ft. Myers, FL Germain Arena

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.