LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

Signed to Big Top Entertainment L.L.C, along with the production team Cali 303, Luis Torres aka LU, is a Mexican singer-songwriter and engineer, born in the city of Guadalajara. He migrated with his parents at the age of one where his family settled in Colorado. Produced by Kxvi, LU’s debut single “Ride or Die”, also features R&B singers-songwriters, Omari Night and DazeOnEast. This is perfect melodic R&B/Pop record, as LU and his crew know melody, quickly laying down the narrative’s overriding tone: “Girl You Know that I am down for you, in the fire shooting rounds for you, ain’t no

Gabe Lopez – “End Of The Lost Summer” deserves top level recognition!

It is extremely rare to come across an artist like Gabe Lopez, who is poised, multi-talented, bold, self-confident yet humble – and surprisingly, one whose name you should already be very familiar with. The reasons are evident. Gabe Lopez is a Billboard Top 5 singer-songwriter and producer, who has produced and written recent music for Belinda Carlisle, New Kids On The Block, RuPaul’s Drag Race, Twice, Key and other multi-platinum artists. He has also produced and written for Joey McIntyre, Charice, James Brown, The Other Two on Comedy Central, SHINee, Tae Yang, VeriVery, DreamNote, Gayme Show, American Idol finalists and

Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Christopher Lee: “Charlemagne; The Omens of Death” Movie Legend To Metal Star!

Christopher Lee, the legendary movie star (The Lord of the Rings, Star Wars, Dracula, The Man with the Golden Gun), released his Heavy Metal album titled “Charlemagne; The Omens of Death” on his 91st Birthday (27th May 2013). The album is available on Audio CD, a 2 Disc Gatefold Vinyl and Mp3 Downloads.

“Charlemagne; The Omens of Death” is already Christopher Lee’s fourth full length album, and while his previous release, “Charlemagne;  By the Sword and the Cross”, was more symphonic metal, this is outright heavy metal.

The album features the award winning guitarist, Hedras Ramos, and showcases arrangements by Richie Faulkner (Judas Priest), whose mark is clearly evident. The album dishes out classic hard core metal, overflowing with power riffs, melodic hooks and some serious shredding. A quick listen to “The Ultimate Sacrifice” and “Let Legend Mark Me As the King” will clear up any doubts you may have.

Lee, who is supported by a variety of voices on the album, is the lead vocalist and narrator, portraying Charlemagne in first person. The vocal interpretation, both spoken and sung in his apocalyptic baritone, is as always nothing short of epic. “Judgment Day” and “The Siege,” evidences the immensity of the tonal prowess Lee still possesses in his voice at 91 years of age!

“Charlemagne; The Omens of Death” sounds like Heavy Metal before the genre had all of the Rock & Roll stripped from it. It has those classic metal roots, which presents the album refreshingly full of rich textures, as well as being plenty fast and heavy in places. “Charlemagne” is not sludgy and mechanical like a lot of contemporary metal, so the most striking thing about the album, over and above Christopher Lee’s performances, is the bringing back of how dramatic and exciting metal music used to be. Nowadays, even the best bands of these genres seem to be incapable of the sheer intoxicating fervor of this pure classic metal sound.

The album’s momentum does lull at one or two tiny points, where maybe a couple of bars or so, aren’t as thrilling as the surrounding material, but the arrangements quickly get back on track with the roller-coaster guitar runs, and they certainly make up for the brief lapses within this adventurous musical storybook.


Without being too presumptuous, Christopher Lee and “Charlemagne; The Omens of Death” rules. If you think that this may be mawkish or dated, you haven’t actually taken the time to listen to the work, and you are doing yourself a great disservice. Don’t confuse this with the throwaway nostalgia that is being released by scores of imitators. Powerful, pounding, creative, fiery, and epic – if those are some of the words that describe the music that you are searching for, then look no further than “Charlemagne; The Omens of Death”.

And then there is the legendary Christopher Lee. Word has it that Charlemagne, the most powerful man in Europe during the First Century A.D., is in fact Lee’s ancestor on his mother’s side of the family. But what ultimately will impress the listener most is Lee’s consummate performance amidst the grind and fury of a never relenting metal soundtrack, as he brings Charlemagne’s battles and conquests right into your sound system.

If you like hard rock or metal you owe it to yourself to get this album, it is consistent all the way through, and the musicianship is superb.



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