Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Marshall Artz Productionz – “Go Missing” ft. SeanQ – is incredibly hypnotic, with crystal-clear production

Released Aug 28th, “Go Missing” Prod. by Marshall Artz Productionz, is the producer’s 3rd single release since June. The track will be featured on his upcoming 2021, self-titled LP “Marshall Artz Experiment”. The song features singer-songwriter SeanQ, from Dallas, Texas. The producer’s blend of R&B-inspired neo-soul and smooth chill sounds becomes its own entity within the hip-hop and urban music world. Marshall Artz Productionz work should gain high appraisal through its colorful and subtly amped vibes that play to any genre lover’s ears alike. After listening to this track, I expect that the outpouring of demand for more of the

Evie Calabasas – “STARGIRL” – strong, sensitive vocals and soul-baring songs

Evie Calabasas is a 20 year-old singer and songwriter. She started playing guitar at the age of 6 and started singing at 15 years old. After attempting to be part of band on numerous occasions, Evie finally opted for a solo career. Her first solo project, the 3 track EP “STARGIRL”, has its title inspired by the first song she ever played live.  It is a tempered and exceptional record. It shakes, rattles and rolls with minimal, almost absent percussion, a dominantly strummed acoustic guitar and occasional keyboard interludes. Above all, is Evie Calabasas’ voice, which delivers an untethered, sweetly

Baby Lu releases her first single “Bad Stuff” on all major streaming platforms

Luna Elisabeth Jezebel Pool aka Baby Lu was born on February 5, 2002 in Frankfurt, Germany. Lu began singing and songwriting in her early teens and went to several music auditions where she was rejected because of her young age. She then decided to start making her own music after graduation in 2018. As she didn’t have any connections yet she wasn’t able to produce something properly. In 2019 she met the producer Austin Asiegbu (2aBeaatz) and started to produce her own songs. Pool has cited Adele and Demi Lovato as her major musical influences. Her other influences or inspirations

Where There’s A Will – There’s A Way!

Where There’s A Will – There’s A Way! That’s the way Will Ready lives his life, no excuses, no regrets, and no looking back. Just like fine wine, Will has gotten better with time. With over 25 years in the music business, 7 albums and numerous tours, Will is ready. Singer/Songwriter/Producer and Showman, Will is the complete entertainer. His blend of R&B, Soul, Jazz has earned him welcoming fans in Europe, Japan and The Caribbean. Will attributes his silky seductive style to his love of R&B, Soul greats like, Charlie Wilson, Maze Featuring Frankie Beverly, Ron Isley, Marvin Gaye, Luther

Rockstar Marcus – “Wavy” – a knack for real melody and a great sense for catchy production

Rockstar Marcus is a melodic/ emo rapper from New Orleans, Louisiana. Combining soulful singing with a touch of rap and a slew of talent, the artist’s single, “Wavy”, induces us to take a serious look at the artist’s past releases, while he drops an ambitious message for the future. As soon as the mellow sentimental mood begins to kick in, one is reminded of the psychedelic image of fluctuating soundwaves as the song plays. The beat rising and falling with Rockstar Marcus’ masterful voice and atmospheric instrumental taking us on a mesmerizing journey. The summer vibe of the song is

Bernie Aka Birdbadas – “Sensual” shows a unique flexibility and verve

Bernie Aka Birdbadas wears many hats. He is an indie artist, producer, vocalist, rapper, poet, break-dancer and graffiti painter from Glyngore, Denmark. Most importantly, he is currently promoting his double single project, called “Sensual”, featuring the title track and “Everybody Wants”. In mixing and melody, these tracks are closer to uplifting trance and groovy house than anything else, and Bernie puts his bass front and center. His arrangements, consequently, are beautifully economical. Yet Bernie Aka Birdbadas manages to craft tracks far beyond the sum of their parts. In the wrong hands, the sonics he toys can sound overdone or repetitive,

Walker’s Cay paint a musical tour de force!

Walker’s Cay is an original rock band based out of Toronto, Ontario, Canada.  Members include Gary LaBarr, (Vocalist/Rhythm Guitar/Keyboards), Mike Swain, (Lead and Rhythm Guitars), Tim Morrissey (bass) and David “Dave” Pistilli (Drums). The band, who gets its name from an “out island” in the Bahamas, is stylistically and technically reminiscent of bands such as Styx, Journey, Def Leppard, Toto, and Heart. Walker’s Cay is currently touting two singles – “Why Oh Why” and “Tell Me”. Some outstandingly gentle, acoustic-guitar-laden melancholy can be found in the opening of “Why Oh Why”. The band’s intent is not too apparent from the

Hooyoosay: Come On Ep – Savor The Swinging Sixties!

Sometime in mid-year we reviewed Hooyoosay who we branded as a group that dabble in the past and play with the future. They drag out covers and stir in some originals, all the time dipping into an immense baggage of rock n’ roll elements, dance rhythm essentials and party music rudiments. This is practically classic Pub rock dragged into the new century by its ears!” Now Hooyoosay are back with a new single/EP and video. The EP follows on from the more pop orientated previous Hooyoosay releases Don’t You Lie To Me and Yooplaaa! By their own admission these new tracks pick up the taste for rock and blues of their full-length “In dekay”. This time they are again revisiting some old Rolling Stones material – with Come On and The Under Assistant West Coast Promotion Man.

The latter was originally recorded by the Stones for their 1965 album Out Of Our Heads and this version (Stones fans will be pleased to know) pays homage to the original and doesn’t stray too far away from the raw blues feel from the sixties. Out Of Our Heads itself consisted mostly of cover versions but The Under Assistant West Coast Promotion Man was their own composition albeit under the pseudonym of  ‘Nanker Phelge’. Come On is a more well-known Chuck Berry track from 1961 that the Stones covered and released as their first ever single in 1963.

“Come On” is good clean audio, no gimmicks, soul throughout, splendid musicianship, unfussy production, terrific songs and Hooyoosay on top form. This is just all grown up, warm, wonderful and acerbic music. Music like this just shows how shite commercial radio is.

Nearly fifty years have passed since these songs first hit the air, yet Hooyoosay reproduce it with the same intensity of that youth gone by; only their playing is more relaxed and considered. Listening to this Ep, you get a strong feeling that the musicians loved making it, as they did their previous releases. They keep the music polished and unfussy, and while the original influences are there, they never ever sound like being a copy of anyone.

Like almost all the Hooyoosay material, this will transport you back to the great sixties sound – if you had the privilege of being there in the first place you’ll really appreciate the sounds and atmosphere. If unfortunately you are too young to have been there, well then now’s your occasion to savor the swinging sixties!

Hooyoosay also cross lines and borrow from 80’s new wave sounds and even go as far as the jangly  pop-punk sounds of Green Day and Blink-182. Not only has this band released outstanding music, but their song choices showcase almost forgotten classics. Of course, what really matters is that Hooyoosay always deliver an astonishingly vibrant and inspired collection of songs, as they have done here, yet again.

All I can say is that the world would be a far poorer place without the soaring sixties’ melodies and riffs, as authentically reproduced by Hooyoosay!

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