Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Red Martian: “Ghost Into The Fog” – showcases wonderful arrangements and sonic textures

On the fringes of music you can find some really spectacular things. It’s a journey that’s often worth taking- trying to scope out artists doing something unique and passionate in the face of everything corporate and plain. Here’s one of those few examples of true gems that can only really be found with a little searching. Formed in 1999, Red Martian came out of the DIY punk scene in Seattle, WA. Drawing influences from My Bloody Valentine, New York Dolls, and Iggy Pop. Having previously released five CDs, six vinyl LPs, and four acetate limited-edition EPs on the band’s own label (Bughlt Records), Red Martian is proud to be back with its sixth studio album, “Ghost Into The Fog”.

red-martian-250Red Martian is both creative and focused. Their sounds are beautiful and skillful. They are talented in all areas, both musically and lyrically. The crunchy guitar sounds drone, bob and weave, bringing songs to a haunting conclusion. They showcase wonderful arrangements and sonic textures. The songs, at first, sound distant and detached. However, continued exposure will have you thinking, “Wow.” The title track, “Ghost Into The Fog” is an amazing song, which leaves you breathless and emotionally spent, after only 2 minutes and 35 seconds.

If you like alternative rock music and creative guitar work, don’t walk…run and buy this album. It’s wonderful music. Instead of solos or instrumental breaks that usually showcase any guitarist’s formidable skills, Red Martian opt instead for using the six-stringed instrument as a means of texturing and coloring each song. This is best accomplished on songs like “NONE”, “UNDERTOW”, “USE” and “WON’T”.

red-martian-drumsUsually shoegazer music is much too slow and sludgy for me, but Red Martian puts a new turn on proceedings; they have some power chords, killer riffs and bone-crunching crescendos that it’s almost unfair on their competition. So much so, that if it wasn’t for the song “INGENTING”, I would have forgotten that they use synths too!

The songs on “Ghost Into The Fog” transports you, at the same time it evokes pensive thoughts and draws out dormant emotions. Though the guitar work is superb, dense and emotional and is probably the core of the album. This is not to say that it overshadows the rest of the elements of the band or its music. The lyrics are also big part of the reason why you can listen to this album for days on end. Even in some of its straightforward simplicity, there’s always a line or phrase to latch onto and ponder or smile and sigh about.

Perhaps the most outstanding thing about Red Martian is their seamless blend of electronic, rock, indie and shoegazer. The vigorous electric riffs, sprawling ethereal melodies and the whirling, muscular guitars create an interwoven mash without so much as a hiccup. At first listen, it seems like A fairly typical alternative-rock/shoegazer experience, but upon further listening, the enchantingly experimental angles of the music begins to filter itself fully into your brain.

red-martian-350“Ghost Into The Fog” is uniquely moving and works well on a bunch of emotional levels. It’s difficult to find a musical flaw in here. The album is fiercely adventurous, brooding and expressive, and it’s easy to get hooked after some intensive listening.

Inventive and enticing, this is a breathtaking voyage into a majestic, vintage, non-corporate alternative rock world. Legendary Producer, Gordon Raphael (The Strokes, Regina Spektor) did a great job with the production of this album and deserves a lot of credit too.

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