Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Marshall Artz Productionz – “Go Missing” ft. SeanQ – is incredibly hypnotic, with crystal-clear production

Released Aug 28th, “Go Missing” Prod. by Marshall Artz Productionz, is the producer’s 3rd single release since June. The track will be featured on his upcoming 2021, self-titled LP “Marshall Artz Experiment”. The song features singer-songwriter SeanQ, from Dallas, Texas. The producer’s blend of R&B-inspired neo-soul and smooth chill sounds becomes its own entity within the hip-hop and urban music world. Marshall Artz Productionz work should gain high appraisal through its colorful and subtly amped vibes that play to any genre lover’s ears alike. After listening to this track, I expect that the outpouring of demand for more of the

Honey Beard: “THOUSAND MILLION THINGS” – The songs are both beautiful and thought provoking

Honey Beard is an Irish/Canadian Electronic Dark-Pop duo from Toronto, Canada. They have been creating music since 2012 drawing on early inspirations such as Depeche Mode and The Doors.  Honey Beard released their debut EP “THOUSAND MILLION THINGS” back in June 6th 2015 to much fanfare and have since been touring all over Canada in support of its release finally finishing up back in Toronto in time for their 2015 Indie Week showcase in October.  Honey Beard followed up a successful year of shows with a TIMA nomination (Toronto Independent Music Award) for best pop act for 2015.

I review music on its individual strengths and weakness and not moronic comparisons to other groups or records of the past. And though I could easily correlate Honey Beard with half a dozen superb electronic bands, not least my all-time favorite Depeche Mode – the bottom line is, as a body of work, a “THOUSAND MILLION THINGS” features superb songwriting, musical arrangements and synthesizer programming. The music is simply that good. Somebody else cited this album as an example of incredible synthesizer production. He’s right. My mind was blown. Each song has some hook that grabs your attention and then sucks you in.

Honey-Beard-ProfileMoreover, when listening to the lyrics on this album, you can really feel all the emotions in the songs, which I think is part of what makes it so great. The songs are both beautiful and thought provoking – there are emotions there that I think anyone can relate to. Obviously the words or lyrics of any song need to be translated into audible emotion to really capture the listener’s attention and empathy. A simple task for Honey Beard, considering they handle the lead vocals and harmonies excellently.

“THOUSAND MILLION THINGS”, I don’t think is intended to be the hyped- mainstream, commercial music that is out there, instead the duo keep their integrity and uniqueness in adhering to their dark and intricately developed compositions. Notwithstanding this fact, Honey Beard’s music will grow on you for two main reasons: their portentous and uncompromising music helps to connect with a part of the human psyche and soul that many groups fail to capture. The psychotropic beats are an addictive pulsating cure and a hypnotic source of therapy.

In “THOUSAND MILLION THINGS”, Honey Beard will transport you with their alternative synth/pop sounds into futuristic places, into your own dark emotions and into a ray of hope amidst your struggles and dour existence. Technology has matured to a level that permits such artists as Honey Beard, to create beautiful melodic tapestries on which to ride the senses and imagination, while maintaining a touch of vintage. Something they do extremely well right from the opening track, “Drive” and then ably continue, in “Stretch in the Evening”, “Electromorphosis”, “Into The Night” and “Superstellar”.

“THOUSAND MILLION THINGS”, truly shattered all of my expectations. Having listened to it numerous times, I can say with a pure conscience that there’s not a single dud – in fact, there’s not even one song that I’ve had trouble warming up to on the very first listen.

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