LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

Signed to Big Top Entertainment L.L.C, along with the production team Cali 303, Luis Torres aka LU, is a Mexican singer-songwriter and engineer, born in the city of Guadalajara. He migrated with his parents at the age of one where his family settled in Colorado. Produced by Kxvi, LU’s debut single “Ride or Die”, also features R&B singers-songwriters, Omari Night and DazeOnEast. This is perfect melodic R&B/Pop record, as LU and his crew know melody, quickly laying down the narrative’s overriding tone: “Girl You Know that I am down for you, in the fire shooting rounds for you, ain’t no

Gabe Lopez – “End Of The Lost Summer” deserves top level recognition!

It is extremely rare to come across an artist like Gabe Lopez, who is poised, multi-talented, bold, self-confident yet humble – and surprisingly, one whose name you should already be very familiar with. The reasons are evident. Gabe Lopez is a Billboard Top 5 singer-songwriter and producer, who has produced and written recent music for Belinda Carlisle, New Kids On The Block, RuPaul’s Drag Race, Twice, Key and other multi-platinum artists. He has also produced and written for Joey McIntyre, Charice, James Brown, The Other Two on Comedy Central, SHINee, Tae Yang, VeriVery, DreamNote, Gayme Show, American Idol finalists and

Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Luna 13: “The Hollywood Ripper” – exacerbated by an augmented world of extremely dark electro!

Luna 13Dr. Luna (Producer) and Lilith Bathory (Visuals) – blasted onto the scene with their debut ‘Phantom Bass Queen’. Luna 13’s tracks have since received national support from the Dark Drum and Bass world and their last two releases debuted at number 1 in America, Greece and Germany on the Amazon and ITunes Drum and Bass charts.

Their latest release “The Hollywood Ripper” is a collection of pounding Dark Deathtronica mixed with heavy electro-groove. Starting out with the emaciating “Backward up the Wall (Intro)” and flinching into the searing “Waking for Blood” is something that Luna 13 can do so easily. Pounding through next is “Beverley Hills Bogey” then “Elisa Lam (Elevator Girl)” which brings to life a souring instrumental. One of my favorite tracks is “The Possessions of Emily Rose”, while “Monroe of the Dead” is another one of the albums pulsating highlights. “Drift in a Dream” continues an acrimonious and ritualistic reveal in song. “Black Widow Bitches”, the album’s first official single, is inspired by the B-movie, Hollywood Chainsaw Hookers, one of Luna 13’s favorite films.

LUNA-13-350This album is brought to you with blood, sweat and tears. Exacerbated by an augmented world of extremely dark electro, “The Hollywood Ripper” is brooding and wicked. It’s cohesive and taut. Luna 13 uses an Arturia Microbrute hooked up to Mixcraft 7 to create his brutal soundscapes. “I do not use stringed instruments at any time,” says Luna 13, “I am a core electronica musician.” But there is more to Luna 13 than just being someone with technical prowess.

“The Hollywood Ripper” is like taking a ride on the wild side of the chemical rainbow, only there isn’t the wonderland you’ve always wanted to experience on the other side. Instead of an encapsulated merry-go-round within the synthetic rainbow, it a dark and foreboding place where the world is not your friend. And it makes you question, seethe, and want to ultimately dismember the world one limb at a time. This has a barrage of dark emotions that we all suffer from. It doesn’t pretend not to be consumed by them, either, allowing the audience to sit and listen as they spill out of a mouth in which they were allowed to fester.

Loud, brutal and harsh, Luna 13 is the product of a dark stream of sound traveling through a brooding canvas of thought. Sometimes the voice, shrouded in a garb of heavily-voxed words, tries to make a profound statement, and sometimes they forgo the supposed nobility in that and go for the primal pounding of beats thrashing against the acceptability of thinking grand thoughts. Whatever Luna 13 is doing here, it’s almost always overcast and foreboding, assaulting the mind while shoving the taboo in your face. And that’s actually a refreshing facet of the band and the change it underwent with this release.

“The Hollywood Ripper” does not elicit anger or sorrow, it just reams out a gaping hole in your mind, to let the tenebrous things blow through. Altogether, it is a very solid effort, but prepare yourself to be caught unaware by its completely atypical style. No matter what, the most adhering thought that seems to circulate about this album is that it is one of the best the Dark Deathtronica genre has ever known.

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