Ute – “Happiness Together” – thoughtfully sung beautiful music from a strong female singer

Ute is a singer, born in Germany, whose heart is in the USA, alongside a huge part of her fans. Ute’s best friend, Grammy winner Kurt Wipfli, is also her producer, and many of her songs are originally written and composed by him as well. Her latest single is, is the love ballad, “Happiness Together”. “It is about that once in a lifetime story when you realize that the person right next to you is the one who you want to spend the rest of your life with,” explains Ute. This is thoughtfully sung, beautiful music from a strong female

Love Ghost – “Pillz (The Sky is Falling)” will now appeal to a much wider audience

It’s always great to see a band evolve and branch out in new directions. What is even better is to see them succeed at this difficult endeavor. With their latest single –  “Pillz (The Sky is Falling)”, we see L.A. based alternative rock band Love Ghost continue on the path of evolution into much more than a rock band . They incorporate trap beats, rock grit and rap verses, to really diversify their sound on this recording. It’s really impressive to hear this sonic distinctiveness which demonstrates this band’s talent, and their fingers on the beating pulse of modern trends. I

Kahbay – “Cayenne Pepper Boy” – an entertaining story with a vibrant template

Rising out of the gritty underground of New Orleans rap scene, Kahbay is a new emerging rapper, who has released a mixtape through his own music company – Greater New Orleans Sound. His music is regularly played around major venues in New Orleans, with Kahbay himself performing numerous times at the legendary Blue Nile. Spending much of his childhood around local parades and live bands he has been captivated by the craft since the very beginning. Now tackling global markets with his own personal sound and style, Kahbay recently dropped his single “Cayenne Pepper Boy”. Right from the outset, the

LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

Signed to Big Top Entertainment L.L.C, along with the production team Cali 303, Luis Torres aka LU, is a Mexican singer-songwriter and engineer, born in the city of Guadalajara. He migrated with his parents at the age of one where his family settled in Colorado. Produced by Kxvi, LU’s debut single “Ride or Die”, also features R&B singers-songwriters, Omari Night and DazeOnEast. This is perfect melodic R&B/Pop record, as LU and his crew know melody, quickly laying down the narrative’s overriding tone: “Girl You Know that I am down for you, in the fire shooting rounds for you, ain’t no

Gabe Lopez – “End Of The Lost Summer” deserves top level recognition!

It is extremely rare to come across an artist like Gabe Lopez, who is poised, multi-talented, bold, self-confident yet humble – and surprisingly, one whose name you should already be very familiar with. The reasons are evident. Gabe Lopez is a Billboard Top 5 singer-songwriter and producer, who has produced and written recent music for Belinda Carlisle, New Kids On The Block, RuPaul’s Drag Race, Twice, Key and other multi-platinum artists. He has also produced and written for Joey McIntyre, Charice, James Brown, The Other Two on Comedy Central, SHINee, Tae Yang, VeriVery, DreamNote, Gayme Show, American Idol finalists and

Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Timeless Void: “Voidland 2 (Life and Death in America)” – drowned in mid 60s experimentation and acid-ridden atmospheres

One thing you cannot say about Ontario’s alternative rock band, Timeless Void, is that they are not generous. On their previously critically acclaimed album, entitled “Voidland”, Alex Hilson (Flute, Guitar, Bass & Vocals) and Eric St-Pierre (Production, Guitar, Vocals, Bass), delivered 18 staggering acid-psychedelic influenced tracks. Now at the end of 2015, the creative duo is back with a mind-blowing 23-track, psychedelic magnum opus, collectively called, “Voidland 2 (Life and Death in America)”.

A friend and I were recently reminiscing of a space in time before there were music downloads, Mp3’s, iTunes and iPods; a time when vinyl was the musical medium. Albums contained liner notes and lyric sheets that were printed large enough to read. Cover art was captivating and meant to be enjoyed. Individual songs were heard as being just a smaller segment of a larger collection of work. You dropped the needle, sat down, and took it in from start to finish. Like a great movie, you wouldn’t dare leave before the end. Every song set up the next one. The music was the event of that moment in time, not a wallpaper back drop. “Voidland 2 (Life and Death in America)” is of that time, transported to 50 years later. I kept listening for the pops and scratches on the record, but it never came.

Timeless-Void-vl2-350What sets this album apart from previous Timeless Void releases is the liberal use of tasty sound effects and studio tricks that complement the overall texture. They are one of a handful of bands who are truly doing interesting, odd, and new things with the rock genre. The oddest being that they are probably the only rock band of any kind, without a drummer. This is both their biggest drawback as well as their best advantage, depending from which side of the half-full, half-empty glass, you’re looking through. Either way it’s probably their most distinguishing factor, until you hear the music. Timeless Void is a lush musical feast for the ear and the head.  They are on the rock cutting edge: progressive and creative yet with some very fine instrumentation that lends a mature feel to their songs.

The one major factor which makes this album so great is that the songs are simply amazing. I don’t mean that in a real technical way, but the fact that “Voidland 2 (Life and Death in America)” will really will blow your mind if listened to properly (the real effect comes only if you’re stoned, but for a nice substitute, put it on the player, turn out the lights, kick back and close your eyes.) This is exactly where the lack of a drummer becomes positively essential to the overall mesmerizing effect – no sudden thuds, bangs and crashes to intrude into the spellbinding musical sorties, drowned in mid 60s experimentation and acid-ridden atmospheres.

Timeless-Void-vl2-coverAlex Hilson and Eric St-Pierre deliver a magnificent combination of cosmic, swirling guitar, bass and vocal sounds that are at once compelling.   The guitars put down the moods necessary and achieve some astonishing hooks and effects that last just long enough to make you care and just briefly enough to make you miss them after they pass.  They have all the makings of taking your mind on a head trip.  The vocalizing and profound psychedelic overdubs, intertwine with rock solid bass riffs to produce a musical accomplishment of rare proportion.

Art can be very interesting when produced by artists who are a bit experimental and unpredictable, and this album is an excellent example of that. A thought provoking carousel of sonic images emerges and will amaze the gifted listener. Musical arrangements flow together into a stream of endless variations. A cosmic electric symphony unfolds a panorama of kaleidoscopic vocal archetypes, while pulsating rhythms and synchronous lyrical ripplings, smooth out the rest of the trip. The music is complex in its chords, textures, tones and rhythms sans drums. The subject matter is unusual to say the least. Of the 23 tracks there are just too many to single out as highlights, though I do have a soft spot for the slower vocal numbers like “Stop & Smell The Roses”, “Our Last Stand”, “Urban Fever”, “My Shadow” and “Yours Forever”.

It’s interesting to note that the closing instrumental track, “Stuck On Mars”, features some prominent drumming. Is this a premonitory sign of things to come?  “Voidland 2 (Life and Death in America)” is a unique album, anything but a retro-induced cliché, and it deserves an in-depth listen from any serious listener of 60s acid or psychedelic music.

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