LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

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Gabe Lopez – “End Of The Lost Summer” deserves top level recognition!

It is extremely rare to come across an artist like Gabe Lopez, who is poised, multi-talented, bold, self-confident yet humble – and surprisingly, one whose name you should already be very familiar with. The reasons are evident. Gabe Lopez is a Billboard Top 5 singer-songwriter and producer, who has produced and written recent music for Belinda Carlisle, New Kids On The Block, RuPaul’s Drag Race, Twice, Key and other multi-platinum artists. He has also produced and written for Joey McIntyre, Charice, James Brown, The Other Two on Comedy Central, SHINee, Tae Yang, VeriVery, DreamNote, Gayme Show, American Idol finalists and

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Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Mike LePond’s Silent Assassins – pummeling power chords, lilting arpeggios, and soaring solos

The aural acrobatics of Mike LePond’s Silent Assassins features some of the best examples of daring riffing and acrobatic melody the metal genre has had to offer since the 80’s; even what you may consider the album’s weakest track, thrusts, dodges, lunges, and parries with proud cunning. Every composition on this self-titled album as a whole could not have been written in any other way. Mike LePond, the bassist for Symphony X set out to make a metal record that captured the sounds he was nurtured on while growing up. With Silent Assassins, he has not only succeeded, but totally exceeded all expectations in recreating what classic metal was all about in the 80s.

The album cover

The album cover

We’re not talking about just any album here. We’re talking about a ‘tour de force’, a ‘magnum opus’ or any other cliche that denotes sheer perfection. The core Mike LePond’s Silent Assassins sound finds its influence in a diverse blend of rock idioms, from the expertly performed classic metal circles to the edgy and incisive sounds of progressive metal rebellion. Blend in a pinch of theatrical power metal and the listener has transcended the run of the mill, stagnant musical forms that occupy a good deal of current playlists. Yet Mike LePond’s Silent Assassins manages to defy the conveniences of category, presenting an arsenal of sounds and moods that frankly put many of their contemporaries to shame.

The vocals of Alan Tecchio (Hades / Watchtower / Seven Witches) are inspired and sincere, unlocking the deepest emotional meaning in the passionate lyrics. Tecchio employs his stunningly melodic vocal gift to inspire the fiery insurgency on each track. Tecchio’s limitless vocal range has the keen ability to locate the melodic heart of a lyric. Suffice it to say that Mike LePond’s Silent Assassins features brilliance not only in the vocals, but also in the guitarists extraordinaire Michael Romeo (Symphony X) and “Metal” Mike Chlasciak (Halford / Testament / Sebastian Bach).

Mike LePond

Mike LePond

Virtuosos Romeo and Chlasciak unleash pummeling power chords, lilting arpeggios, and soaring solos as if their very lives depended on it, forging a sound that grips the listener and fits like a silken hand inside the velvet glove of Tecchio’s vocals. The fullness and clarity of the sound and the mastering reveals the excellent rhythm guitar tracks that form the bedrock for technically and melodically gifted solos. A sound legendary eighties metal bands could only dream about.

The depth of the layers of melody here are cemented by a persistently rumbling bass courtesy of none other than the man himself, Mike LePond (brilliantly exemplified across the album’s nine tracks), an ever-audible bass that adds more than just a rhythmic foundation to the symphony of guitars – how many 80’s metal albums do you remember being marred by a nearly invisible bass? Today, Mike LePond’s Silent Assassins turns that theme right around. Rounding out the rhythm section is the drumming, featuring cymbal crashes and fiery snare work, a combined assault that not only provides a rhythmic pulse but also a melodic compliment with a fine employment of the ride and hi-hat cymbals.

Countless metal trends have come and gone, but art in its most sincere form is able to defy the fickle tastes of those who listen merely for the latest fashion trend shrewdly marketed through the vehicle of a musical group. Mike LePond worked on this album for two years, while on tour with Symphony X, setting lyrics to music, for which he did all the writing. The result is a cohesive work that delights on many levels of lyrical, melodic, technical and emotional resonance.

Mike LePond

Mike LePond

And its brilliance is immediately apparent from the opening track, “Apocalypse Rider” which lets you know that you are going to be in for one of the most emotional, energizing and eye-opening metal experiences you’ve ever had. Now slot in “The Quest” with its nuanced acoustic guitar and string intro and wait until all hell breaks loose, then move onto “The Outsider” and the power ballad “Masada”. The final 3 tracks, “Ragnarok”, “The Progeney” and “Oath of Honor” are probably the pick of the bunch for me.

If you pride yourself as being one who appreciates good music regardless of its airtime or popularity, this is the album to get. To truly recognize the magnitude of Mike LePond’s Silent Assassins, you must examine the current state of metal music. This entirely blows everything else around it out of the water. Musically, it can’t get much better than this!

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