Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

illrecur: “Ellipticon” is more cerebral than most electronic works in the marketplace

illrecur [‘il-ri-‘kər] is an American music project and pseudonym, founded in 1997 and adopted by Jeremy Allen Pursell. As its main producer, singer, songwriter, and instrumentalist, Pursell is the only official member of illrecur. His passion for electronic, film, and world music led him to further his range of instruments, styles, and knowledge in equipment.

Since adopting the moniker, illrecur has created many pieces of music and collaborated with several artists and organizations globally. illrecur’s music is a reply to the change in our times, how music is changing and how he wants to be leading this new era of digital possibilities.

Jeremy Pursell aka illrecur

Jeremy Pursell aka illrecur

In his works you will find sounds and rhythms you did not even know existed. This is not for everybody and indeed illrecur’s music is more cerebral than most electronic works in the marketplace. So if you like regular electronic music and popular anthems then don’t waste your time here and go to Ibiza.

But if you want to venture down the rabbit hole into a journey of sonically uncharted territory that will remind you of epic cinematic type scores that were discovered, expertly presented and critically hailed, then go ahead give it a try. The choices are vast as illrecur has released something like 25 albums.

The most recent being “Ellipticon”, “Longitude” and “Infraction Point”. Not only epic in sound, the albums are also epic in size, all having between 20 and 27 tracks. illrecur breaks the stereotype of a clinical/sterile electronic album with repetitive beats.

He smashes conventional boundaries and explores new musical dimensions. More than melody, the emphasis is on creating mood-inducing atmospheric soundscapes that disregard the conventional verse-chorus-verse-bridge-chorus song structures.

Listening to “Ellipticon”, I had the distinct feeling that illrecur’s music resembled colorful artistic sketches on sheets of white paper. The tracks start at a given point then meander, explore and expand, before ending up wherever illrecur has decided on taking them.

the illrecur logo

the illrecur logo

The development of any given piece may drastically change according to the composer’s inspiration or the track’s thematic purpose. A piece such as Acquisition lasts no longer than 1 minute and 22 seconds, while “Dear Sincerity (My Monsters)”, spans 8 minutes and 38 seconds.

Constantly reinventing and discovering new, uncharted territories, Ellipticon has a dreamlike spell that makes this album resonate so deeply. The strings throughout are angelic yet bone-chilling, haunting yet heavenly. There are eerily peaceful pads, groovy synths, and sweeping cascades of booming cosmic orchestration that submerse you in wistfully beautiful voids.

These atmospheric soundscapes are imbued with a subtly disquieting sense of calm and apprehension; as though the sun has risen another day, but there’s a chance it could explode at any given moment.

illrecur is one of those artists whose sound develops progresses and takes different routes with each album release.  What has changed on Ellipticon in respect to, let’s say, Longitude, is that the compositions here sound a lot less monolithic, the themes are stated with less regularity, and tones and textures are explored with far greater subtlety.

Ellipticon sounds spacey and obtuse, otherworldly and alien, beautiful and serene, tranquil and moving, and is not meant for anyone expecting to unwrap the layers of this music on the very first listen.

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