Acemattz & Bipha shine on “Tshanana”

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FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Marshall Artz Productionz – “Go Missing” ft. SeanQ – is incredibly hypnotic, with crystal-clear production

Released Aug 28th, “Go Missing” Prod. by Marshall Artz Productionz, is the producer’s 3rd single release since June. The track will be featured on his upcoming 2021, self-titled LP “Marshall Artz Experiment”. The song features singer-songwriter SeanQ, from Dallas, Texas. The producer’s blend of R&B-inspired neo-soul and smooth chill sounds becomes its own entity within the hip-hop and urban music world. Marshall Artz Productionz work should gain high appraisal through its colorful and subtly amped vibes that play to any genre lover’s ears alike. After listening to this track, I expect that the outpouring of demand for more of the

Franco Esteve: “Quicksand” – a creative and unusual piece of music

It’s hard to find music like this. It’s a little like a film score, but it doesn’t really sound like there is supposed to be a visual accompaniment like those often do. This is really clever, evocative piano playing, at times melancholy, at times frenetic, then a little happy and maybe a little sad, without ever sounding pretentious or cheesy. The performer and composer Franco Esteve says, on writing the track “Quicksand”, that:

franco-esteve-300“It reflects the ups and downs we experience every day, the quicksand where we find ourselves sinking into and where the more we struggle, the further down we go. It draws fear, but it also draws hope that if we swim through the surface hard enough, we can escape its grasp, only to remain ever vigilant for the next trap. It’s a simple piano piece that expresses those feelings.”

“Quicksand”, is a simple short piece of music, just over 2 minutes, but it is wonderful, creative and unusual piece of music at the same time. The advantage and disadvantage with long pieces of music is that you normally have plenty of time to impress or perhaps even bore an audience.

With shorter pieces, you have little time to do either. Yet Franco Esteve has managed to impress with a brief piece that exudes diverse emotions which are contagious. To say his music his cinematic is all too obvious and Esteve’s ability to create simple and emotive musical narratives is a rare gift to be admired. To do it in two minutes is something to behold.

It’s not often I’m excited by a classical release, being of a strong pop and rock persuasion, but classical pianist and composer, Franco Esteve, is different. Esteve surprised me with his concise musical narrative that draws influences from neoclassical, minimalist and contemporary classical and popular styles.

“Quicksand” epitomizes classical-crossover innovation. Esteve’s music has a universal appeal that will attract audiences of many cultures and musical tastes. In a world that can so often be ugly, Franco Esteve’s music is a reminder of the beauty and hope that still exists.

MORE ABOUT FRANCO ESTEVE:

franco-esteve-portraitFranco Esteve was born in the Caribbean island of Puerto Rico, and had a multicultural upbringing throughout the United States and Europe. This multicultural upbringing led to his adoption of the concept of everywhere and nowhere for his views of life, origin, and culture. The same has applied to his professional life as well, covering a multitude of disciplines, feeding his thirst for knowledge and expression.

As a child he developed in music and piano, and also as an actor, acting in local commercials and theater, later developing in other areas of production, photography, design, and film. He’s fully bilingual in English and Spanish, and has a working knowledge of Catalan, as well as a degree in psychology. He has produced and directed commercials and music videos, but is best known for his work with The Doll Chronicles series of short films, particularly Consequence, The Doll Chronicles, which he produced and directed. He also composed the music for the series, for which he has received accolades.

Though his work is more focused on scoring for films, and he has a special love for the genre, he’s never thought of himself as tied down to it. He finds all genres have great music, and loves to explore them all. On a single playlist, he might jump from Nine Inch Nails to Beethoven to Snoop Dogg to Led Zeppelin to The Ink Spots to John Barry to She Wants Revenge. Mostly he expresses himself as seeking beauty and expressing it, no matter the art form.

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