The passionate Brooklyn lyricist V The Saint Presents “BONAFIDE”

Born in Brownsville, Brooklyn, V The Saint is no stranger to hustling and grinding. From rapping as a part of a group when he was 12, to internal conflict forcing him to relocate to Mobile, Alabama for 2 years, V has persevered and weathered many storms to present you with his latest body of work. The passionate Brooklyn lyricist presents, ‘BONAFIDE’, the trials and tribulations of a BONAFIDE hustler, grinder, and father, with witty lines and truth-filled bars. Every song is littered with an honest, brash, and real accounts of what it’s like for a young black man in 2020,

MONOTRONIC’S “BUY YOURSELF A DREAM” VIDEO OUT NOW!

MONOTRONIC’S “BUY YOURSELF A DREAM” VIDEO OUT NOW FEATURED ON VEVO’S INCOMING INDIE PLAYLIST TWO MORE SINGLES SLATED TO BE RELEASED IN 2020. ‘Buy Yourself A Dream,’ starts with an acoustic guitar and pensive vocals but grows with exuberance, bravado, cascading keys, and catchiness — RockNYC New York collective Monotronic is premiering their Ben Kadie directed video for “Buy Yourself A Dream” at FolknRock.com, video featured on VEVO’s Incoming Indie Playlist. Led by anthropologist and musician/producer Ramsey Elkholy, the New York-based collective delivers fresh sounding music layered with atmospheric vibes. Their new single, “Buy Yourself A Dream,” is both reflective

Label management and promotion group Power Seat Music Group, LLC allow artists freedom of expression

The major record companies have dominated the market for decades. Their decisions have affected the global industry and have dictated the shape of the business. The sheer size and depth of their catalogues have given them immense power. But that is changing. Their market share is shrinking; their ability to dominate the global market is weakening. Independents labels can now achieve worldwide reach and engagement with music fans through digital distribution and social media; they have strong representation at the highest levels and their share of the market is increasing. As the industry evolves, the independent labels, and management groups,

WaveyOnShore delivers catchy beats and gripping lyrics!

An exciting new rap artist from Toronto, Canada, WaveyOnShore, is all set to make a splash in the hip-hop world. His brand-new sound with exciting catchy beats and gripping lyrics is a refreshing and much-welcomed addition to the art of hip-hop. His brand-new track “Sleep Off The Pain” is one of those songs that hook you in at the first second and takes you on a musical and lyrical journey. His vocals are filled with passion and emotion. His lyrics are poetic. The melody and the beat complement each other and draw the listener in with no intention of letting

BigJohn – ‘Can’t Nobody’ – creativity meets professionalism in an unquestionable manner

One of the best additions to the hip-hop industry this year has been with artist John Anthony Ziegler, most popularly known as BigJohn who has proved himself to be a worthy contender in the genre with his authentic hooks. The musical artist has taken a major step in the right direction by creating sounds that envelop listeners with its huge wash of dynamism that introduces his musicianship in a fresh manner. By letting his creativity meet professionalism in an unquestionable manner, the rapper has recently released his new hip-hop music video ‘Can’t Nobody’ shows why his creativity is worth exploring.

Working Class Hussys – “DNA” – equipped to tug at the heartstrings or add momentary muscle

The new single “DNA”, by Central New Jersey’s Working Class Hussys is a distillation of their manifold strengths – pastoral harmonies, cascading chord progressions, and wistful melodies, all coated in roots Americana beauty and jangly indie and alt-rock crispness. Despite the wide aural reach, the song maintains a powerful nostalgic and familiarity factor. Musically and lyrically, Working Class Hussys are clearly well equipped to tug at the heartstrings or add momentary muscle at the turn of a dime. Their expansive vocals adding to the sentiment embodied in every note and nuance. For however lightheartedly smooth the bounce of the beat

Justin Case Rapping Grandpa – “Dance on my Diamond” ft. Blacktree – precisely attuned to the rapper’s strengths

Named for Artist of the Year by Independent Music Awards, and Producer of the Year by Indie Music Awards, Justin Case Rapping Grandpa is exactly what the title says – a real rapping grandpa. Justin has released dozens of tracks, distributed over more than 100 platforms worldwide. He also has a book out, and finds time to manage other artists, while collaborating and performing with a host of other artists. Justin Case Rapping Grandpa’s latest smash is “Dance on my Diamond” ft. Blacktree. An artist whose discography seems limitless, this single is diverse, a mixture of smooth jangling guitars, snappy

Madame Kapuscinska – “Ascension” – almost too delicious for words!

Despite all the challenges and afflictions life has thrown at her, singer, songwriter and actress, Letitia Kapuscinska aka Madame Kapuscinska, has quietly and proudly been carving out her own lane. Raised by a single mother, she did not meet her biological father until she was 5. Diagnosed as bipolar, Letitia is an avid mental campaigner, and also the lead singer of MAD (Musicians Against Depression). A fiercely independent artist, Madame Kapuscinska has formed Kapuscinscy Empire Music Production through which she releases her own music. As a singer Madame Kapuscinska has won numerous awards, while her music catalog counts a series

Sam Mudd – “All Of Your Friends” reconciles all his artistic impulses

Beyond the sheer quality of its song-craft, the fundamental humanity of its content, and the balance of its experimental bent with pop and rock conventions, perhaps the most important element of the single “All Of Your Friends”, is the confidence with which record captures its lo-fi musical aesthetic. This is the record on which 21 year old writer, fashion artist, music producer, musical artist, and visual artist, Sam Mudd has learned how to blend his work with a sense of purpose and clarity of vision. All of which imbues the future with great promise, considering that Sam is releasing his

Gonetcha – “COBAYES DE L’ESPOIR” – A reinvigorated and revitalized dynamism

The project Gonetcha – launched in Lyon, France, by a bass player – embodies the franticness and creativity that I want from music: it is loud, grindy, precise, and I love it. The musicianship is unparalleled, a gateway through which Gonetcha can showcase its intricate and unique songwriting ability, its unmatched breed of bombast and energy. Alternative or Indie rock? Gonetcha is genre-defining, spawning a number of diverse recordings over the last few years. The newest EP, “COBAYES DE L’ESPOIR” feels aspirational and ambitious. From the start, on “We Remember”, a multiple number of guitar lines, syncopated rhythms, angular vocals and

AfriCali: “THE S.T.R.U.G.G.L.E” – functions as an authentic liberatory statement

The California band known as AfriCali have released their latest single, “THE S.T.R.U.G.G.L.E” which features a unique blend of soulful rock, blues, heavy rhythms and percussion of 1970s Ethiopian music topped with coastal-psych seasoning.  Produced and written by Nico Georis and South African MC Eyezon, the concept of “THE S.T.R.U.G.G.L.E,” is a bit more in-depth than the production itself. On the song, Georis plays keyboards like a lead guitar and Eyezon uses his voice like a second lead instrument.

africali-350The style is rooted in the complex call-and-response between the talking keyboards, percussion and vocalist. It really is beautiful, grand, yet subtle; as complex as a symphony, yet as easy as acoustic soul. And although the music is somewhat exotic, “THE S.T.R.U.G.G.L.E” is accessible enough for the casual listener and will soon become a favorite if you give it a chance.

The most interesting thing about AfriCali is that it lends importance to all the instrumentation as much as it does to the vocals, while the melodies of each instrument and voice develops in episodes, as opposed to the familiar verse-chorus format. What is astounding about this piece is its absolute ground-breaking and utterly contemporary fusion of innumerable elements. About as experimental and open-hearted as music gets, the endless interweaving of various keyboard and guitar sounds courtesy of Nico Georis, the heavenly voice of MC Eyezon and the evolving percussion, equals a masterpiece in any terms.

These days a lot of Afro-beat music sounds more and more pop, and less and less African. AfriCali also incorporates various influences from inside and outside of Africa, melding it together in a way that sounds genuine and original, and not like some calculated crossover attempt. This music, from conception to production, is a vision immaculately realized. You get a sense of real artistry and the peaceful fervor broiling underneath the music. As it is assembled in such a way that it does not betray its identity, and at the same time it engages the issue of how to be modern and global, without ceasing to be traditional and local. And this is achieved, with some valuable assistance from contemporary technologies in music production. Meaning that both “THE S.T.R.U.G.G.L.E” and AfriCali, functions as an authentic liberatory statement of artists who live up to their real values and aspirations, by pushing aside all limits and boundaries.

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