Emmanuel Dalmas & Kirby Howarth: “This Is Love That I’m Feeling” – a song with a country bent

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Armonite: “And The Stars Above” – complex, vibrant sonic landscapes

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MVJOR ARCVNA: “The Last Word in Love”- a master of layers and sequenced progression

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DJ Mizzy: “Prost” – gorgeously phrased synth lines, and subtly floating aural overtones

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Boy Leadfoot: “Turn-Buckle” – wholeheartedly playing to their strengths and sounding great while doing it

Max Gordon with Boy Leadfoot is a three-piece blues-based, alternative soul and rock project, from Vancouver Island, Canada. Their latest release, the EP “Turn-Buckle” is a breath of fresh air compared to the pop dribble permeating the American music scene right now. This is the type of musical project that will carve out a steady cult following and attract a good deal of critical acclaim. All three members are very professional and innovative musicians, and musicians of any sort will gobble up all kinds of licks, tones and spices from this release. The EP resides in the nebulous nexus of

Juan Donovan: “Merlot & Marijuana” – a brilliant compendium of styles and luxurious production

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American Spirits: “Nowhere Near Perfect” – at their most musically and lyrically ambitious

Since being launched in 2017, Bowling Green, Ohio, Indie Rock band, American Spirits, have also founded The Summit Shack, a local DIY venue that has hosted over 25 bands since its inception in the same year. 2018 saw the four piece band release their album “Nowhere Near Perfect”. This recording will grip you by the neck and slam you into the ground. It’s simply one of the most listenable Emo albums you would have heard in a while. You could play the whole thing through without getting bored, probably every day if you wanted to. The music is catchy. The

Internationally Acclaimed Contemporary Jazz Band Drivetime Drops Elegant New Single “Mysterious Life”

 Song is the Lead Single and Title Track of their Latest Album Single Follows their Billboard Jazz #1 Most Added song “Whispers”  Single Marks Band’s relaunch Via Red Hot New The Sound of Los Angeles (TSOLA) Records  (Los Angeles – The Sound of Los Angeles (TSOLA) Records is proud to announce the release of a new single, “Mysterious Life,” by Jazz Fusion torchbearers Drivetime. This Michael B. Sutton production is enriched with sensual soprano saxophone, spacy synths, pulsating drums and percussion, deep pocket bass and enigmatic electric guitar, “Mysterious Life” – the title track of the band’s eight and latest

d’Z: “Connected” – dazzling musical arrangements and a super-tight rhythm section

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SUMMY: “Sus” – ready to reach through the stratosphere for stardom

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Blasé Holiday: “22” – tightropes genre boundaries with the utmost finesse

Jonah Tannos (21), better known by his stage name Blasé Holiday, is an American rapper/singer-songwriter. Born in Houston, Texas and raised south of the city, Blasé is part of a new wave sound coming out of the area with influences like Travis Scott, Two Chainz and Post Malone.

Blasé Holiday has just signed a distribution deal with, Beat Down Music Group under SONY Orchard for his Debut EP “22”, released on June 17th. “22” is available on iTunes, Amazon and 700 other Digital, Retail, Stores worldwide.

Blasé Holiday

Blasé Holiday

If you aren’t attentive enough you may confuse Blasé Holiday’s aesthetic for superficiality. The nature of his clubby, infectious single track, “22”, is a rather cursory reflection of his brand as a whole if you take it simply at face value. However, when digested with more scrutiny, Blasé’s music weaves an elaborate web of sounds and textures that tackles classic rap tropes with creativity and flair.

The Texas-raised rapper is quite chameleon like when shape shifting to fit a particular task at hand; his wordplay gets rapid and elastic when he seeks to showcase his lyrical chops and it gets dense and saturated when he wants to lessen the punch. Blasé Holiday is able to adapt his performance to fit his role.

Blasé Holiday debut is an innovation and as well as an amalgamation of what has come before; the EP is a seamless union of rap and pop motifs, plain and simple. Despite what some might suggest, though, this is just as impressive a feat as generating something entirely original.

From the outset, Blasé tightropes genre boundaries with the utmost finesse without venturing off mainstream territory. His lane is versatility and accessibility, and his awareness of such is what makes his debut so entertaining.

The single is a variant of the rap chart ready anthem. Blasé unleashes a rather dexterous slightly auto tuned flow, and the song has an instant appeal that you’ll fully appreciate right away. The EP itself doesn’t miss a beat either, transitioning from one thumping potential hit to another, and each one has its own endearing qualities, but the track “22” is far and away the best thing happening here.

Blasé is in full-fledged crooner mode on this one, and as the percussion taps against your eardrum he subtly works his magic right over it. This is Blasé at his most flexible, and at his best.

Blasé Holiday is an architect that constructs verses to fit their varied sonic landscapes and “22” is a success because of the sonic shifts that take place, providing texture and spontaneity. Each flow is tailored to fit a very specific array of sounds. Blasé hits all the right notes, tapping right into the street and club energy that will undoubtedly make him a star.

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