Dutch Dolo sticks to his own creative groove and simply makes great music!

Dutch Dolo is an up and coming artist from Greensboro North Carolina, with a passion for hip Hop. Dolo has been doing music since the age of 8 and has been rapping since the age of 16. Even though he is from the South, he always had an interest in up North music, and his flow reflects that. Dutch Dolo’s favorite artists include, Jay Z, Tupac, Nas, Dmx and Biggie. With Several live performances under his belt Dolo is a seasoned artist ready to take his skills, talent and unique flow to the next level. All of which you can

Tommy Capretto: “Floss” is just state of the art

Tommy Capretto is a house music DJ and Producer from the greater Philadelphia area. After launching his career in 2006, things moved to the next level in 2015 when Capretto accumulated releases via leading record labels, Universal Music, Capitol Records, Carrillo Music, Armada Music, Juicy Music, HoTL Records, and others. A reputation built on being a go-to producer for club hits, Capretto has also totaled a number of official remixes for artists including Beck, Niall Horan, Hailee Steinfeld, MNEK, Dragonette, and FLETCHER among others. Capretto’s music is supported by fellow global DJs Don Diablo, Laidback Luke, Oliver Heldens, Roger Sanchez,

The feature film titled “The Lost End” exhibits the passion and care Zoé Pelloux brings to her craft

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Saints Warning is a fresh new alternative band hailing from Los Angeles, California

Saints Warning is a band hailing from Los Angeles, California. Their sound is fresh and modern, with a nod to the energy of indie rock and the timeless vibes of blues and alternative music. In addition to that, their songs are also quite personal and intimate, capturing that unique vibe often associated with the singer-songwriter style. The line-up currently consists of Eduardo Enriquez (vocals), as well as David McClellan on guitar, bass player Andrew Dupras, and last but not least, Bobby Godines sitting behind the drum kit. The group was founded by David earlier in 2019, and ever since they’re

ill-logicz: “Countin'” – pure delivery stylistics

Hailing from Miami, FL, rapper ill-logicz is excited to release his single “Countin’” produced by Ka$h Blak. As a conscious rapper, ill-logicz tends to stick to the storytelling rap and hip-hop songs, but wanted to change it up a bit for this one. His previous single “Gemini” was released in February of this year. It’s always an admirable act when rappers dedicate some part of their music to new experiments. The rapper has always had plenty to say, and he’s also never been shy about saying it. Now his applying that same theory to his music. “Countin’” is a far

Deane Nesbitt Jr. – “Tracking The Soldier” relaxing and inspiring the listener at the same time

Oftentimes music has a way of helping people through the rough periods of their lives by allowing them to still their minds and quiet the tumult that is assaulting them from without. It allows people to turn within and find the strength that lies at the heart of their being so that they can face the next day no matter what circumstances are awaiting them. Deane Nesbitt Jr. seems to have taken has these recommendations and has created the album “Soundtracks in the Sand” as a way to put all of his most powerful music in one place. Well that’s

A&L: “So Sorry” – a hard hitting song that showcases grand all-round musicianship

“So Sorry” is the 10th single release by the two seasoned industry professionals – Anthony Casuccio and Lana Marie, better known as the chart-topping indie outfit A&L.  “After the success of our last single We Are Love, which was a ballad, we wanted to get back to our aggressive roots,” says Casuccio, the Grammy nominated engineer who powers the production behind A&L. The track channels the anger and realization that you are being played by a new lover. The powerhouse performance of the other half of A&L, Lana Marie, is a call to action and a warning to all players

RealTalk the Black Boy King: “True” – a huge step up for the Dallas artist

Originally from California, the Dallas (TX) based artist RealTalk the Black Boy King covers the complexities experienced in areas like Los Angeles, Las Vegas, and Phoenix, while seeks to shed light on the truth of life in America. World travelled and a true descendant of ancient royalty, RealTalk has unleashed his latest, epic 12 song project, entitled “True”. For those familiar with his previous work, ‘CURSES’ and ‘The Time Machine’, the new album, currently available for purchase on all platforms,  is considered a huge step up for the Dallas artist. Though his projects have all been critical successes, his latest

KARMS ANNOUNCE NEW TRACK ‘TELL ME WHEN THIS ONE ENDS’

KARMS first turned heads in 2017 with single, ‘We Always Lose’, an energetic anthem that just never seemed to quit. Not leaving too much time for breathing, the band soon released their EP, ‘River’, a bone crushing selection of songs politely polished off with the silky, tender, ‘Beautiful Magic’. Not one to shy away from a show, KARMS have been lucky enough to take on supports with Fatherson, The Amazons, Arcane Roots and The Strypes. KARMS have headlined sold out shows at Whelan’s, Dublin and played at last year’s Other Voices in Ballina. In 2018, KARMS released their debut album

Lil Xelly: “Rxelly” – crank up the volume and ride!

The 19-year-old rapper Lil Xelly, hails from Rockville, Maryland and began making music as early as 9 years old, writing raps in a journal. While most new rappers do the normal thing and launch themselves into the hip-hop arena with a single release, towards the end of 2017, Xelly dropped a mammoth 105-song mixtape entitled “More Xelly”. Having now laid down his blueprint from which to evolve and expand, Lil Xelly went on to release two projects a month, starting in early 2018, and then surpassing that benchmark as the year went on, continuing into 2019. A couple of weeks

Disscut: “Imaginary Journey” – straight-up techno at its absolute best

Tobias Wollborn aka Disscut is a techno DJ and Producer, hailing from Göttingen, Germany. A self-taught musician who plays the drums, piano, cajon and bass guitar, he started his journey as a techno DJ and Producer in 2001 by playing with vinyls. Disscut also owns and runs his own label ‘Vinyllover Recordings’ where he helps develop new talent and grow the musicians in his community. Currently, Disscut’s music can be found on platforms such as iTunes, Beatport and Traxsource. I recently picked up Disscut’s latest release, the 12 track “Imaginary Journey” album, with a little hesitation, having heard that the mix was basically just straight, no-frills techno.

disscut-coverThat is true. Other mixes have obvious peaks and valleys, for instance, while this has harder drumbeats for the peaks and more subtle bass for the valleys. While other mixes have lots of vocals and warm synth tones, here we have drums and bass and a few instruments kept to a minimum.

Don’t be fooled though because there are some beautiful textures and melodies too. It’s just that they’re not thrown around with wild abandon, but sparsely and intelligently used by Disscut. This is what you would call, in butchery terms, as ‘good lean meat with no fat!’

In other words, this is not your flashy Top 40 dance mix – it’s strictly for the brave. But, if you are one of the brave, check this out now. It’s very intense, but also very danceable, and the constantly shifting rhythms and programming keep you from getting bored.

Oddly enough, if you’re into techno, the subtle changes in drum patterns and stabbing synth lines is more interesting than a lot of more mainstream stuff with many more elements to the tracks. This mix is a triumph of minimal techno. If you’re looking for something hard, intense, and raw, add this to the shopping list now.

disscut-350-newDisscut is just so good at subtle layering and mixing that you probably won’t notice how he does it. Make no mistake this is straight-up techno at its absolute best. Disscut is a madman behind the decks. He has an almost superhuman control of rhythm that goes beyond simple mixing. Checkout tracks like “Recall” or “Dreadgirl” for proof of his rhythmic prowess.

This album is a trip from the beginning to the end. Like the master of minimal techno he is, Disscut starts off with an almost introductory lesson in beats on “My Cave” and schools the uninitiated as he slowly gives you a taste of what’s to come.

Unlike most techno albums that peak, and then fall flatter than American beer, Disscut keeps going and going, laying down track after track, with surgeon-like skills, and by the time you come to “Antrax” thumping along hard to the beat. In fact this is the album for anyone looking to experiment and move away from the techno mainstream, and yet is unwilling to give up their precious four-to-the-floor thump.

Listening to Disscut, the mood is unpredictable and captivating, shifting from varied auras such as “Best Buddy” or “Sonar”.  Minimal and masterfully layered if one listens close enough. The shift is seamlessly thoughtful reflecting the skill of a mastermind relentlessly trying to output everything including himself. A great endeavor indeed. Disscut is a top notch Producer with a sonic vision second to none.

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