EsZ: “If You Didn’t Get This Message, Call Me” – an audacious creative effort

On his new album, “If You Didn’t Get This Message, Call Me”, EsZ aka Erron’s Attic comes out swinging from the first song, a great balance between classic Hip Hop and modern. As usual EsZ gets well thought out ideas through his songs in innovative ways; you definitely get the feeling he has the lyrical substance he wants to express. Although we’re in a dismal era of Rap currently, this could be one of those instant underground classics. EsZ catalog is filled with parables, fables, morals and lamentations, forms of storytelling that compress people and experiences into neat, digestible lessons.

Luna 13 – the solid foundation for gut-ripping synths

The award winning Los Angeles band Luna 13 is forging a new genre of music they call Black Metal/Bass Music. Their brutal yet groove based electro-metal incorporates elements of electronica, death metal, and industrial rock – all done with electronics, which means no string instruments. Music maker Dr. Luna, creates a metal sound with synthesizers and by wrapping heavy distortion around sub-bass. Luna 13 who has been performing live for a few years now, opening for death metal/industrial and electronica projects alike, came into its own when Lilith Bathory joined in 2015. Since, Lilith, the band’s front woman, has been booking modeling jobs

Dezzyano: “Hello World: The Renaissance” – a cohesive feel and tone throughout the album

Now I’ll be honest, before this album was released, I didn’t know much about Dezzyano, the rapper raised 5 mins from Atlanta on Six Flags Dr. I decided to give it a go. And I became a very unlikely Dezzyano fan. The 16 track album, “Hello World: The Renaissance” starts off strong with ‘Anita Baker’. It has an extremely catchy refrain built on a bass and horn driven soul soundscape. This sets the tone for the album, which sees Dezzyano finding different ways of telling his story with catchy hooks and intense verses. From a critical standpoint, this album has

Sick.Life: “Dreamers” – showcasing the diversity and talent of the roster

Sick.Life a collective of artists and an independent music label based in El Paso, Texas. A couple of months back they released their critically acclaimed album, entitled “Contagion”. Now off that album comes the single “Dreamers” produced by NZO, and featuring Josh Brown on the chorus and bridge, while the verses are handled in order of appearance, by Sonny Weston, Lavoe, C.Notes and E$ BFNE. For hip-hop fans growing up in the 21st century, the Sick.Life collective is simply a perfect match between raw lyrical muscle and dynamic production. I listened to the track last night with the intention of

Cassie Holt and The Lost Souls: “Curvy Girl” makes a strong statement

These days, it seems anyone can make an R&B record. However, recording a soul track takes that special intangible element that not all have. Cassie of Cassie Holt and The Lost Souls, offers cadences that move in an affable manner as she declares her sense of self-worth on her latest single release, “Curvy Girl” which tackles the theme of body positivity. She never rushes the pace. She intones in different ways to let the song build in complexity. Think of it as the aural equivalent of a Lego set. One can use the simple bricks in different styles and colors

Bloomer: “Good Morning, It’s Breakfast Time” – washed away by sunlight and a downpour of musical ideas

Bloomer is a rock band from Baltimore, MD created by musical partners Luke Boardman and Matt Zorzi. The band’s sound emerges from a mix of 70’s & 90’s Rock, Soul and American Roots Music. “Good Morning, It’s Breakfast Time” is contemporary indie rock at its finest. The music is sprawling and psychedelic. The mood can range from rocking to mellow. Bloomer is a band that has great song writing abilities and expressive improvisational abilities. Depending on the given song, the band moves effortlessly between straight rock and psychedelic infused jam-band grooves. This 4 track EP showcases both the band’s alt-rock

“Final Curtain” represents yet another progression for Roger Cole

Roger Cole is anything but predictable. Other than the fact that excellence flows in abundance from his river of musical and artistic expression, his music (usually together with his partner in crime Paul Barrere) is always engaging on an emotional level. Here on his solo effort, the single, “Final Curtain”, Cole is not content to repeat himself, nor is he afraid to confront difficult subjects or at least ideas that many artists don’t frequent. This time around there is this ongoing tug-of-war between moving on and living in the past. The time when someone needs to say no, and the

Pauline Frechette: “Always Lover” (feat. David) works its magic

Not so much a singer as a sublime song stylist, Pauline Frechette returns to release an impeccably performed love ballad simply entitled “Always Lover” (feat. David). Avoiding any pretense or extravagance, Pauline stretches her breathy voice to gently embrace the lyrics, as she brings out the ultimate best of her vocal and piano artistry. Pauline wanted you to hear the instruments, the vocals, and the emotion in the breathing etc., instead of a sonic rush of noise. She does this by allowing some ‘quiet’ in the recording. Pauline is blessed with a great voice, a distinctive and beautifully frayed tone

Lyndon Rivers: “Nothing I Can Do” creates a celebration in your head!

For fans of Lyndon Rivers who love dance music, house, and techno, this is not an EDM single. It’s not the house music that we know Lyndon Rivers to have made, with filtered sampled loops, drum machine-programmed beats, and electronic harsh noise. It’s not any of that that. You can’t fist-pump to this music; you can’t go nuts to it. Well you can go nuts, but in a different way you’re normally used to in the club. So when you listen to “Nothing I Can Do”, the new single by Lyndon Rivers for the first time, go into it with

An Old Friend: “I am, I was” reaches for stratospheric heights

An Old Friend is an upcoming Alternative Rock band based out of Long Island, New York, they have been said to be significantly ahead of most contemporary peers in their stylistic niche; they show an ability to stray from the norm and focus on truly innovative fragments, as opposed to one linear hook yearning for radioplay. Founded in 2011 An Old Friend continue a career of sustained excellence, the new 6-track EP, “I am, I was”, bursts out of your speakers and infects your heart and mind like few other modern-day recordings. Not only is the production quality of the music

Kilo M.O.E: “Gods and Generalz” – a musically dense and focused album

Music Producer, Songwriter, Rapper and Athlete Kilo M.O.E was born in Jersey City, New Jersey. A former personal trainer and body builder, Kilo M.O.E won multiple bodybuilding awards and built a reputable athletic career before zoning in on the rap game. His stage name “Kilo,” is derived from his infamous street time in Topeka. “M.O.E” stands for “Money over everything.” Kilo M.O.E has performed for over 20 years, and just keeps on getting stronger as can be evidenced on his latest release – the mammoth 19 track project, “Gods and Generalz”.

kilo-moe-coverKilo M.O.E started working on this project in 2014 along with producer Tony Martinez of Good Fellas Music. “The whole concept of the album is really more of an audio movie. It’s a final battle between gods and generals. It’s real melodic. It has a lot of bars and hooks,” explained Kilo. Lyrically and technically, Kilo M.O.E has a renewed focus, telling his epic, cinematic tale story with more detail and meaning than ever.

Never before have I heard a gangsta rap piece come to life like this – a tense city filled with wars, vices, desperate ho’s and raging niggas. We get vivid lines with Kilo referencing streets, sets and more. When he’s not reflective, his rapping is fast, intricately patterned, and especially impressive.

There are not even minor distractions in the grand scheme of things here, and this album is grand. Pure artistic value aside, it’s only right that the album should gain mass appeal following considerable number of ear-catching tracks on show.

The album bleeds the aggression and rawness of a rapper who has never had any intentions of being held hostage by the fickle industry or any of its major labels. This is an artist who is beating his own path as he forges ahead in a quest to conquer the shallowness the genre has slumped into in recent times.

kilo-moe-350We find Kilo M.O.E matured and more focused than he’s ever been. The gritty bars that once blared through our speakers many years ago when rap had a purpose and meaning are all spread over this album here.

“Gods and Generalz” feels like an actual movie, clocking in at 19 tracks. But the length of the album does not make it hard to digest because every song hits the mark. A slight trim to the album’s 19 songs might even have spoiled it or subtracted the classic, epic feeling that the album has.

A track by track analysis is superfluous in a project of this magnitude, where each song is vital to the album’s overall theme, however essential listening would include: “Bang On Em”, “Blue Diamond”, “Weapons”, “Dramas Lit ft. J. Hood”, “Yellin’ At The Devil”, “Push” and “Pop ft. Cyco Thah Urchin”.

When you look at what Kilo M.O.E has accomplished on “Gods and Generalz” the album becomes even more impressive. He proves that he refuses to get categorized as a rapper who cannot adapt to hip hop’s changing sound through the years. And all the while, he is also still able to stay true to his roots.

The production by Tony Martinez helps Kilo M.O.E create one of the most musically dense albums of his career. Running through his catalog this seems like his strongest most focused work since his debut. The question is, “Are you ready for this?”

OFFICIAL LINKS: WEBSITETWITTERINSTAGRAMFACEBOOK TUMBLRYOUTUBESPOTIFYTIDALITUNES

About The Author

Reply