Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Marshall Artz Productionz – “Go Missing” ft. SeanQ – is incredibly hypnotic, with crystal-clear production

Released Aug 28th, “Go Missing” Prod. by Marshall Artz Productionz, is the producer’s 3rd single release since June. The track will be featured on his upcoming 2021, self-titled LP “Marshall Artz Experiment”. The song features singer-songwriter SeanQ, from Dallas, Texas. The producer’s blend of R&B-inspired neo-soul and smooth chill sounds becomes its own entity within the hip-hop and urban music world. Marshall Artz Productionz work should gain high appraisal through its colorful and subtly amped vibes that play to any genre lover’s ears alike. After listening to this track, I expect that the outpouring of demand for more of the

Evie Calabasas – “STARGIRL” – strong, sensitive vocals and soul-baring songs

Evie Calabasas is a 20 year-old singer and songwriter. She started playing guitar at the age of 6 and started singing at 15 years old. After attempting to be part of band on numerous occasions, Evie finally opted for a solo career. Her first solo project, the 3 track EP “STARGIRL”, has its title inspired by the first song she ever played live.  It is a tempered and exceptional record. It shakes, rattles and rolls with minimal, almost absent percussion, a dominantly strummed acoustic guitar and occasional keyboard interludes. Above all, is Evie Calabasas’ voice, which delivers an untethered, sweetly

Baby Lu releases her first single “Bad Stuff” on all major streaming platforms

Luna Elisabeth Jezebel Pool aka Baby Lu was born on February 5, 2002 in Frankfurt, Germany. Lu began singing and songwriting in her early teens and went to several music auditions where she was rejected because of her young age. She then decided to start making her own music after graduation in 2018. As she didn’t have any connections yet she wasn’t able to produce something properly. In 2019 she met the producer Austin Asiegbu (2aBeaatz) and started to produce her own songs. Pool has cited Adele and Demi Lovato as her major musical influences. Her other influences or inspirations

Kilo M.O.E: “Gods and Generalz” – a musically dense and focused album

Music Producer, Songwriter, Rapper and Athlete Kilo M.O.E was born in Jersey City, New Jersey. A former personal trainer and body builder, Kilo M.O.E won multiple bodybuilding awards and built a reputable athletic career before zoning in on the rap game. His stage name “Kilo,” is derived from his infamous street time in Topeka. “M.O.E” stands for “Money over everything.” Kilo M.O.E has performed for over 20 years, and just keeps on getting stronger as can be evidenced on his latest release – the mammoth 19 track project, “Gods and Generalz”.

kilo-moe-coverKilo M.O.E started working on this project in 2014 along with producer Tony Martinez of Good Fellas Music. “The whole concept of the album is really more of an audio movie. It’s a final battle between gods and generals. It’s real melodic. It has a lot of bars and hooks,” explained Kilo. Lyrically and technically, Kilo M.O.E has a renewed focus, telling his epic, cinematic tale story with more detail and meaning than ever.

Never before have I heard a gangsta rap piece come to life like this – a tense city filled with wars, vices, desperate ho’s and raging niggas. We get vivid lines with Kilo referencing streets, sets and more. When he’s not reflective, his rapping is fast, intricately patterned, and especially impressive.

There are not even minor distractions in the grand scheme of things here, and this album is grand. Pure artistic value aside, it’s only right that the album should gain mass appeal following considerable number of ear-catching tracks on show.

The album bleeds the aggression and rawness of a rapper who has never had any intentions of being held hostage by the fickle industry or any of its major labels. This is an artist who is beating his own path as he forges ahead in a quest to conquer the shallowness the genre has slumped into in recent times.

kilo-moe-350We find Kilo M.O.E matured and more focused than he’s ever been. The gritty bars that once blared through our speakers many years ago when rap had a purpose and meaning are all spread over this album here.

“Gods and Generalz” feels like an actual movie, clocking in at 19 tracks. But the length of the album does not make it hard to digest because every song hits the mark. A slight trim to the album’s 19 songs might even have spoiled it or subtracted the classic, epic feeling that the album has.

A track by track analysis is superfluous in a project of this magnitude, where each song is vital to the album’s overall theme, however essential listening would include: “Bang On Em”, “Blue Diamond”, “Weapons”, “Dramas Lit ft. J. Hood”, “Yellin’ At The Devil”, “Push” and “Pop ft. Cyco Thah Urchin”.

When you look at what Kilo M.O.E has accomplished on “Gods and Generalz” the album becomes even more impressive. He proves that he refuses to get categorized as a rapper who cannot adapt to hip hop’s changing sound through the years. And all the while, he is also still able to stay true to his roots.

The production by Tony Martinez helps Kilo M.O.E create one of the most musically dense albums of his career. Running through his catalog this seems like his strongest most focused work since his debut. The question is, “Are you ready for this?”

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