THE RIFT: “Rock Narcotic”shows off some impressive performance abilities

Los Angeles hard rock trio THE RIFT is made up of brothers Aris Anagnos (Vocals, Guitar), John Anagnos (Bass) and Ovais Malik (Drums). Since forming in 2009, they have played alongside the likes of Exodus, Yngwie Malmsteen, The Misfits, among others. Their 2016 full-length debut “INVENTIONS” caught the attention of the media, industry insiders and radio stations, as well as Grammy winning producer Brandon Friesen who has worked with Alice in Chains and Nickelback . Now 2017 sees the band release their brand new single “Rock Narcotic”, which is music on THE RIFT own terms, and really, that’s all you

LeeSon Bryce: “The Proelium EP” – some of the most diverse talent around this genre

Briceson Lee, artistically known as LeeSon Bryce, was born in Kansas City, MO and raised in Lee Summit, MO (south of Kansas City). First as a drummer for his church since the age of 12, then as a college graduate, manager, and an affiliate owner of a nutrition company LeeSon has always been influenced by music. Now at 23, he is adamant in pursuing what has always been his true passion. Teaming up with other local artists and DJs such as Oblivinatti and Buck, LeeSon Bryce sets out to prove himself in the music industry. The first challenge comes from

MusicMegaBox.net – Listen To Music In Your Own Language!

It is always comforting to see that the website you just accessed is available in your language. Well, MusicMegaBox.net (you can read more about this music service here) is proud to release its French and German versions. While it may not be a problem to look for the music you like in English, which is a universal language, used on every website available on the Internet, using your own language means accessing a greater variety of details. You will know the meaning of every word on the website and you will certainly find what you’re looking for a lot faster.

Liquid Lunch: “Sketches 2 Seed” – an infectious and smoldering staple

Ken Eagle and Michele Akers discovered each other’s musical abilities after meeting at a dance in May 2014 and formed a duo in late October of the same year. They booked their first gig a month later…prior to having any material ready, and were forced to burn the midnight candle before successfully completing the gig with a 40 song repertoire. The duo, Liquid Lunch has now played in excess of 200 Gigs, performing at more than 50 different venues and travelling in excess of 160,000kms across the state of South Australia. Through it all Eagle and Akers, now bring to

DabriaLive Records Presents the heart and soul singer Anette Mendoza

Anette Mendoza, one of the original members of the Dabria duet which originated in 2011, has performed by request in various places such as Japan, Korea, UAE, and Indonesia among others establishing a solid reputation as a singer and performer. Anette, who started singing when she was 5, has also recorded the song, “I will do anything for love”, with Philippine artist – and first ‘Pilipinas Got Talent’ winner – Jovit Baldivino. Inspired by her late father, who himself was an excellent singer, Anette decided to sing professionally at the tender age of 7, starting out with covers by artists

KonQuestNow: “NOP (No One’s Perfect)” ft. STP & J.Morgan – an assemblage of uncanny language

The preconceived notions of what a KonQuestNow (VerseBorn & Wreck The Rebel) track is going to be like are plentiful well before you even press play. This has been a boon to their career, in what has become a viral habit of either hating or loving something based almost solely on your own personal internet culture and what your daily feed prompts you to feel about a certain subject. The collective’s name has become synonymous with great lyrics, superb beats, and originality. On their latest track “NOP (No One’s Perfect)”,  produced by Wreck The Rebel, featuring  STP & J.Morgan,  KonQuestNow

Enzo Sprigg: “Cosmic Bipolar Nebula” – therapeutic and cathartic

Enzo Sprigg is a creative electronic singer-songwriter, as well as a visual artist who illustrates his own album covers, creates the costumes in his videos and has even hand drawn and animated videos for his songs. Sprigg has just recently thrown down his therapeutic and cathartic 12-track “Cosmic Bipolar Nebula”, his third album. It’s with his continued freedom and internal exploration that Enzo Sprigg returns with a new recording, while showing a mature growth from his earlier releases. The album opens with “Raygun Love Transmission”, a beautifully sewn together song with distorted instrumentals and yearning vocals that create luscious textures

Stori Brooks: “Parachutes” – a potential for greatness

Stori Brooks has been a lot of things in her career: producer, poet, conflicted rapper, scenic storyteller. While her versatility keeps her afloat, it’s tough to get a bead on exactly who Brooks is and what she stands for—is she the conscious backpacker or the straight-talking street girl? She embodies the urban alternative, and she’s working on an album, to be entitled, “EVERYTHING IS GR8”, that offers her full narrative. The first single, “Parachutes”, taken off the upcoming album offers insight into her essence, finding the rapper at her most reflective. Maybe she’s assessing her current status and how she

Samantha Bouquin: “Contemplations on Solitude and Strings” – highly expressive

Connoisseurs of experimental or avant-garde chamber music may already know of Samantha Bouquin’s inventive and entrancing sounds. This is music of great integrity, startling vitality, and striking originality, yet it is virtually unknown outside the cult following that has appreciated these ingenious compositions. A cross between homespun classical populism and the sophisticated experimentation of the avant-garde, Bouquin’s music follows in the iconoclastic tradition of forward thinking composers, but with its own frank expression, exuberance, and wayward charm; yet it is also accessible to the casual listener in the directness of its material and the clarity of its techniques, no matter

My Silent Bravery: “Got it Going On” – a strong hook, and a nagging melody

“Got it Going On” is the latest single from My Silent Bravery and is the first track taken from the highly anticipated album “Willing to Try”. The song was featured on XM Sirius Satellite radio station XM The Pulse on Train Tracks with Pat Monahan, while the video premiered via the Huffington Post. Co-written and produced by Jim McGorman (Gwen Stefani, Avril Levine, Poison) the album features 12 tracks and will be released in 3 separate Eps over the next year. My Silent Bravery is the moniker used by Matthew Wade, and is meant to symbolize “persistence, perseverance and inner

Kilo M.O.E: “Gods and Generalz” – a musically dense and focused album

Music Producer, Songwriter, Rapper and Athlete Kilo M.O.E was born in Jersey City, New Jersey. A former personal trainer and body builder, Kilo M.O.E won multiple bodybuilding awards and built a reputable athletic career before zoning in on the rap game. His stage name “Kilo,” is derived from his infamous street time in Topeka. “M.O.E” stands for “Money over everything.” Kilo M.O.E has performed for over 20 years, and just keeps on getting stronger as can be evidenced on his latest release – the mammoth 19 track project, “Gods and Generalz”.

kilo-moe-coverKilo M.O.E started working on this project in 2014 along with producer Tony Martinez of Good Fellas Music. “The whole concept of the album is really more of an audio movie. It’s a final battle between gods and generals. It’s real melodic. It has a lot of bars and hooks,” explained Kilo. Lyrically and technically, Kilo M.O.E has a renewed focus, telling his epic, cinematic tale story with more detail and meaning than ever.

Never before have I heard a gangsta rap piece come to life like this – a tense city filled with wars, vices, desperate ho’s and raging niggas. We get vivid lines with Kilo referencing streets, sets and more. When he’s not reflective, his rapping is fast, intricately patterned, and especially impressive.

There are not even minor distractions in the grand scheme of things here, and this album is grand. Pure artistic value aside, it’s only right that the album should gain mass appeal following considerable number of ear-catching tracks on show.

The album bleeds the aggression and rawness of a rapper who has never had any intentions of being held hostage by the fickle industry or any of its major labels. This is an artist who is beating his own path as he forges ahead in a quest to conquer the shallowness the genre has slumped into in recent times.

kilo-moe-350We find Kilo M.O.E matured and more focused than he’s ever been. The gritty bars that once blared through our speakers many years ago when rap had a purpose and meaning are all spread over this album here.

“Gods and Generalz” feels like an actual movie, clocking in at 19 tracks. But the length of the album does not make it hard to digest because every song hits the mark. A slight trim to the album’s 19 songs might even have spoiled it or subtracted the classic, epic feeling that the album has.

A track by track analysis is superfluous in a project of this magnitude, where each song is vital to the album’s overall theme, however essential listening would include: “Bang On Em”, “Blue Diamond”, “Weapons”, “Dramas Lit ft. J. Hood”, “Yellin’ At The Devil”, “Push” and “Pop ft. Cyco Thah Urchin”.

When you look at what Kilo M.O.E has accomplished on “Gods and Generalz” the album becomes even more impressive. He proves that he refuses to get categorized as a rapper who cannot adapt to hip hop’s changing sound through the years. And all the while, he is also still able to stay true to his roots.

The production by Tony Martinez helps Kilo M.O.E create one of the most musically dense albums of his career. Running through his catalog this seems like his strongest most focused work since his debut. The question is, “Are you ready for this?”

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