Roger Cole & Paul Barrere: “Let It Go” combines musical inspiration and travelling emotions

Meaningful lyrics, amazing songwriting, superb heart-warming yet angry sound, musical teamwork, everything is so perfect in this track. Such a gorgeous and refined melody and philosophical lyrics is worth being remembered for all of the current generation. The guitarist uses swampy resonating sound so beautifully and the drummer plays simple but tight groove, with every drum fill-in is on the sweet musical spots. The bassist backs up the music stably as the boys sing the vocals with conviction. This is one of my current desert Island #1’s in the Roger Cole & Paul Barrere catalog. Yes, the track “Let It

Markus Scott: “Live Life With No Regrets” – confidence is sky high on this project

Born in New York City, Markus Scott grew up in humble surroundings, and his family were always on the move resulting in him constantly transferring schools. He excelled at reading and writing poetry, before discovering that he could rap when he won a freestyle battle with a signed artist at a house party in Harlem. He soon learned to DJ too, and with his first check from summer youth, Markus went to a pawn shop and brought a laptop. He then brought a DAW, and microphone from Guitar Center and began researching how to mix and edit his vocals. He

Christopher Rapkin: “Focus In” – substance over style!

Composer, arranger, producer, multi-instrumentalist and singer. Christopher Rapkin is many things, including founding member of Digital Composers Guild, and a music industry consultant. During September Rapkin released his 10 track heavy guitar album, entitled “Focus In”. Listening to Rapkin on this album it also becomes clear that he could be known as a great guitar virtuoso and a perfectionist. Christopher is the guitarist who sings and he does it quite well, in my opinion even better than Steve Vai. Also he is a good composer, all of his albums are full of songs of different styles. So he’s the man

Ziggy: “Breathe” – music for a new generation of kids

Zachary Raul Reyes aka Ziggy was born in Arcadia, California, but spent a lot of time moving around since his dad was in military service, ending up in a town in Ohio called Middletown where he spent most of my elementary and high school career. Growing up, music was his life. At 13 he received his first guitar, as a gift from his mom. He took two lessons before teaching himself how to write tabs and understanding harmony. From there Reyes ventured into listening to Hip hop and metal before discovering Dubstep, which represented a complete change of direction. Suddenly

Lynne Taylor Donovan: “Sooner or Later” – a swirling pool of rich technique and tender ability

“Sooner or Later”, the new release by independent Canadian Country songstress, Lynne Taylor Donovan, is the third single from the Nashville sessions that produced her hugely successful Euro-UK #1 hit “Strong One” and the follow-up European #2 hit “Am I Dreaming”. The reigning queen of indie country music has a knack for finding a way into the hearts of her global fan base. “Sooner or Later” has a warm and deep intention, reflecting Donovan’s eloquent and versatile tidings, showcasing her country gravitas, and a swirling pool of rich technique and tender ability. A careful sensory indulgence is heard in the

Odd-Arne Jacobsen: “While I Was Crossing The Bridge” – a gift to the world

Musician, songwriter and guitarist extraordinaire, Odd-Arne Jacobsen has worked with most of the leading artists in his home country of Norway, in both theatre and music, and has also presented his craft internationally. He has had his own television show in Russia, as well as a solo concert at the Moscow International Jazz Festival, and has toured the USA, Mexico, Russia, France, China, Kuwait, Scotland, and Japan. In 1990 he undertook a solo concert of his own compositions in New York, becoming the first Norwegian guitar player ever to hold a solo concert in Weil Recital Hall at Carnegie Hall.

Jennifer Hope Releases “My December” for Music for Relief’s One More Light Fund in memory of Chester Bennington

JENNIFER HOPE LAUNCHES DOWNLOAD TO DONATE FUNDRAISING CAMPAIGN TO BENEFIT LINKIN PARK’S MUSIC FOR RELIEF CHARITY Singer-Songwriter Jennifer Hope, has released her cover version of Linkin Park’s “My December” to raise awareness, and contributions for Music for Relief’s One More Light Fund in memory of Chester Bennington. The track is available for download until October 27, 2017 at GoFundfMe. A one dollar donation is all that is required to receive a download code, but any additional amount is appreciated and your extended generosity can further help many in their time of need. All donations go to the charity through the

Jordan Everist: “Vacancy” – the perfect soundtrack for anything you can really think of doing

Jordan Everist is a creative from Portland, Oregon. His love of music began when he was 4, but really took off in his high school years. Since then he has been producing music professionally for short films, cartoons, and musicians. He also has had a series of personal projects, where he’s been able to express himself and develop his own voice. Besides music, Jordan has an interest in all things creative, which he shows through his other ventures, writing and animating cartoons, and developing video games. Odds are if you’re reading this review, you’ve heard of Everist’s music before. If

RealTalk: “The Time Machine” hosted by DJ Infamous – depth and variety to each song

On his brand new mixtape, “The Time Machine” hosted by DJ Infamous, Phoenix, AZ based artist RealTalk, delivers his visceral lifetime narratives over remixes of hits taken from the 70s, 80s and 90s, including samples by Bobby Womack, Rose Royce, Michael Jackson, Prince, Xscape , Aaliyah, Pink Floyd, and more. The mixtape delivers 12 grooving tracks with beats by a handful of skillful producers, from Dj Eric Swain, Rehab Beats, to BigMattBeatz, Kaleem Beats and MCK, as well as By 318tae who has the lion’s share with 4 tracks. The only feature is The Last Poets on the opening track,

David Vaters: “A Voice In The Wilderness Volume 2” – wonderfully orchestrated narratives

“A Voice In The Wilderness Volume 2” finds David Vaters in top form. This is a beautiful complex album that highlights the full brilliance of David’s genius, as well as the serenity and wisdom of a long, full life. Those of you who have listened to the previous, ambitious and critically acclaimed project, “A Voice In The Wilderness Volume 1 ”, showcasing a cast of a-league musicians, will know exactly what to expect. As this offers more of the same emotional experiences savored on that recording. Once again David enlightens us with his lyrical wisdom, as he warns about our

Whiskey Sharts: “#2” – a more than devilish Southern rock band!

Initially founded by the late Stan Mason Dixon, Whiskey Sharts is a more than devilish Southern rock band act hailing from Shartsville, who find their captivating strength in innumerable lewd and crude insinuations delivered via ass-kicking musical arrangements made up of crunchy, twanging guitars and sweet harmonies to seduce us. Quite simply, Trace Harlan Edwin Crooks, Rico Planeta, Beaver Davenport, Keith Fucking Jackson, Snake Whissken and Rico form an atypical rock band that is prepared to change the face of music…by squatting right on top of it!

whiskey-sharts-2-coverWhiskey Sharts depends on a mixture of comedic situations and lovable instrumentation to produce their well-crafted rocking schtick. Singing with their virility hanging out, the band constantly returns to sexual subjects, to the obvious delight of their fans.

How else would you describe the success of upbeat emotional roller-coaster songs such as “Titties”: “Titties, I love titties. It don’t matter who you are, if you show titties, you’re the star!” Experiencing the Whiskey Sharts  on their new EP “#2”, is akin to a young boy listening spellbound while an older brother gives him the rundown on all things taboo and includes all the saucy details too.

The Whiskey Sharts’ comedy also requires an entirely appropriate amount of swearing (to the point of near comic genius), perpetual proclamations of personal greatness, and the frequent display of rampant ego ready to destroy any humble submissiveness.

Checkout the hilarious, heartrending mid-tempo ballad, “Pick Up Fuck”: “I see a man in a pick-up truck. I see a girl that I wanna fuck, and she’s sitting next to him. His got a shit eating grin, and I swear I’m gonna win her heart from him.”

What is most surprising and amusing about the Whiskey Sharts’, though, is that they are spectacular musicians. Their songs may provide a vehicle for their comedy, but the tunes are so damn catchy and well executed that listening to the same routine repeatedly doesn’t ever get old.

whiskey-sharts-liveThe Whiskey Sharts’ make their Southern rock music epic-sounding, without compromising their crassness, and you can fully witness and appreciate their vocal and musical prowess on “Complicated”. A song and performance with so much rhythm, grit, melody and harmony that even a band like the Tedeschi Trucks Band would be proud of having it in their catalog.

That the Whiskey Sharts’ are not just occupied with things sexual is apparent on “I Love Marijuana”. The title may say it all, lyrically, but those luscious chain-gang harmonies at the beginning of the track say so much more about the intrinsic quality of this band.

And when they crank up those screeching, rustic guitar riffs, and the song kicks in for real, all country-rock hell breaks loose. “Go on Go”, is another song the Tedeschi Trucks Band would die for. This deadly serious musical ode is a piano-dominated ballad made up of a soaring vocal melody wrapped tightly in a thickly layered musical soundscape, smothered with tons of harmony.

Throughout this EP, the Whiskey Sharts show us that they sure know how to make people laugh. But when they really need to, they can bring a tender tear to any eye. “Go on Go” plays perfect testimony to this.

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