Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Auzzeus: “Sound of Suburbia” – the creativity and subtlety never wavers

Auzzeus is a rapper and singer hailing from just south of Seattle. As a child he participated in select choirs, including Virginia Honors Choir and Lutheran Choir, before he started rapping when he was 20. Auzzeus admires other artists such as Travis Scott, Iamsu and Sam Lachow, and pins his style on his idols, Drake, E-40 and Eminem. Spearheading a movement in the Pacific Northwest, Auzzeus says he won’t stop until everyone knows his name. Whether or not Auzzeus’ Sound of Suburbia” is your cup of tea, the craftsmanship that went into the record is undeniable.

The instrumentals are massive, moody, and orchestral and on many tracks they even undergo several permutations. Auzzeus, despite being an engaging MC, also has a good singing voice, so you’ll hear quality verses and more importantly shiny hook duty.

Auzzeus breathes life into the opening track “S.O.S”, and the bombastic vocal effects feel like a pointed and purposeful shift from the synth swirl that populates most of the song. “Sound of Suburbia” immediately swings into a kaleidoscope of early singing meets lithe, airy trap melodies on “DJ Play (Ft. Aeron Watson)”. Simply put, Auzzeus is a talented masquerader, shifting visages accordingly between E-40’s spastic wordplay, Eminem’s aggression, and Drake’s vulnerable ruminations.

Auzzeus echoes a vibe similar to Future – his rhymes are soaked in vocal filters and laced with trap-influenced beats and lyrics very much following suit. It is easy to see that Auzzeus is doing much to ascend his contemporaries, and he knows exactly what he does well.

Tracks like “Red Cup Vaccine (Ft. Jack Demo)” and “Luv U Like I” magnifies such a sentiment with purposed production and a reasonable amount of brilliance to boot. “Motions” slices through an urban edged melody and a heavy dose of bass to create a playground for Auzzeus to slather his constantly fluxing vocal styles.

While the minimally produced “Weekend Warrior (Ft. Jack Demo)” focuses more on the lyrical delivery and seemingly effortless flow. Auzzeus’ vocal deliveries and his inclusion of complementary guest spots bolster the direction of what he has worked to create on this record.

While it is easy to point out the strengths of this album with such broad strokes, it is almost just as easy to acknowledge where the album soars. For one, Auzzeus’ vocals and lyricism is aimed at the masses, and his storytelling is often extremely interesting.

I guess for a recording of this nature, it could be chalked up to just coming with the territory, but Auzzeus’ creativity and subtlety never wavers and leaves us satisfied with whatever vibe this record aims to create from track to track.

To be perfectly honest, there are times when it is incredibly easy to get lost in this record. “Sound of Suburbia” is surely a step in the right direction for Auzzeus as he seeks to continue to build his legacy as an artist, building on his ear for accentuating beats through solid vocal structuring.

And while there is still room for growth, he already seems to hit in all the right places for rap fans and curious casuals alike. Furthermore the production, mixing and mastering by Corey Hallenback, is nothing short of superb.

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