“1969” is the new Single and Video by THE FUZES

“1969” is a brand new single by the Swedish based band, The Fuzes. The track elaborates on historical events that took place in the USA that year. The song features Martin Dagger Granhage (Guitars, Bass, Lead Vocals) who is also the producer. Nathanaël Bartolo is on Drums. The Fuzes have 3 albums under their belts, which includes “Moving On”(2004), “In From The Shadows” (2005) and “Shake Your Body” (2006). Their latest work, is the group’s first recording in 12 years.  Visit The Fuzes website here: http://www.thefuzes.net/ Check out the past albums here: Apple: https://music.apple.com/us/album/shake-your-body/163988247 Deezer: https://www.deezer.com/sv/track/70066783 You Tube: https://youtu.be/IXaI6dyjtvI Check the band

Grammy Award-Winning Guitarist, Songwriter, and Best-Selling Author Chris Perez Releases New Hot Sauce Brand!

Chris Perez, husband to the late superstar, Selena, dubbed the ‘Queen of Tejano music,’ will release his custom “Perez Pepper Sauce” starting Saturday, November 16th. The small-batch sauce will be available online at CaJohns.com and at select locations where Perez will make personal appearances to offer on-site demonstrations to fans and customers. “My love for spicy food began as a young child when I accidentally ate a Mexican chili pepper,” recalls Chris. “I guess you could say that’s when I had my jalapeno popped,” laughs Perez. A scene from the 1997 biopic “Selena: The Movie” (portrayed by mega-star Jennifer Lopez) showcases Chris’s (played by actor Jon Seda)

Kambiz Mirzaei – “The Lost Ambient” – a dominating melodic mellowness behind a rising wave of dynamic, ascending energy.

The Toronto based composer, Kambiz Mirzaei, has navigated between two musical cultures: from authentic transcendental Middle Eastern melodies to North American flavored ambient, electronic and orchestral arrangements. His collaboration with Jamshid Andalibi in 1999 initiated an alternative approach to traditional use of the folk instrument, Ney, in modern compositions. If you’re looking for an instrumental record that explores cross-culture electronic and ambient themes cohesively, look no further than the album – “The Lost Ambient” by Kambiz Mirzaei. I am astounded that Mirzaei isn’t talked about more often, because there is so much innovation in his compositions and production that it’s

Axl & Arth – Rising Up with “Triumphant”

After a short hiatus the Stockholm based-producer duo are back with new mature sound, having teamed up with singer Dustin Paul for their collaboration Triumphant.  Axl & Arth have been releasing music consistently since their debut single in 2015 and going through their track list on Spotify you quickly get the idea that the duo likes to experiment with genres, mash them together and never corner themselves. “Well, we don’t want to be typecasted I suppose,” says Axl. “We like to just create whatever feels right at a given moment and what inspires us differs from one day to another.

Sublimerent – “Circular Emotion” – intense dynamism, amazing instrumentation and complex song structures

The progressive metal band Sublimerent from Berlin, Germany, was formed in late 2018, and consists of Álvaro (Drums), Jerome (Guitar), Luce (Vocals) and Martin (Bass). Their latest recorded work, is the 3 track conceptual EP, entitled “Circular Emotion”, which was mixed and mastered by Mendel (ex-Aborted, Oracles, System Divide). So, what is the glue that makes this recording stick together? What are you supposed to feel when you’re listening to “Circular Emotion”? The driving themes behind the EP is alluded to in the song titles themselves – “Perception”, “Sentiment” and “Singularity”. Each discussing the existential weight of its own meaning

Interview: STRONG A.R.M. – Coming straight out of Brownsville, Brooklyn NYC!

STRONG A.R.M. is the name that describes the 6’2″, 200 plus pound Brooklyn native who is definitely taking on ALL HATERS! It’s a perfect description of his overall attitude. This is one artist that believes anything goes when it comes to his music. He did not choose to do hardcore hip hop, hardcore hip hop chose him! It allows him to say what the hell he wants. Bringing it straight to the front line so your attention is caught and kept. Don’t get STRONG A.R.M. wrong though, that is just one area of hip hop he is good at, he

Still Hustie & WILDZ XL – “Vicious Circle of the Wildz” – another important message that the world needs to hear

Hip Hop is incredibly accessible.  If you have any performing, rhyming or poetic talent – you can tell your life story, through rapping, a beat and accessible means. This makes it globally significant – people can put their own spin on it, and express their individuality, or a collective message. Rappers, as poets, have always been a good reflection of the heart of a community. They take ideas out of the community and spread them to the rest of the world. Sometimes its stuff that’s positive, often times its stuff that’s negative. At best, it’s engaged in social, political and

MrWho??? – “Paint The Sky Funk” – A mega release that fans will devour

Ever heard of the ‘Funkjazzhop’ music style? If not, chances are you’ve never heard Dallas-based jazz/funk/hip hop, artist, producer and eclectic adlibber, MrWho??? And that’s not a question, it’s a damn statement! Coincidence would have it that MrWho??? and the granddaddy of funk, George Clinton, share the same birthday. And that’s not all they have in common. Influenced by the likes of Cameo, James Brown Barkays, George Duke, Lakeside, Maze, and Earth, Wind & Fire, MrWho??? set out to make an impact amongst colleagues and peers. Fate would have it that during 2019, the Dallas creative was approached by Maurice

Gual – “Get Down” – a retro-wave 80’s groove that is total wonderfulness! 

By the age of 10, artist and producer Gual had picked up his first guitar. Two years later he was experimenting with music production, using a Korg Poly-800 synth, his guitar, and an old Panasonic dual cassette recorder. These days Gual is still channeling all of his energy and passion into his music with a nu-disco single entitled “Get Down”. This is an excellent electronic dance track album from Gual. Fat synths, smooth syrupy and soulful vocals, and thick funky basslines make this track a must have for anyone who appreciates any disco or dance music. The whole track has

Love Ghost Premieres their brand new video “Let It All Burn”

Message from lead singer/songwriter Finnegan Bell: “Let It All Burn” is how I see the world through my 18-year-old eyes. The hypocrisy and unwanted advice that weighed me down during senior year led to this song. My Dad being diagnosed with stage 3 cancer made me more determined- “fuck what they say, I make my own way”. The song was produced by Danny Saber (Rolling Stones, U2, Marilyn Manson, David Bowie). The music video was directed by Dean Karr. The promise of his early work led to Karr being asked to direct Marilyn Manson’s “Sweet Dreams.” The resulting piece drew

Auzzeus: “Sound of Suburbia” – the creativity and subtlety never wavers

Auzzeus is a rapper and singer hailing from just south of Seattle. As a child he participated in select choirs, including Virginia Honors Choir and Lutheran Choir, before he started rapping when he was 20. Auzzeus admires other artists such as Travis Scott, Iamsu and Sam Lachow, and pins his style on his idols, Drake, E-40 and Eminem. Spearheading a movement in the Pacific Northwest, Auzzeus says he won’t stop until everyone knows his name. Whether or not Auzzeus’ Sound of Suburbia” is your cup of tea, the craftsmanship that went into the record is undeniable.

The instrumentals are massive, moody, and orchestral and on many tracks they even undergo several permutations. Auzzeus, despite being an engaging MC, also has a good singing voice, so you’ll hear quality verses and more importantly shiny hook duty.

Auzzeus breathes life into the opening track “S.O.S”, and the bombastic vocal effects feel like a pointed and purposeful shift from the synth swirl that populates most of the song. “Sound of Suburbia” immediately swings into a kaleidoscope of early singing meets lithe, airy trap melodies on “DJ Play (Ft. Aeron Watson)”. Simply put, Auzzeus is a talented masquerader, shifting visages accordingly between E-40’s spastic wordplay, Eminem’s aggression, and Drake’s vulnerable ruminations.

Auzzeus echoes a vibe similar to Future – his rhymes are soaked in vocal filters and laced with trap-influenced beats and lyrics very much following suit. It is easy to see that Auzzeus is doing much to ascend his contemporaries, and he knows exactly what he does well.

Tracks like “Red Cup Vaccine (Ft. Jack Demo)” and “Luv U Like I” magnifies such a sentiment with purposed production and a reasonable amount of brilliance to boot. “Motions” slices through an urban edged melody and a heavy dose of bass to create a playground for Auzzeus to slather his constantly fluxing vocal styles.

While the minimally produced “Weekend Warrior (Ft. Jack Demo)” focuses more on the lyrical delivery and seemingly effortless flow. Auzzeus’ vocal deliveries and his inclusion of complementary guest spots bolster the direction of what he has worked to create on this record.

While it is easy to point out the strengths of this album with such broad strokes, it is almost just as easy to acknowledge where the album soars. For one, Auzzeus’ vocals and lyricism is aimed at the masses, and his storytelling is often extremely interesting.

I guess for a recording of this nature, it could be chalked up to just coming with the territory, but Auzzeus’ creativity and subtlety never wavers and leaves us satisfied with whatever vibe this record aims to create from track to track.

To be perfectly honest, there are times when it is incredibly easy to get lost in this record. “Sound of Suburbia” is surely a step in the right direction for Auzzeus as he seeks to continue to build his legacy as an artist, building on his ear for accentuating beats through solid vocal structuring.

And while there is still room for growth, he already seems to hit in all the right places for rap fans and curious casuals alike. Furthermore the production, mixing and mastering by Corey Hallenback, is nothing short of superb.

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