Sydney-Based DJ Vareso Releases “Learn To Love” EP

Vareso is a Sydney based DJ with a dream of sharing his love for electronic music from a very young age. Starting his career off in small night clubs around Sydney in 2012 Vareso has played all around the country supporting world class acts. With his release of his latest album “Learn To Love” it is now time to take it to the next level! Follow Vareso: Spotify: https://open.spotify.com/artist/4eDBQ5X2VYYYb1IlAaGT5l?si=f7fKYTz9RbKwfA6aJPi1kw SoundCloud: https://soundcloud.com/varesoofficial YouTube: https://www.youtube.com/channel/UCHUX1gcnnxQRUZCdHJlyyRA Facebook: https://www.facebook.com/varesoofficial Instagram: https://www.instagram.com/dj_vareso/?hl=en Twitter: https://twitter.com/Varesoofficial Snapchat: varesoofficial Promoted via Club Restricted Promo www.clubrestrictedpromo.com https://www.facebook.com/clubrestrictedpromo/

Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Steve Mahabir: “Angel In Parkdale” – immediacy and life that is hard to find in contemporary music

During his career, Steve Mahabir recorded three albums with the alt-rock group, Groovy Religion, and appeared on compilations and soundtracks, backed Jim Carroll for several Toronto shows and shared bills with the likes of the Beastie Boys, Hüsker Dü, Dream Syndicate, Barenaked Ladies and many others. As a child Steve Mahabir’s family moved from Trinidad to Canada. Exchanging an idyllic island lifestyle, for the gritty Toronto neighborhood of Parkdale. All grown up now, Steve has finally released his debut solo album, candidly titled “Angel In Parkdale”.

Steve Mahabir plays with a wonderful restraint, always putting the song first. This, naturally, makes perfect sense since his songwriting is so great. Mahabir’s playing is always passionate and raw, yet just as graceful and powerful. There is a clear indication that as a guitarist he can play with the best of them, but was saving it all up for when it was absolutely necessary.

It seems that “Angel In Parkdale” signifies that time. This is one of the most guitar and horn oriented albums I can recall in the last few years. And nothing is lost in translation – meaning that all twelve songs are wonderful.

From the opening acoustic- guitar slow burn of “Last Night I Had A Dream” to the incendiary “All About You” to the gorgeous “Riding Cowboy”, each tune is a study in tone, lyricism, and taste. Other highlights include the poignant “So Far Away,” “Voices In Your Head,” and “Hope I.C.U.”

There is a bluesy stoner groove to this whole recording with lots of competing melodies and improvisation. Granted, there are a half dozen mellow tunes, but even the other slow, bluesy tunes drive deep with masterfully rocking solos.

The songs wrap around your sinews like vines and make you move–the vocals and brass knock on your front door, the keys linger outside your upstairs, bedroom window begging you to join the adventure, and the bass, drums, and guitars already have your momma’s permission.

Just jump right in for some inspiring, pulse-pumping music. Steve Mahabir and the band plant a lot southern-rock roots, heavily influenced by traditional blues motifs, in a terrific blast from the past, probably made possible only by decades of playing.

From a production standpoint, the album is refreshingly “under produced” and gives the impression of a group of guys standing around some microphones and doing the songs in a single take. It has immediacy and life that are hard to find in other contemporary music. All throughout Steve Mahabir remains a great story teller, razor-sharp lyrics with a sprinkling of irony.

What makes this a great album though is that everyone playing here is perfect and there is a real sense of enthusiasm in these sessions. Each song is a gem of composition and hangs together seemingly effortlessly. Superb guitar sounds also abound with lots of vintage over-driven crunch.

Mahabir’s guitar work is impressive, in that he is a great lyrical player who blends in seamlessly with each song, not some hot-shot shredder out to prove what a fretboard genius he is. Each song has a different groove, which moves through softer folk-rock soundscapes to harder and edgier alt-rock anthems, but they all have a great sense of forward momentum that will bring a smile to your face.

In this era of iTunes, computer generated music, and other assorted garbage, it’s a real treat to hear a band that totally has its act together and is having a great time performing. Steve Mahabir hits nerve after raw nerve with his songs, capturing lightning in bottle and sharing the feeling you would get from a live performance of him and his group.

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