Kill the Reflection: “Forever & Always” keeps itself tight and consistent throughout

Kill the Reflection is group from Oklahoma City, OK, consisting of Morgan Routt (Vocals/Guitar), Mark Martinez (Bass) and Starr Raven (Drums). Their new album, “Forever & Always” is currently available for pre-sale and will release on Dec 27th 2018 on digital and physical CD format with Vinyl to follow in 2019. On the album, Kill the Reflection presents an interesting musical mélange of alternative rock with excellent musicianship and vocals, as well as exceptionally strong lyrics. The instrumental work on the album is worth listening to repeatedly, and the songs are intelligent, though generally dark. “We have adopted the moniker

Son of Andy: “Looking Up” – creating lyrical atmospheres!

Detroit area native, Son of Andy got his start in 2011 and has been producing music and beats since then. His first album, “Wendigo”, was released in 2017, and his second album “Looking Up” is available for Pre-Order right now. Son of Andy takes it to another level with his latest album. He’s on top of his game and easily out does his past couple of releases. Newcomers can appreciate this just as well as previous fans. Likewise, you don’t even have to be a fan of hip hop to appreciate what’s bought to the table here. For those not familiar,

Fitzsimon & Brogan: “Big Blue World” – a full, punchy pop sound!

Fitzsimon & Brogan is a musical project based in London, whose creators therefore logically are songwriter Neil Fitzsimon, and vocalist Bee Brogan. The two setup their songwriting and production to produce, what they describe as “pure pop for now people.” Both were previously in a band called Pretty Blue Gun who featured guests musicians such as members of The Art of Noise, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams, who played guitar on the Walker Brothers’ track, ‘No Regrets’.  The two critically acclaimed albums were produced by Pat Collier, who produced Katrina and the

Lord Conrad: “Only You” – a journey through sound, emotion and introspection

Italian DJ, producer and model Lord Conrad, continues his prolific run with a series of acclaimed crossover hits like “Touch the Sky”, “Day After Day”, “1 Minute” and “Fight Till The End”. Lord Conrad has made it so far since his introduction to the music scene with his first release. With his innovative sound that only he can perfect, his reception is steadily growing, to beyond the strongest communication devices on the planet. Now with the release of his brand new track, “Only You”, the producer once again takes the music world by storm. His sound has drastically improved through the years, and it

Arush Dayal is a triple threat!

With a career spanning acting, singing, and writing, Arush Dayal is a triple threat. Originally hailing from India, Arush has seen a wide swath of the globe on his quest to hone his craft. He has studied at prestigious acting programs across the world including the Acting Program at the International Academy of Film and Television in Hong Kong and the One Year Conservatory at T Schreiber Studio in New York. Meisner Technique, Acting for the Camera and Commercial Acting are all facets of the industry Arush has studied in depth. He continues to perform both onstage and in front

The Frost: “Keep It Real” – There’s a classiness to this!

The Frost is a multi-genre group comprised of Leah Evans (Vocals) and Christian Gratz (Guitar, Piano). Located in Pennsylvania, their brand new single “Keep It Real” was released on December 7.  The duo emerge at a time when the ranks of sophisticated pop contenders seemed to have disappeared on a daily basis. Simultaneously chic and very creative, they thrive on the considerable charm of lead singer Evans, with her smooth chocolate voice, the instrumental talents of Gratz, as well as the pair’s impressive abilities as a songwriting unit. An absolute stand-out aspect of the new song is the way it’s

Forest Robots: “Timberline and Mountain Crest” – Inspired by natural landscapes

Let’s start of by saying that Fran Dominguez aka Forest Robots is a master at producing chilled out electronic music with heavy beats, and lots of orchestral instrumentation thrown in the mix. To call it electronic music almost seems unfair, as it implies this is music made by machines. Yes, I realize he is called Forest Robots, but this could not be further from the truth, as Dominguez’s music is pumping with life and human emotion. His latest album “Timberline and Mountain Crest” showcases 10 tracks of stunning depth, the kind of album you just throw the headphones on, turn

Edward St. Martin: “Lullaby” – blur the lines between savvy pop stylings and hard hitting kinetic soundscaping

Hailing from San Diego, Edward St. Martin has a background in film composition and classical music. His most recent single is “Lullaby”. Expectations met, superseded and immediately I hit replay. This track is going round again and I’m not the only one within ear shot of my stereo who is pleased about it. The easy laid back crossover Pop/EDM groove take is not unexpected, as I had already read that St. Martin was one for mellow tones combined with pop and soul vibes. But this track has another key element which makes a record of this nature standout. Intelligence. This

Katiah One: “Tail Spin” – an evolving, audacious artist

Soon releasing debut first EP “A Whole Lotta Water Works”, Katiah One is an artist raised on the Upper West Side of New York City. His mission is changing the common perception of the average rapper. Katiah draws inspiration from many genres including R&B and Rock, while his favorite artists include Freddy Mercury, Sam Cooke and Issac Brock.  On his latest single “Tail Spin”, taken off the aforementioned EP, Katiah deals with the deep issues of existentialism, or simply put, the meaning of a human being’s existence. Sure his talking ‘black’ talk, but you can’t go there without understanding the

Alisa Chirco: “Give Me More” – bench marked with confidence!

Alisa Chirco sure isn’t shy about revealing what’s on her mind, on her brand new single “Give Me More”, the follow up to her almost gothic-like pop ballad “Box”. Alisa sounds passionate, wanting and determined, in a driven rock song that is an anthem for empowered women. Her music here is very strong, has meaning, and is legit. The track shows that she is learning to emote in a more visceral and arguably more demonstrative way. Alisa has now escalated to being a rock chic with an attitude and bold open-confessional lyrics. A sensible direction for any reinvention is maturity, and

Steve Mahabir: “Angel In Parkdale” – immediacy and life that is hard to find in contemporary music

During his career, Steve Mahabir recorded three albums with the alt-rock group, Groovy Religion, and appeared on compilations and soundtracks, backed Jim Carroll for several Toronto shows and shared bills with the likes of the Beastie Boys, Hüsker Dü, Dream Syndicate, Barenaked Ladies and many others. As a child Steve Mahabir’s family moved from Trinidad to Canada. Exchanging an idyllic island lifestyle, for the gritty Toronto neighborhood of Parkdale. All grown up now, Steve has finally released his debut solo album, candidly titled “Angel In Parkdale”.

Steve Mahabir plays with a wonderful restraint, always putting the song first. This, naturally, makes perfect sense since his songwriting is so great. Mahabir’s playing is always passionate and raw, yet just as graceful and powerful. There is a clear indication that as a guitarist he can play with the best of them, but was saving it all up for when it was absolutely necessary.

It seems that “Angel In Parkdale” signifies that time. This is one of the most guitar and horn oriented albums I can recall in the last few years. And nothing is lost in translation – meaning that all twelve songs are wonderful.

From the opening acoustic- guitar slow burn of “Last Night I Had A Dream” to the incendiary “All About You” to the gorgeous “Riding Cowboy”, each tune is a study in tone, lyricism, and taste. Other highlights include the poignant “So Far Away,” “Voices In Your Head,” and “Hope I.C.U.”

There is a bluesy stoner groove to this whole recording with lots of competing melodies and improvisation. Granted, there are a half dozen mellow tunes, but even the other slow, bluesy tunes drive deep with masterfully rocking solos.

The songs wrap around your sinews like vines and make you move–the vocals and brass knock on your front door, the keys linger outside your upstairs, bedroom window begging you to join the adventure, and the bass, drums, and guitars already have your momma’s permission.

Just jump right in for some inspiring, pulse-pumping music. Steve Mahabir and the band plant a lot southern-rock roots, heavily influenced by traditional blues motifs, in a terrific blast from the past, probably made possible only by decades of playing.

From a production standpoint, the album is refreshingly “under produced” and gives the impression of a group of guys standing around some microphones and doing the songs in a single take. It has immediacy and life that are hard to find in other contemporary music. All throughout Steve Mahabir remains a great story teller, razor-sharp lyrics with a sprinkling of irony.

What makes this a great album though is that everyone playing here is perfect and there is a real sense of enthusiasm in these sessions. Each song is a gem of composition and hangs together seemingly effortlessly. Superb guitar sounds also abound with lots of vintage over-driven crunch.

Mahabir’s guitar work is impressive, in that he is a great lyrical player who blends in seamlessly with each song, not some hot-shot shredder out to prove what a fretboard genius he is. Each song has a different groove, which moves through softer folk-rock soundscapes to harder and edgier alt-rock anthems, but they all have a great sense of forward momentum that will bring a smile to your face.

In this era of iTunes, computer generated music, and other assorted garbage, it’s a real treat to hear a band that totally has its act together and is having a great time performing. Steve Mahabir hits nerve after raw nerve with his songs, capturing lightning in bottle and sharing the feeling you would get from a live performance of him and his group.

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