GentleBeatz: “Soul City” – the rhythm and flow of free form poetry

Sometimes a recording catches you off guard, rising from nowhere and worming its way into your ears with new sounds and ideas. Such a recording grows on you over time, and eventually can reorient what music and sounds you thought you liked. “Soul City” released on December 31 by artist and producer GentleBeatz, is such an EP. Emotionally rich, musically rich, and technically brilliant, it appeared with little fanfare or publicity to mesmerize our senses. GentleBeatz is an artist and producer currently residing in Mozambique. The eclectic creative crafts his tracks in the lo-fi hip-hop/chill-hop genres. Here he includes flavors

Younk makes the music business transparent and accessible to all!

Success in the music business has always depended on connections. The only way to make it was to know the right people or be lucky enough to play in front of someone with influence. Today, everything has changed. Younk now allows artists to get their music heard by listeners, quickly build a fanbase, and even create professionally produced Tracks and music videos with recording industry experts (when they receive enough support from the community). Younk’s group of show-business experts and world-famous producers make, for the first time, the music business transparent and accessible for all. There’s no red tape to

SKOWT is Revolutionizing the Independent Music Industry!

Kuala Lumpur: SKOWT, an innovative new music platform which caters to unsigned and independent talents, presented awards for the SKOWT-VIMA Best New Act at the SKOWT-VIMA Microawards Music Showcase at Oasis Discovery Centre (ODC), Ara Damansara. Present at the ceremony were Skowt Head of Operations Kumar Krish, Head of Talent Khai Aziz and founder of VIMA Siva Zaphod Chandran. The top 3 winners were Mero (1st Place), Tash (2nd place) and Airwaves on Fire (3rd place). Quote from  the winner, Meroshana Thaiyalan – Singer songwriter, classical veenai instructor, doctor: “Winning the SKOWT-VIMA award has been a surreal experience for me. From

Producer, podcaster and artist, Wes Yee drops “Found Us”

Wes Yee is a music producer and podcaster turned artist. He is the host of the top ranked podcast, The Music Journal, which he also audio engineers and produces the music for. He grew up playing music he didn’t like on instruments that he did like, which ultimately led to him becoming a producer of music that he is passionate about. After years of working behind the scenes, the artists he worked with inspired him to want to start putting out his own music under his name. If you ask Wes Yee what took him so long to finally put

Dreamstate: “Two Hands” grabs you at first listen and becomes more meaningful every time through

Maryland based music group Dreamstate is made up of Josh Hilson, Tyler Gagnon, and Kyle Santos. All of who come from diverse musical backgrounds, ranging from country music to Hip Hop and R&B. They’ve blended their influences into smooth R&B melodies, overlaying lush electronic pop sounds in their very own DreamLabs studio. 2018 saw the release of the band’s critically acclaimed debut EP “Take Care”. From which comes the single, “Two Hands”, which also has a video in the making. It’s an emotionally moving track which features a catchy and uplifting chorus with the impressive vocal style of lead singer

Roc O Star moves in untapped lanes!

Roc O Star’s music is rock with soul and a splash of hip-hop. This untapped lane is what sets him apart from many artists today. It affords him the opportunity to be a global and worldwide star. In addition to the songs, he uses great visuals in his videos to help convey messages of change, hope, despair and inspirations, as told through the backdrop of his personal life experiences. With a strong desire to succeed, Roc O Star is quickly building a reputation as an artist who can merge rock, soul and street level realism with a honesty that will

From Dubai to The Globe, Raveland Celebrates The New Year with His Fans with “Resolution 19”

Electronic dance music producer and DJ, Raveland, goes independent with his latest progressive house single Resolution 19. After releasing 4 singles with the music giant Universal Music MENA in 2017 and 2018, the electronic dance music producer and DJ, Raveland, decides to try going independent with his latest progressive house single Resolution 19. The Egyptian artist has signed to Universal Music MENA in 2017 and released his first official single Re, which has achieved a high reach worldwide throughout the music platforms like Spotify, Anghami and even YouTube through its official music video. The EDM producer has been touring locally

Sharmila exceeds expectations with her new single – “Burning For You (Club Mix)”

Netherlands – Taking the best elements of pop and marrying them with the soulful delivery of R&B, Sharmila has exceeded expectations with her new single, Burning For You (Club Mix). Born and raised in the Netherlands, Sharmila’s love of the arts developed at an early age. She started taking dance lessons as a child and from there, her passion for movement continued to grow. Now she’s intertwining that love of dance with her vocal abilities and creating music people can really get into. A combination of pop and R&B, Burning For You (Club Mix) is a song that could be

The Band of the Hawk & Noah Archangels – New Album “The Maschine Wars: LevitiKush”

This recent album contains 19 tracks with each song having its own unique sound. The instrumentals range from smooth and punchy to hard-hitting and grungy. This album only has 3 tracks with vocals and those tracks are the intro Evol featuring Klashher, The Glow featuring AG Da Coroner, and Chariots of Fire featuring Yeaux Majesty. The Band of the Hawk stay true to original hip hop sounds and flows so expect nothing less from Yeaux Majesty, AG Da Coroner, and Klashher. The instrumentals are dope to vibe too even without vocals. The bass in each track sounds amazing on headphones.

Bad Bones: “High Rollers” is 5 star material!

Bad Bones blows the doors off the rest of the industry with their “High Rollers” album. What makes the Italian hard rock group so special is a combination of their musicianship and singing. These guys can really play their instruments and sing the roof off of any location. They have mastered melody, inventiveness and matched it with excellent chord progressions. They understand how bone-crushing guitar riffs hit the listener and create the power and angst just as much as sheer volume does. On top of that, Bad Bones’ tunes will have you singing along in the car, in the shower,

ULYSSES: “Entendre” – Their embrace of technology is warm and sultry

ULYSSES’ “Entendre” is a piece of work that’s sumptuous in its minimalism. The collective elements cut a dark musical figure which produces melodies that are surprisingly bright and intense, wrapped up in lullaby, but energetic rap tones. Between the eras of ‘industrial-rock’, ‘alternative-rock’, ‘trip-hop’ and ‘post-rock’, there is a genre drawer where bands that don’t fit easy definition, are dumped into, to be sorted out later. That’s where ULYSSES goes for now. After all, it’s hard to pinpoint a project in cross genres so widely defined that it could encompass everything from orchestral rock drones, to alternative hip hop and space-age electronica.

ULYSSES is a singer/producer duo hailing from Boston MA.  “With our first project, Entendre,” say the duo, “we are creating a sound that is very unique in its own right. We wanted to make it very trippy, weird, psychedelic, and ultimately a sound that sounds quite foreign yet oddly familiar. Think along the lines of Pink Floyd Dark Side of the Moon, but not quite. At first we were just messing around, but then we realized we are cultivating our own vibe with this music.”

“Entendre” owes an obvious debt to its atmospheric soundscapes packed in simple layers of somberly shimmering instrumentation and blissed-out but clearly discernible rap vocals. But the remarkable thing about it all—and the thing that actually makes ULYSSES unique, even in an era that is increasingly impossible to categorize – is that its epic sound is achieved without creating multi stacks of synths, guitars and who knows what other noise.

In the production of “Entendre”, ULYSSES incorporate minimum instrumentation to achieve maximum sound, using various tones into rolling swells, and then layering it all over crisp trip-hop beats and deep-space bass.

Their embrace of technology is warm and sultry and nothing like the commonplace overstuffed electronic arrangements most of their contemporaries or peers use.  It could even be said that ULYSSES’ virtually dark wave, nearly ambient rock sounds, use slowed-down hip-hop rhythms as their basis.

In fact it’s what makes the music so distinctive. “Entendre” on the surface, without paying close attention, can sound spacey and ambient, but the hip-hop textures subvert the ambient genre in a most intriguing manner, adding much-needed spice to a style that can be unflinchingly bland in lesser hands.

From the opening track, “Sputnik”, there’s a definite movement and a fluid progression that can be discerned within these tracks, as the mood and emotion is accretive and incremental. The overwhelming viscerality alone makes “Entendre” a compelling listen, even without the shifts in dynamic.

This is designed as a concept album, and the duo themselves, advise listeners to listen to the recording from beginning to end, to fully appreciate the intended aesthetics. I won’t get into the theme of the EP, as that is for you to discover and savor for yourself, though I would add, if you wanted to skip around tracks for instant enjoyment, hit on standouts “Fake It”, “Doubts” and “Horizon”. The EP is universally ‘slow’ in pace, but blisteringly intense and will hit you like a ton of bricks.

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