Aeronaut: “Skara” – excellent progressive buildups and rhythmic backflips

Aeronaut can be described as Progressive Rock, Post-Rock, Indie, or simply Alternative Rock, but that doesn’t really matter. All I know is that this project delivers very interesting, fresh, and well-rounded music. Aeronaut has a huge dynamic range, from extremely fast and heavy with smooth, powerful vocals to very relaxing and atmospheric. The music is very melodic, clear and well-produced, the song “Skara” flows and changes to new and exciting ideas. The guitars are very lush and full sounding, during both heavier and mellow parts, while the bass and drums thump and bang in all the right places. Aeronaut is

Eric Hausmann: “Soaked” manages to tap into a very specific emotional core

Eric Hausmann is a multi-instrumentalist and film composer. He has produced music for a number of Malaysian films, in addition to scoring for a variety of New York film productions. He performs live as a guitarist with Portland’s Tres Gone, and Malaysia’s Space Gambus Experiment. He is formerly a member of The Gone Orchestra and Brainwarmer. Hausmann recently released “Soaked” a seven track recording which is described as “A cross-section of Asian dub-fused rock n’ roll with deep India influences.” But it’s probably more than that, as I’m hearing post-rock, world fusion, and ambient rock influences injected into these tracks. Eric

MOOD: “The Wave” is in the right lane!

Hip-hop has changed – there’s no debating that – but change isn’t always indicative of something bad. That being said, it’s refreshing to hear more rapping, with the exception of one or two bridges, versus the continual rap/sing mix that’s permeated mainstream as of late. You’re allowed to appreciate more than one way of creating music and while a lot of rappers have the notion that they should be singing as well, there’s a place for it all, especially if you don’t have a decent singing voice. You obviously can’t disregard one lane of Hip-hop while claiming to be a

EsZ: “If You Didn’t Get This Message, Call Me” – an audacious creative effort

On his new album, “If You Didn’t Get This Message, Call Me”, EsZ aka Erron’s Attic comes out swinging from the first song, a great balance between classic Hip Hop and modern. As usual EsZ gets well thought out ideas through his songs in innovative ways; you definitely get the feeling he has the lyrical substance he wants to express. Although we’re in a dismal era of Rap currently, this could be one of those instant underground classics. EsZ catalog is filled with parables, fables, morals and lamentations, forms of storytelling that compress people and experiences into neat, digestible lessons.

Luna 13 – the solid foundation for gut-ripping synths

The award winning Los Angeles band Luna 13 is forging a new genre of music they call Black Metal/Bass Music. Their brutal yet groove based electro-metal incorporates elements of electronica, death metal, and industrial rock – all done with electronics, which means no string instruments. Music maker Dr. Luna, creates a metal sound with synthesizers and by wrapping heavy distortion around sub-bass. Luna 13 who has been performing live for a few years now, opening for death metal/industrial and electronica projects alike, came into its own when Lilith Bathory joined in 2015. Since, Lilith, the band’s front woman, has been booking modeling jobs

Dezzyano: “Hello World: The Renaissance” – a cohesive feel and tone throughout the album

Now I’ll be honest, before this album was released, I didn’t know much about Dezzyano, the rapper raised 5 mins from Atlanta on Six Flags Dr. I decided to give it a go. And I became a very unlikely Dezzyano fan. The 16 track album, “Hello World: The Renaissance” starts off strong with ‘Anita Baker’. It has an extremely catchy refrain built on a bass and horn driven soul soundscape. This sets the tone for the album, which sees Dezzyano finding different ways of telling his story with catchy hooks and intense verses. From a critical standpoint, this album has

Sick.Life: “Dreamers” – showcasing the diversity and talent of the roster

Sick.Life a collective of artists and an independent music label based in El Paso, Texas. A couple of months back they released their critically acclaimed album, entitled “Contagion”. Now off that album comes the single “Dreamers” produced by NZO, and featuring Josh Brown on the chorus and bridge, while the verses are handled in order of appearance, by Sonny Weston, Lavoe, C.Notes and E$ BFNE. For hip-hop fans growing up in the 21st century, the Sick.Life collective is simply a perfect match between raw lyrical muscle and dynamic production. I listened to the track last night with the intention of

Cassie Holt and The Lost Souls: “Curvy Girl” makes a strong statement

These days, it seems anyone can make an R&B record. However, recording a soul track takes that special intangible element that not all have. Cassie of Cassie Holt and The Lost Souls, offers cadences that move in an affable manner as she declares her sense of self-worth on her latest single release, “Curvy Girl” which tackles the theme of body positivity. She never rushes the pace. She intones in different ways to let the song build in complexity. Think of it as the aural equivalent of a Lego set. One can use the simple bricks in different styles and colors

Bloomer: “Good Morning, It’s Breakfast Time” – washed away by sunlight and a downpour of musical ideas

Bloomer is a rock band from Baltimore, MD created by musical partners Luke Boardman and Matt Zorzi. The band’s sound emerges from a mix of 70’s & 90’s Rock, Soul and American Roots Music. “Good Morning, It’s Breakfast Time” is contemporary indie rock at its finest. The music is sprawling and psychedelic. The mood can range from rocking to mellow. Bloomer is a band that has great song writing abilities and expressive improvisational abilities. Depending on the given song, the band moves effortlessly between straight rock and psychedelic infused jam-band grooves. This 4 track EP showcases both the band’s alt-rock

“Final Curtain” represents yet another progression for Roger Cole

Roger Cole is anything but predictable. Other than the fact that excellence flows in abundance from his river of musical and artistic expression, his music (usually together with his partner in crime Paul Barrere) is always engaging on an emotional level. Here on his solo effort, the single, “Final Curtain”, Cole is not content to repeat himself, nor is he afraid to confront difficult subjects or at least ideas that many artists don’t frequent. This time around there is this ongoing tug-of-war between moving on and living in the past. The time when someone needs to say no, and the

Life In A Tree: “Say Goodbye To The Nighttime Skies” – has really extended their alternative influences

Wisconsin Area Music Industry (WAMI) nominated Indie rock band, Life In A Tree, first came to my attention in 2014 with the release of their album “FOR ALL YOU LISTENERS OUT THERE”. At the time the 5 band members were all between the ages of 15 and 16. Now three years down the line, and almost all grown up, the band is set to release their brand new album “Say Goodbye To The Nighttime Skies” on the 17th of March. It only took me to the second listening to realize that the song writing was much more sophisticated, mature and interesting than on their previous works, and the music, is just as great as the songwriting. There are some super up-tempo songs here with a nice balance of slightly mellower songs.

What really grabs me though is the way that the songs grow on you and are enjoyable after dozens of listens. I can see listening to this one for a long time. And these songs ought to appeal to a broader audience than “FOR ALL YOU LISTENERS OUT THERE”, which is necessary since no band can survive for long depending on a young teen audience: their attention span is simply too short and tastes too fickle to stay with a band more than a year or two.

Singer Molly Lutz who also plays the bass, has chosen to let her listeners mature along with her as she sings about more adult themes with a voice that has expanded and improved almost beyond recognition. She is particularly impressive on the songs: “Colored Hearts”, “Sleeping In The Street” and “Realign”.

But “Life In A Tree” also have the added benefit of a male vocalist in Tyler Miller to complete their sound, and he especially shines on the tracks, “The Odds” and “Times Will Change”. In many tracks both Molly and Tyler share singing duties with the help of DJ Underwood, to give their tracks an added dimension that few bands have.

With the album being engineered and mixed by Michael Mann, Life In A Tree have crafted a musically diverse soundscape in respect to their last outing. But what is important here is that this band is carving out their own niche in a field where most bands run out of musical ideas. If they can hold themselves together personally, and not crumble, I predict they will be around for many years to come.

“Say Goodbye To The Nighttime Skies” is an album that has the musical richness to compete with just about any other band in their genre. Life In A Tree has really extended their alternative influences and mixed them enjoyably with their pre-existing core sound.

Their music is beyond catchy with powerful vocals, big sound guitars, plus driving bass and drums. Everything from their looks through to their musical prowess and entertainment factor will help them push the envelope until they cannot be ignored any longer. An evolution from past releases, “Say Goodbye To The Nighttime Skies” has allowed them to keep their style and infuse it with much more maturity. Well done Life In A Tree!

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