THE RIFT: “Rock Narcotic”shows off some impressive performance abilities

Los Angeles hard rock trio THE RIFT is made up of brothers Aris Anagnos (Vocals, Guitar), John Anagnos (Bass) and Ovais Malik (Drums). Since forming in 2009, they have played alongside the likes of Exodus, Yngwie Malmsteen, The Misfits, among others. Their 2016 full-length debut “INVENTIONS” caught the attention of the media, industry insiders and radio stations, as well as Grammy winning producer Brandon Friesen who has worked with Alice in Chains and Nickelback . Now 2017 sees the band release their brand new single “Rock Narcotic”, which is music on THE RIFT own terms, and really, that’s all you

LeeSon Bryce: “The Proelium EP” – some of the most diverse talent around this genre

Briceson Lee, artistically known as LeeSon Bryce, was born in Kansas City, MO and raised in Lee Summit, MO (south of Kansas City). First as a drummer for his church since the age of 12, then as a college graduate, manager, and an affiliate owner of a nutrition company LeeSon has always been influenced by music. Now at 23, he is adamant in pursuing what has always been his true passion. Teaming up with other local artists and DJs such as Oblivinatti and Buck, LeeSon Bryce sets out to prove himself in the music industry. The first challenge comes from

MusicMegaBox.net – Listen To Music In Your Own Language!

It is always comforting to see that the website you just accessed is available in your language. Well, MusicMegaBox.net (you can read more about this music service here) is proud to release its French and German versions. While it may not be a problem to look for the music you like in English, which is a universal language, used on every website available on the Internet, using your own language means accessing a greater variety of details. You will know the meaning of every word on the website and you will certainly find what you’re looking for a lot faster.

Liquid Lunch: “Sketches 2 Seed” – an infectious and smoldering staple

Ken Eagle and Michele Akers discovered each other’s musical abilities after meeting at a dance in May 2014 and formed a duo in late October of the same year. They booked their first gig a month later…prior to having any material ready, and were forced to burn the midnight candle before successfully completing the gig with a 40 song repertoire. The duo, Liquid Lunch has now played in excess of 200 Gigs, performing at more than 50 different venues and travelling in excess of 160,000kms across the state of South Australia. Through it all Eagle and Akers, now bring to

DabriaLive Records Presents the heart and soul singer Anette Mendoza

Anette Mendoza, one of the original members of the Dabria duet which originated in 2011, has performed by request in various places such as Japan, Korea, UAE, and Indonesia among others establishing a solid reputation as a singer and performer. Anette, who started singing when she was 5, has also recorded the song, “I will do anything for love”, with Philippine artist – and first ‘Pilipinas Got Talent’ winner – Jovit Baldivino. Inspired by her late father, who himself was an excellent singer, Anette decided to sing professionally at the tender age of 7, starting out with covers by artists

KonQuestNow: “NOP (No One’s Perfect)” ft. STP & J.Morgan – an assemblage of uncanny language

The preconceived notions of what a KonQuestNow (VerseBorn & Wreck The Rebel) track is going to be like are plentiful well before you even press play. This has been a boon to their career, in what has become a viral habit of either hating or loving something based almost solely on your own personal internet culture and what your daily feed prompts you to feel about a certain subject. The collective’s name has become synonymous with great lyrics, superb beats, and originality. On their latest track “NOP (No One’s Perfect)”,  produced by Wreck The Rebel, featuring  STP & J.Morgan,  KonQuestNow

Enzo Sprigg: “Cosmic Bipolar Nebula” – therapeutic and cathartic

Enzo Sprigg is a creative electronic singer-songwriter, as well as a visual artist who illustrates his own album covers, creates the costumes in his videos and has even hand drawn and animated videos for his songs. Sprigg has just recently thrown down his therapeutic and cathartic 12-track “Cosmic Bipolar Nebula”, his third album. It’s with his continued freedom and internal exploration that Enzo Sprigg returns with a new recording, while showing a mature growth from his earlier releases. The album opens with “Raygun Love Transmission”, a beautifully sewn together song with distorted instrumentals and yearning vocals that create luscious textures

Stori Brooks: “Parachutes” – a potential for greatness

Stori Brooks has been a lot of things in her career: producer, poet, conflicted rapper, scenic storyteller. While her versatility keeps her afloat, it’s tough to get a bead on exactly who Brooks is and what she stands for—is she the conscious backpacker or the straight-talking street girl? She embodies the urban alternative, and she’s working on an album, to be entitled, “EVERYTHING IS GR8”, that offers her full narrative. The first single, “Parachutes”, taken off the upcoming album offers insight into her essence, finding the rapper at her most reflective. Maybe she’s assessing her current status and how she

Samantha Bouquin: “Contemplations on Solitude and Strings” – highly expressive

Connoisseurs of experimental or avant-garde chamber music may already know of Samantha Bouquin’s inventive and entrancing sounds. This is music of great integrity, startling vitality, and striking originality, yet it is virtually unknown outside the cult following that has appreciated these ingenious compositions. A cross between homespun classical populism and the sophisticated experimentation of the avant-garde, Bouquin’s music follows in the iconoclastic tradition of forward thinking composers, but with its own frank expression, exuberance, and wayward charm; yet it is also accessible to the casual listener in the directness of its material and the clarity of its techniques, no matter

My Silent Bravery: “Got it Going On” – a strong hook, and a nagging melody

“Got it Going On” is the latest single from My Silent Bravery and is the first track taken from the highly anticipated album “Willing to Try”. The song was featured on XM Sirius Satellite radio station XM The Pulse on Train Tracks with Pat Monahan, while the video premiered via the Huffington Post. Co-written and produced by Jim McGorman (Gwen Stefani, Avril Levine, Poison) the album features 12 tracks and will be released in 3 separate Eps over the next year. My Silent Bravery is the moniker used by Matthew Wade, and is meant to symbolize “persistence, perseverance and inner

Lil J the white rapper from Westwood

Lil J is a white rapper from Westwood MA and a current student at Bryant University. He writes over both classic and original hip-hop beats. Rap is his true passion, almost to the point of obsession. He says his music can be considered “clowning”. After the release of his “Idols” EP, where he paid homage to his heroes and idols, Lil J came back with the follow-up, “Idols 2”, which over and above containing songs to his idols, also discusses Lil J’s dreams as a rapper.  He is following that up with his new mixtape, “Stoner Chick” which which dropped on 2/14.

  1. How long have you been in the music business and how did you get started in the first place?

LiLJ: I started rapping my junior year of college when I was around 19/20. Me and buddies would throw on a beat on YouTube and just spit. We never really took it serious, just something fun. One of my homies Nick also known as Pasty White Boy had made a few tapes on SoundCloud. We all joked around that we were going to make a tape. There was one event in particular that made me realize rap is something I want to pursue. One night in February of 2016, I was delivered a very special message. After a night of heavy chronic smoking and indulging in a highly potent marijuana edible (a firecracker) this message was delivered to me in my sleep. I rarely remember my dreams, especially when I smoke weed, but this dream in particular I remembered. I can still remember to this day. In that dream, I found myself in a hot-boxed room in front of a wall of smoke. Out stepped Andre Romelle Young, better known as Dr. Dre. In this dream, we smoked some blunts together and then told me that there was a special reason for his visit. Dre told me that he had come to deliver a message which came straight from God. In this message, you told me that I was to become a rapper along with my accounting study. He told me that as long as I never quit and put in the work, that I was gonna make it big; even saying that I was going to be the “White Snoop Dogg”. I wrote about what he had to say in my song “Lil Buddy” off my first mixtape, Idols. After that dream, I can tell you that it changed me forever, for the better. I hope I can meet Dr. Dre and all my idols one day and make fire raps with them.

Stoner Chick Artwork

  1. Who were your first and strongest musical influences that you can remember?

LiLJ:  One of the first rappers I listened to where homies like 50 Cent, The Game and Eminem. As I got older, I expanded my repertoire of rappers I listened to. I have 12 Idols from whom I derive my inspiration for my music and they are Snoop Dogg, Dr. Dre, Ice Cube, Ice-T, Eazy-E, Tupac, Freddie Gibbs, Wiz Khalifa, Eminem, 50 Cent, The Game and Nas.

  1. Which artists are you currently listening to? And is there anyone of these that you’d like to collaborate with?

LiLJ: I listen to the music put out by my idols a lot. But honestly, I listen to many other rappers too. Just whatever is fire honestly. I don’t listen to the radio much … it’s become trash. I would love to collaborate with Snoop Dogg and Dr. Dre.

  1. Where does the moniker Lil J come from?

LiLJ: It was a nickname I got in college and decided to use it as my rap name.

  1. What do you think separates you from the crowd of emcees emerging right now?

LiLJ: I have faith and grit, two things that you can’t teach.

  1. Which do you ultimately prefer? Entertaining a live audience or creating songs in a studio setting?

LiLJ: Haven’t entertained a live audience yet, but I feel both would be equally fun.

  1. If you were forced to choose only one, which emotion, more than any other drives you to be a part of this highly competitive business day after day?

LiLJ:  Love. I have so much love for rap, it’s my passion. I do not get paid now, so it is just kind of a hobby. However, I hope one day someone will recognize my talent and I will get paid for this.

  1. What would you consider a successful or high point in your career so far?

LiLJ: My latest release called Stoner Chick.

Lil J

Lil J

  1. Tell us something about your lyrics and music production on your releases. Which part of these processes do you handle yourself, and which do you outsource generally?

LiLJ: I write my own lyrics on pen and paper. I usually writ over classic hip-hop beats, But recently I have been using some I had found on YouTube or beats for lease/purchase. I record on a laptop with my beats headphones. That’s pretty much it.

  1. What do you feel your listeners should get out of your music?

LiLJ: My music I real. I rap about my life, my idols, love and the world around me.

  1. What has been the most difficult thing you’ve had to endure in your life or music so far?

LiLJ: Just trying to find my voice and get my music heard more.

  1. Which aspect of being an independent artist and the music making process excites you most and which aspect discourages you most?

LiLJ: I love writing, that parts always exciting. Something about putting a song together, that is so satisfying. It can be discouraging when you don’t get the attention you feel you deserve. Nevertheless, I just keep my head in the game and grind away.

  1. How do you market and manage your music career? Do you have a management team or do you control everything by yourself?

LiLJ: Right now it’s all me

  1. If you had the opportunity to change one thing about the music business, what would that be?

LiLJ: Greater ease of access gaining in contact with A/R executives.

  1. If someone has never heard your music, which keywords would you personally use to describe your overall sound and style?

LiLJ: Clowning and dead-pan comedy. I am a funny guy but I can be subtle about it.

  1. Do you consider Internet and all the social media websites as fundamental in building a career in music today, and what is your personal relationship with the new technology at hand?

LiLJ: Absolutely. I have my songs on Soundcloud and I have some people listening from far away places like Denmark.

  1. Tell us something about your “Stoner Chick” release and where fans can find it.

LiLJ: Stoner Chick is about my quest for love. It can be found on my SoundCloud Page

  1. What is your relation with visual media and YouTube etc. Have you released any videos clips for fans to see?

LiLJ : I appear on The Adventures of Pasty White Boy Episode 2. It’s a TV show based around at my homie Pasty White Boy’s EP, Friday Night at Mary. I might make a music video at some point.

  1. If you were stuck on a desert island, which 3 albums would you choose to accompany your stay there?

LiLJ: I would pick Tha Blue Carpet Treatment by Snoop Dogg, 2001 by Dr. Dre and Raw Footage by Ice Cube.

  1. Do you have a motto or positive message stuck somewhere in your mind to inspire you, or anybody else, at any given time? If so, what would it be?

LiLJ: I’ll leave you with these two quotes: “You might not have a car or a big gold chain, but stay true to yourself, and things will change” – Snoop Dogg   and   “If I was a plumber or something like that, I’d still make hip hop records. That’s how much love I have for it” – Dr. Dre

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