Odd-Arne Jacobsen – “Love has increased with the passing of time” – A true master of the fret board

Virtuoso jazz guitarist Odd-Arne Jacobsen continues his enchanting combinations of solo acoustic music, in his latest EP, “Love has increased with the passing of time”. On this recording, Jacobsen has taken three classic compositions in their own right, and recreated them with his own personal harmonic and rhythmic modifications. The virtuoso player exercises his endless curiosity and sensibility as a musician and guitarist. He does so incrementally as the mood hits him, translating his own inspired feelings, track after track. “Love has increased with the passing of time” pours through the vastness of Odd-Arne Jacobsen’s talent, taking all the time

Forest City & Friends is a super-group that began as a songwriting collaboration between local rock luminaries

“Forest City & Friends might be at the forefront of a wave of exciting hybrid-Rock projects, albums, and bands kicking into gear in 2020” begins a review by Jer at Sleeping Bag Studios. FCAF’s self-titled debut album is a meld of different styles of alternative rock, occasionally slipping into Southern Rock, Beat Jazz and Power Pop while still holding a distinct and original sound. Filled with songs that are melody infused, this album swings from nostalgic to down and dirty, paying homage to classic rock albums of the past. Forest City & Friends self-titled album hits all the spots of your

ALVMNII Drop “NEW WORLD ORDER” Video!

Las Vegas Hip-Hop duo ALVMNII continues to provide real lyricism and truth on their single “NEW WORLD ORDER” produced by Kato On The Track. Check out the music video and follow them on social media!  ALVMNII are extremely talented lyricists; clever rhymes, technically sound, intensely intelligent and witty. Add this to the fact that the track slaps, and you are in for a rousing eargasm reminiscent of that classic 90’s sound that so many people bitch and moan about missing and saying that it’s nonexistent. It’s there you just have to dig a bit deeper than you used to.

KEYE KATCHER – A MIXTURE OF EILISH, AGUILERA AND SAM SMITH

“THE VOICE” SINGER-SONGWRITER KEYE KATCHER RELEASES HIS FIRST SINGLE: THE MASSIVE POWER-VOCAL DRIVEN “INFECTED” ALONGSIDE AN UNMISSABLE MUSIC VIDEO.  Striking songs, unique power vocals, captivating visuals. One of the youngest and most memorable live show candidates from the 2nd season of “The Voice of Germany” loves to reinvent himself. He wrote the official “Pride Song” for Berlin and has toured the whole country with his live shows and is a leading supporter of the LGBTQI* scene. On January 10th 2020, Keye Katcher released the intense, sinister pop song “Infected”. A visual feast of a music video paired with a

BentleyRecords Signing Liber Electro are back with their long-awaited album “Fuel”!

Three years have passed after the first release and Liber Electro are now back with their long-awaited album “Fuel” signed to the international label BentleyRecords. We give thanks to the whole Bentley Records team, and, in particular, Jessica J for patience and Luca Dayz! A lot has changed during these years: members, sound, quality. Nevertheless, Liber Electro managed to keep their vigor and uncompromising attitude on the album “Fuel” The 11 tracks found on “Fuel” were mixed at Ivaneysound in Kiev by Dmitry Ivaney – a fact that already testifies to the high-quality product. Recording features: Liudmyla Vasylieva – vocals,

Pete Vagabond – “Without You” (feat. Kireina Michan) – effortless expanding synths and elegant uplifting vocals

Using an assortment of DAWs since childhood, Pete Vagabond has been making music for many years. Only recently did he decide to share my music. Inspired by what’s trending, combined with the sound of the 90’s, Vagabond makes electronic music, mostly with a definite progressive house twist. His latest single is “Without You” (feat. Kireina Michan). With an element old school candor, the best part of Pete Vagabond’s production is its uncanny ability to grow on you, stick in your head and stay there to the point that you just might find yourself humming the melody or bassline in the

On “Variations” June O owns his style and the environment he thrusts the listener into

June O aka Michael O’Connor, is a 17 year old Colombian/American from Texas. By shining light on his artistic prowess, his EP project “Variations” allows the performer to prove himself as both a singer and rapper. Here he provides various musical experiences for listeners as he moves from rap to rock soundscapes. June O steps outside of his comfort zone, and outside of the box as he experiments with different flows. The addition of alternative styles is a positive step for any upcoming musician’s career. The presence of these stylistic changes on the EP makes a statement that features and

MINOH – “The Witness” – The grit-filled production is near flawless

Jamin Oh (guitar, vocals) and Frank Strozyk (drums) first met in the 5th grade. They then played together in a metal hardcore band called The Bierfront. Twenty years later, the Korean classical guitarist and the German geology professor met again and started to write songs as a side project which in 2019 officially became MINOH. The Asian progressive post-rock duo are currently working on their debut EP, set for release in October 2020. In the meantime they have dropped the stunning single and accompanying video, “The Witness”, which addresses the increasingly dystopian state of the world. MINOH is anything but

Strangers Of Necessity – “Abundance” – dripping with jazzy soul!

Every once in a while, there comes a track that arrives out of the left field and takes people by surprise. One that can prematurely declared an instant classic and actually lives up to the title. I love all types of music, but my taste is irrelevant. What is relevant is the fact that the single, “Abundance” by Midwest duo Strangers Of Necessity, will be considered great years from now. The track speaks to a generation of people struggling to prosper and find harmony, in a confusing, stressful modern environment. The duo bring forth their mindset and experiences, with immaculate flow

The Love Theme – “Hold On” – one mighty swirl of dance-floor groove

“Hold On” is a groovy cauldron of electronic shades and textures. Part dubstep, part soul, part funk, pretty much all breaks; there’s a rhythmic melting pot attitude that runs through the track, which ricochets off the walls with crusty slapping drums and long-dark-tunnel basslines. This is the latest track by The Love Theme – the brainchild of producer Dominic Owen on his Smokersblend record label. The cut is taken off an upcoming album, out later this year. “Hold On” is an absolute monster of a tune with soulful vocal chants, and some funky bluesy guitar throughout. As with a lot

OP4 and the OP Mob: “The West Egg Vol. 1” – plenty of creativity and spontaneity

The OP4 and the OP Mob features a keyboardist, guitar player, bass player and drummer, with OP4 delivering rap vocals over tracks that define genre limitations. The band’s burst into the spotlight has been rather rapid. OP4’s controversial music video for “No Fucks” exploded on Reddit, landing him features on major music publications. Now the collective have released “The West Egg Vol. 1” album to give us a taste of things to come. The album’s production is majestic, aiming squarely for the skies. The atmosphere is lush, full of period ambiance worthy of a high-end high fidelity sound system set, while the tracks are embellished with intricate details throughout. These songs dig into something that feels unique to your mind, not just your record collection.

OP4’s is that he is skilled enough to figure out how to excel at something, and, for the most part, look like he knows exactly what he’s doing. As a rapper, he sounds the part: Take a step back, and there he is, rapping fast, switching up flows, and delivering punchlines.

Zoom in closer, and he’s delivering sharp-witted lyricism that cuts like a razor blade. Any fan of the genre should agree that OP4’s emotional performances prove fascinating, even if you aren’t into the content he’s using that power to convey.

Part of the genius of OP4 and the OP Mob is that they often write on two levels. You got fiery direct words for life on songs, but there are also times they stash hard-hitting socio-cultural commentary inside seemingly straightforward lines, where the bite is a whole lot bigger than the bark.

Add to that the easy pliability of the musical accompaniment which suggests that the team of background players have been put to their best use making bits of eclectic sonic things for OP4 to rap over.

These songs feel like the result of a group having fun while making music that matters to them, not some squad designing pop-radio nuggets as battering rams to try and storm mainstream hip-hop’s gates. This guarantees plenty of creativity and spontaneity, making “The West Egg Vol. 1” a real easy and interesting listen for the open-minded fan.

But beneath the hood of any smooth ride, there is always an engine working harder than it lets you believe. So while and your crew are lighting up and chilling to this stuff, on the other side of the boards, OP4 and the OP Mob have been grinding their butts off to create essential masterworks such as “No Fucks”, “Becky”, “The Door”, “No Fake Friends”, “My Big Fat Ego”, “Oppression For Men” and “2 Weeks”.

This album signals an exact meeting point where cerebral grit meets all-body-blows rapping and live instrumentation. “The West Egg Vol. 1” is an ominous gray-cloud to full-color-rainbow commentary, on everyday experiences and situations running the gamut from the conventional to the grotesque. And that gets a severe tongue-lashing from OP4 and the OP Mob.

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