MOSTLY EMPTY Release the Official Video for “After Life”

MOSTLY EMPTY is a musical act from Pittsburgh, PA, created by Nicaraguan-American musician Mariano Torrez in 2018. The name came at a time where the artist felt he had not much left to give and was willing to put it all out there to express himself freely. Deeply personal experiences have allowed the artist to voice personal feelings through these songs. His songs evoke feelings experienced over multiple stages of his life, ranging from deep anger, doubt, regret, and hopefulness.  MOSTLY EMPTY’s latest track, and video clip, “After Life”, tells a story of confronting the bad in life and

ELEPHANT HEART RELEASES NEW SONG AND ACCOMPANYING VIDEO FOR “LOVE IS THE WEAPON”

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Per Defalva, simply known as Defalva started up as an artist in Sweden with several exhibitions. Per later turned towards music to expand his artist expressions. During the last 20 years he has released several records of original music. Most of them featuring the collaboration of producer Andreas Hedberg. In 2019 he released the 10 song concept album, entitled “Energy” – the sixth album in the series “On the Voyage Through Life”. “The theme is about the good or bad that fills people with energy,” explains Defalva. “This time the sound style is influenced by synth, electronic dance music, techno

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Chords Of Eve is an American music project, created in 2019 and consisting of multi-instrumentalist Atlas Cage, featuring various female vocalists and the debut of vocalist Casey Ardmore. The band defines their music as pop, electronica, alternative and trip hop, and have described their sound as “futuristic psych pop”. “We want those who listen to our music to feel connected, even in times where they could feel the most isolated,” says the project leader. “We want people to feel as if someone understands them, that they have been seen.” Chords Of Eve’s resonating bass sinks repeatedly to thumping depths on

John Vento and The Nied’s Hotel Band certify exactly who they are!

A 2019 Billboard Magazine Emerging Artist John Vento is a successful Pittsburgh businessman and passionate singer-songwriter. He is also part of The Nied’s Hotel Band, originated in 2003 and voted Pittsburgh’s “Best Bar Band” in the 2016. The band gets its name as a tribute to Jim Nied, proprietor of the landmark Pittsburgh tavern “Nied’s Hotel”. What we enjoy here is the band’s latest album that’s well-crafted and structured to represent the feeling of real Americana driven rock n’ roll. Every song on here is great from first to last, in an even twelve count. I think The Nied’s Hotel

Savannah – “We Are Us” – is honest and raw at heart, ambitious in sound

Savannah Nider was born and raised in Pawnee City, Nebraska. She grew up passionate about family, sports, speech, and music. At 15, Savannah was given the opportunity to work alongside Geno LeSage, Steve Cox, and Kenny Royster who were involved in the careers of Grammy award-winning artists including Collin Raye and many others. After losing her grandmother to pancreatic cancer, completing college, and getting married, Savannah moved to Nashville to fulfill the promise of a music career. She met Joie Scott, a well-known songwriter in Nashville, who influenced Savannah’s songwriting ability and co-wrote her first song “Until Always,” which she performed

22Hertz: “Detonate” – Industrial’s mechanized intensity with heavy metal’s eruptive edge

22Hertz is a solo Heavy Alternative Rock project by singer and producer Ralf Muller. The Toronto artist combines abrasive underground sonics with pop elements and hooks into a sound reminiscent of Nine Inch Nails. At their signature performances, 22Hertz is backed by a live band. To have one of the darkest and heaviest albums of the year so far, arrive on your desk by surprise is amazing. That’s what happened with the latest 22Hertz album “Detonate”. The music goes from brutal to quiet, all the while maintaining some type of psychotic aura about it. The bottom line is there are enough good songs here to bash somebody’s head with. This is definitely more aggressive than Nine Inch Nails stuff.

22Hertz obviously don’t want to sound like any other industrial band. They want to convey something different. Too many other reviewers have given polished formative assessments of each track’s meticulous craftsmanship for me to break “Detonate’s” individual cuts down into a thorough summary of what makes them as appealing to listen to on their fiftieth listen as on their first.

Ralf Muller

Ralf Muller

The key here seems to be the integration of industrial music’s level of mechanized intensity with just a touch of heavy metal’s aggressive, frequently eruptive edge and the ability to over graft both with the counterpoint of densely-layered melody.

The other key point is that the album sounds phenomenal. The bass is deep, the highs are clear, and the vocals have been brought out to an even level. In true cutting edge fashion, by listening to the album through headphones (or even just at a high volume on your stereo) you will notice so many little nuances, making “Detonate” a fantastic listening experience.

Remember those legendary industrial albums we all grew up on and loved? Well this is that same type of album in essence, except 22Hertz strained off all the stuff we knew were keeping us from fully enjoying them. This is the next step, the higher level, less mechanical and more organic sounding. Remember albums like the ‘Downward Spiral’ and ‘White Teeth’ by NiN? We’ll we’re on that plane of atmospheric genius, except “Detonate” goes in much harder!

The musical arrangements on “Detonate” give a great insight into the meticulous creation of these songs and how 22Hertz albeit Ralf Muller, uses the studio as an instrument instead of a place to go and simply record music. It makes one listen to the album like with a totally different perspective and the music contained within becomes no different than a great painting of many different colors used in various manners and strokes to portray what the artist wants to convey from his mind to yours.

The colors light up right from track one with the percussively insane “Give Me A Sign”. By the time you hit track three, “Into This”, you’ll notice that the color palette is seriously influenced by shades of dark and light. A scheme that 22Hertz uses amply, in the same way that Trent Reznor does.

If you turn up the volume on “In this Real” the overdriven riffs will risk crushing every bone in your body. The drums alone will beat the hell out of your sound system. Luckily for you (and your stereo) “The Signal In The Noise” is up next.

This is a somber cinematic piece that slows everything down to a melancholic pace. But the respite doesn’t last long, as it is back to business on “Getting Through” and the “Darker Shades Of Black”, where you realize that 22Hertz not only excels with all the sounds and effects, but he has a magic ear for rhythmic patterns. The drums and percussion on “Detonate” is simply outstanding. This is one of the best Industrial albums I have heard in a very long time indeed.

For a schedule of live performances and updates on new releases from 22Hertz visit their links below.

OFFICIAL LINKS: WEBSITETWITTERFACEBOOKYOUTUBEREVERBNATION

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