THE RIFT: “Rock Narcotic”shows off some impressive performance abilities

Los Angeles hard rock trio THE RIFT is made up of brothers Aris Anagnos (Vocals, Guitar), John Anagnos (Bass) and Ovais Malik (Drums). Since forming in 2009, they have played alongside the likes of Exodus, Yngwie Malmsteen, The Misfits, among others. Their 2016 full-length debut “INVENTIONS” caught the attention of the media, industry insiders and radio stations, as well as Grammy winning producer Brandon Friesen who has worked with Alice in Chains and Nickelback . Now 2017 sees the band release their brand new single “Rock Narcotic”, which is music on THE RIFT own terms, and really, that’s all you

LeeSon Bryce: “The Proelium EP” – some of the most diverse talent around this genre

Briceson Lee, artistically known as LeeSon Bryce, was born in Kansas City, MO and raised in Lee Summit, MO (south of Kansas City). First as a drummer for his church since the age of 12, then as a college graduate, manager, and an affiliate owner of a nutrition company LeeSon has always been influenced by music. Now at 23, he is adamant in pursuing what has always been his true passion. Teaming up with other local artists and DJs such as Oblivinatti and Buck, LeeSon Bryce sets out to prove himself in the music industry. The first challenge comes from

MusicMegaBox.net – Listen To Music In Your Own Language!

It is always comforting to see that the website you just accessed is available in your language. Well, MusicMegaBox.net (you can read more about this music service here) is proud to release its French and German versions. While it may not be a problem to look for the music you like in English, which is a universal language, used on every website available on the Internet, using your own language means accessing a greater variety of details. You will know the meaning of every word on the website and you will certainly find what you’re looking for a lot faster.

Liquid Lunch: “Sketches 2 Seed” – an infectious and smoldering staple

Ken Eagle and Michele Akers discovered each other’s musical abilities after meeting at a dance in May 2014 and formed a duo in late October of the same year. They booked their first gig a month later…prior to having any material ready, and were forced to burn the midnight candle before successfully completing the gig with a 40 song repertoire. The duo, Liquid Lunch has now played in excess of 200 Gigs, performing at more than 50 different venues and travelling in excess of 160,000kms across the state of South Australia. Through it all Eagle and Akers, now bring to

DabriaLive Records Presents the heart and soul singer Anette Mendoza

Anette Mendoza, one of the original members of the Dabria duet which originated in 2011, has performed by request in various places such as Japan, Korea, UAE, and Indonesia among others establishing a solid reputation as a singer and performer. Anette, who started singing when she was 5, has also recorded the song, “I will do anything for love”, with Philippine artist – and first ‘Pilipinas Got Talent’ winner – Jovit Baldivino. Inspired by her late father, who himself was an excellent singer, Anette decided to sing professionally at the tender age of 7, starting out with covers by artists

KonQuestNow: “NOP (No One’s Perfect)” ft. STP & J.Morgan – an assemblage of uncanny language

The preconceived notions of what a KonQuestNow (VerseBorn & Wreck The Rebel) track is going to be like are plentiful well before you even press play. This has been a boon to their career, in what has become a viral habit of either hating or loving something based almost solely on your own personal internet culture and what your daily feed prompts you to feel about a certain subject. The collective’s name has become synonymous with great lyrics, superb beats, and originality. On their latest track “NOP (No One’s Perfect)”,  produced by Wreck The Rebel, featuring  STP & J.Morgan,  KonQuestNow

Enzo Sprigg: “Cosmic Bipolar Nebula” – therapeutic and cathartic

Enzo Sprigg is a creative electronic singer-songwriter, as well as a visual artist who illustrates his own album covers, creates the costumes in his videos and has even hand drawn and animated videos for his songs. Sprigg has just recently thrown down his therapeutic and cathartic 12-track “Cosmic Bipolar Nebula”, his third album. It’s with his continued freedom and internal exploration that Enzo Sprigg returns with a new recording, while showing a mature growth from his earlier releases. The album opens with “Raygun Love Transmission”, a beautifully sewn together song with distorted instrumentals and yearning vocals that create luscious textures

Stori Brooks: “Parachutes” – a potential for greatness

Stori Brooks has been a lot of things in her career: producer, poet, conflicted rapper, scenic storyteller. While her versatility keeps her afloat, it’s tough to get a bead on exactly who Brooks is and what she stands for—is she the conscious backpacker or the straight-talking street girl? She embodies the urban alternative, and she’s working on an album, to be entitled, “EVERYTHING IS GR8”, that offers her full narrative. The first single, “Parachutes”, taken off the upcoming album offers insight into her essence, finding the rapper at her most reflective. Maybe she’s assessing her current status and how she

Samantha Bouquin: “Contemplations on Solitude and Strings” – highly expressive

Connoisseurs of experimental or avant-garde chamber music may already know of Samantha Bouquin’s inventive and entrancing sounds. This is music of great integrity, startling vitality, and striking originality, yet it is virtually unknown outside the cult following that has appreciated these ingenious compositions. A cross between homespun classical populism and the sophisticated experimentation of the avant-garde, Bouquin’s music follows in the iconoclastic tradition of forward thinking composers, but with its own frank expression, exuberance, and wayward charm; yet it is also accessible to the casual listener in the directness of its material and the clarity of its techniques, no matter

My Silent Bravery: “Got it Going On” – a strong hook, and a nagging melody

“Got it Going On” is the latest single from My Silent Bravery and is the first track taken from the highly anticipated album “Willing to Try”. The song was featured on XM Sirius Satellite radio station XM The Pulse on Train Tracks with Pat Monahan, while the video premiered via the Huffington Post. Co-written and produced by Jim McGorman (Gwen Stefani, Avril Levine, Poison) the album features 12 tracks and will be released in 3 separate Eps over the next year. My Silent Bravery is the moniker used by Matthew Wade, and is meant to symbolize “persistence, perseverance and inner

22Hertz: “Detonate” – Industrial’s mechanized intensity with heavy metal’s eruptive edge

22Hertz is a solo Heavy Alternative Rock project by singer and producer Ralf Muller. The Toronto artist combines abrasive underground sonics with pop elements and hooks into a sound reminiscent of Nine Inch Nails. At their signature performances, 22Hertz is backed by a live band. To have one of the darkest and heaviest albums of the year so far, arrive on your desk by surprise is amazing. That’s what happened with the latest 22Hertz album “Detonate”. The music goes from brutal to quiet, all the while maintaining some type of psychotic aura about it. The bottom line is there are enough good songs here to bash somebody’s head with. This is definitely more aggressive than Nine Inch Nails stuff.

22Hertz obviously don’t want to sound like any other industrial band. They want to convey something different. Too many other reviewers have given polished formative assessments of each track’s meticulous craftsmanship for me to break “Detonate’s” individual cuts down into a thorough summary of what makes them as appealing to listen to on their fiftieth listen as on their first.

Ralf Muller

Ralf Muller

The key here seems to be the integration of industrial music’s level of mechanized intensity with just a touch of heavy metal’s aggressive, frequently eruptive edge and the ability to over graft both with the counterpoint of densely-layered melody.

The other key point is that the album sounds phenomenal. The bass is deep, the highs are clear, and the vocals have been brought out to an even level. In true cutting edge fashion, by listening to the album through headphones (or even just at a high volume on your stereo) you will notice so many little nuances, making “Detonate” a fantastic listening experience.

Remember those legendary industrial albums we all grew up on and loved? Well this is that same type of album in essence, except 22Hertz strained off all the stuff we knew were keeping us from fully enjoying them. This is the next step, the higher level, less mechanical and more organic sounding. Remember albums like the ‘Downward Spiral’ and ‘White Teeth’ by NiN? We’ll we’re on that plane of atmospheric genius, except “Detonate” goes in much harder!

The musical arrangements on “Detonate” give a great insight into the meticulous creation of these songs and how 22Hertz albeit Ralf Muller, uses the studio as an instrument instead of a place to go and simply record music. It makes one listen to the album like with a totally different perspective and the music contained within becomes no different than a great painting of many different colors used in various manners and strokes to portray what the artist wants to convey from his mind to yours.

The colors light up right from track one with the percussively insane “Give Me A Sign”. By the time you hit track three, “Into This”, you’ll notice that the color palette is seriously influenced by shades of dark and light. A scheme that 22Hertz uses amply, in the same way that Trent Reznor does.

If you turn up the volume on “In this Real” the overdriven riffs will risk crushing every bone in your body. The drums alone will beat the hell out of your sound system. Luckily for you (and your stereo) “The Signal In The Noise” is up next.

This is a somber cinematic piece that slows everything down to a melancholic pace. But the respite doesn’t last long, as it is back to business on “Getting Through” and the “Darker Shades Of Black”, where you realize that 22Hertz not only excels with all the sounds and effects, but he has a magic ear for rhythmic patterns. The drums and percussion on “Detonate” is simply outstanding. This is one of the best Industrial albums I have heard in a very long time indeed.

For a schedule of live performances and updates on new releases from 22Hertz visit their links below.

OFFICIAL LINKS: WEBSITETWITTERFACEBOOKYOUTUBEREVERBNATION

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