“HAZEY (The EP)” finds a way to highlight every element of its artistry

Hazey aka Yung Doowee is a 19 year old producer and artist from Dallas, Texas. He moved to Portland 2 years ago and has devoted himself to his music. His latest EP release is the 10 track self-titled “HAZEY (The EP)”. Hazey oscillates between extremes of exhilarating and surreal, through the album, both musically and lyrically. There’s plenty of wheedled and growled phraseology, as well as temperate and tuneful melodic singing, too. Hazey, makes the eccentricities of “HAZEY (The EP)” sound like embryonic visions of a future, calculating take on trap music. The results are something to behold. In its

Flexico Deeskie: ‘Leanin’’ falls within trap’s ever-expanding parameters

Flexico Deeskie comes out of Dallas, TX, to where he moved from Kansas City, MO, in 2005. Fresh on the grid, he became an active artist in July of this year, and has been steadily dropping singles to build his catalog and fan base. Flexico’s emphasis on a positive attitude and grinding, pops up regularly as does his commitment and dedication to his craft. These trademarks of his personality and style, are of course very much evident in the single project, ‘Leanin’’. Trap music’s roots date back quite a few years, and it’s been a presence in rap’s mainstream in

“Trump in the Trunk” attacks political, social and cultural issues

From Backwards is a master at creating high quality music with low quality satire. The only thing more surprising than how well those two aspects mesh, is how well he performs them on stage. His genius, however, lies within the fact that while he will laugh at (not with) almost everything he does, his audience will nod and move in sheer appreciation that someone is able to articulate the frustrations they otherwise are unable to deal with. From Backwards is the much needed fifth of whisky to last year’s presidential debates. Hip-hop and politics have been together for a long

Alien Skin: ‘1980 REDUX’ takes synth-pop to a different set of limits

There aren’t many synth-pop bands that I deem buyable today. I could probably count them all on my left hand. And if I only included the bands that actually played authentic 80’s analogue-driven synth-pop, I’d probably be left counting my stiff middle finger.  Sure digital and sampling can mimic just about any sound today…if you know what to mimic of course! Our current generation of electronic heroes can knock up the most devastating beats, create massive drops, and stirring buildups, so synth-pop might seem like the simplest form of electronica to them. Technically that is. Because musically we’re talking two

C-Los N.S: “Ye-Tape” features a wide range of thought-provoking lyrics

Songwriter and Rap Artist C-Los N.S (Carlos Ruelas) was born in Santa Rosa, California (East L.A.), and raised in Racine, Wisconsin. He recently released his mixtape, entitled “Ye-Tape”. After listening to it three times, I must say that this album is a mature product. C-Los N.S sounds like he has graduated from the rap game. He has an intelligent narrative that goes along with the music, while the experience is filled with more emotionally charged singles rather than club bangers. The production created is haunting with each song bringing about a different mood but it fits the messages masterfully. Beginning

Third Realm: “The Suffering Angel” – a bold and compelling addition to the group’s growing legacy

Recently signed to Distortion Productions, Third Realm is the eclectic dark electronic project founded in 2000 by Nathan Reiner of Buffalo, New York. The danceable darkwave band with powerful industrial tones, is known for their shadowy, sexed-up blend of synth rock and intense vocals. On their brand new album, “The Suffering Angel”, the collective spends half the time perfecting their gritty, driven sound and the other half eclipsing all expectations of their efforts. The result is an intense listen with tremendous highs, and outstanding performances by members, Nathan Reiner (Lead Vocals/Music Production/Songwriter), Arrow Fitzgibbon (Guitar/Keyboards/Backing Vocals/Sampler), Melanie Beitel (Keyboards/Backing Vocals)

Nika Starr: “Connection” – succinct, sassy, and sincere

Nika Starr, female Soul/RnB singer from Toronto, is currently working with her mentor DT the Artist for Artist Development from the ‘Ground Up Program’. Her latest single is “Connection” which was produced by ClevaMix Records with an instrumental from ShamGodBeats. Being a woman in a male-dominated music industry, means they always want to back you into a corner and force you to wear a label. Unfortunately, that means you either fall into one of two categories: sexy or cute, and maybe lust or love. Now more than ever people need to be reminded that women can be in more than

Liam Merrigan: “Broke Beyond Tomorrow” – a high sense of life and perception

Liam Merrigan is 29 year old singer-songwriter from Kintbury Berkshire UK. The 10 track album of original songs, “Broke Beyond Tomorrow” deals with Liam life experiences – either lived first hand or witnessed. I enjoyed the intimate nature of the recording, which sounds as if Merrigan was playing a beat old guitar on a stool 10 feet in front of you. Totally stripped down, this album demonstrates the great craft of the songs, as well as Liam’s expressive voice, and of course his acoustic guitar. Liam is the English equivalent of rejuvenated Neil Young in his observational skills. Liam Merrigan puzzles

Etop: “Masterworks” is ground-breaking and innovative

Etop is not your typical electronic artist. If someone says to you that Etop plays electronic music do not go thinking that he plays heavy beats and dance songs. Well he does, but not quite the way you’re thinking. Etop is everywhere. He can go to a bubblegum electronic pop tune, to a groovy dance song, all the way over to a depressing ballad. And then he can do something better than just about anyone else…go back in time. No, this is not another installment of Return To The Future. He really goes back to the past, and out of

Andre Gimaranz: ‘Supermoon’ – a rare jewel!

After 15 years as a session musician, Brazilian guitarist, singer and songwriter, Andre Gimaranz’s first solo album, ‘Handmade’, was released in 2015 gaining instant attention from the industry and fans alike, resulting in Gimaranz being considered one of the best new live acts in Brazil. In 2015 and 2016, Andre was a nominee in the categories ‘Song of the Year’ and ‘Artist of the Year’ at the IMEA Awards. He recently dropped the highly acclaimed single, ‘State of Rage and Fear’, and has now followed that up with his brand new full-length album, entitled ‘Supermoon’. Every once in a while, after making

Lion Vega: “You Can Dance” – a perfect blend of old and new!

Lion Vega’s dream of making music stopped in 1998, with the advent of having a job, having a family, needing money, and no time left between any of these things. During the period leading up to 2006, Vega found a few moments to publish some tracks to MySpace, as well as have a vinyl recording done. Then a few months ago, one of Lion Vega’s three sons asked to hear some of his tracks. The question of why he had stopped making music ignited the spark that was needed to get Vega’s creative flame burning again. The result is a stream of recordings and releases, culminating in his brand new EDM single “You Can Dance”.

Running through Lion Vega’s catalog it is clear that he is able to serve a perfect blend of old and new, demonstrating his forward-thinking approach and illustrious ability to remain relevant. His collection seems to consist of reworks of previously released tracks and a bevy of fresh new tunes.

These tracks range from underground to future synths to electro to progressive house. If anything, Vega’s catalog is a testament to how he has grown into the complete producer – he is creative and versatile, with an incredible talent for sound design and has ultimately set his own benchmark for his production standards with the release of “You Can Dance”.

It is seriously impressive to see someone finally realize their dreams while adapting to the ever-changing EDM scene after all these years. Overall, “You Can Dance” is full modern package of dance-floor fun, mixed with old school bass-driven funkiness, and it proves that a decade after his MySpace releases, Lion Vega still knows how to make relevant dance music.

You can’t fault him for staying true to what probably is his roots sound and becoming a true master at it, and at the same time exploring in new directions that reflect some of the emerging trends in EDM.

“You Can Dance” has a bit of that Daft Punk vocals and deep thumping bass sound that many find irresistible. Loaded with warm synths and twinkling pianos, the entire track is extremely pop-friendly, yet stays true to the roots of dance music with an inventive arrangement that spins timeless sound design in a new direction for Lion Vega.

 Complementing his bursting lyrics with an emotionally rich topline, Vega has crafted a delicious tune that’s leaves us gouged with modernity and the forgotten tones of the 80’s and 90’s.

Perhaps the most striking thing about “You Can Dance” is what it’s not trying to be. It’s not a high concept reinvention like what we’ve seen from Flume, nor is it attempting to destroy the charts like the intentions of Calvin Harris.

While success is definitely on the agenda, we can depend on Lion Vega to craft music as he envisions it, in the styles that he feels are appropriate, not according to what he thinks we’ll enjoy. As a result, “You Can Dance” is a tune that will please a wide array of fans, both old and new alike.

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