Neave Zaria’s ‘Never The Same’ Is Evocative Of The Golden Era Of Jazz & Blues

Neave Zaria’s latest track ‘Never The Same’ is a soft yet impassioned exploration of our deepest infatuations and frustrations. The composition is steady but energetic, and the jazz spirit comes in hot from the get-go. Zaria’s voice bears a strong resemblance to that of the greatest blues singers of all time: Etta James and Aretha Franklin. The most modern comparisons would be to Adele and Norah Jones, but even then there’s a striking vulnerability in Zaria’s vocals that makes her stand apart. It helps that the English singer is just nineteen, but she demonstrates a superb ability at striking the

Sam and Sounds Guaranteed to Make You Smile with New Single “Cloud 9”

UK indie artist Sam and Sounds has just released a brand-new single that will have you both grinning and grooving. The singer songwriter has just dropped “Cloud 9,” offering endless feel-good vibes and some much-needed positivity in today’s world. With his debut EP due to land in October this year, this track is the second teaser to what we can expect. It follows his first single release which came out in April, “Do It All Again,” that soon became an instant smash hit. Sam and Sounds has already netted an impressive 41,000 Spotify streams, with 23,000 monthly listeners and a

Cymbalik – “A New Positive”- the alchemical combination of quality, creativity, and alluring empathy

There are a lot of new producers that are coming to the scene this years, and some that have been in the game for a while, but few are as exciting has Cymbalik AKA Jose Serpas who hails out of Denver, CO. If you’re a part of the people who don’t know who Cymbalik is just yet, then expect him to be all over your music queue in the next couple of years. With his crazy beats and smooth melodies it’s expected that he makes some big jumps in the industry very soon. Cymbalik works with modern day techniques while

Best friends in New York City make dope a hip-hop song during quarantine and are donating ALL proceeds to charity

The producer Christos “XOS” Angelidis created the instrumental for the record “ICE COLD” while recovering from the sever virus COVID-19 in his Queens, New York home. His close friend and colleague, Laquan “REVL TVLK” Priester, from Brooklyn, New York, now living in Los Angeles, wrote the lyrics and rapped over the song. “ICE COLD” is a result of the inspiration being based from the cold winter months of New York City. Furthermore, the duo – being from New York City, the U.S. epicenter of the outbreak – has experienced firsthand the devastation of the virus. XOS lost four coworkers as

Steve Sperandeo – “Contagious Emotions” – intimate storytelling that inebriates the senses

Like all works of music, there are always going to be some you absolutely love and some you only like. “Contagious Emotions” by Steve Sperandeo one is going on the absolute love list. Steve has added some jazzy, bluesy touches in this album, while maintaining a soft organic-rock style made of elegant guitar work and graceful melody. It’s a masterful blend by a thoughtful musician. But be forewarned, Steve’s music needs more than a single playing to fully savor its nuances. So grab a drink of your choice, sit back and enjoy the storytelling as Steve Sperandeo delivers 11 unhurried

Heistheartist – “Boom” (Love Version) – transposes crystal-clear artistry through spiritual glistening

Heistheartist is an American Christian singer-songwriter from Central Islip, NY. Formerly a secular neo-soul singer signed to Bentley Records under his biological name LeeMann Bassey, Heistheartist discovered that his true calling was with the Lord, after hearing an inspiring sermon by TD Jakes online one day. That day he was inspired to teach the world about the Lord like TD Jakes did with his Sermon, but through music. The song “Boom” – a song that mixes sensuality with religion – is actually based on a dream that Heistheartist had one night, in which he had relations with an angel. “Boom”

Bobby Royale – “Live Jazz at Staarsound” – There is an artistic quality in the music that cannot be overlooked

Some see hip-hop and jazz as an unholy alliance, maybe even the vulgarization of jazz. But other musicians see the genre-melding as a positive development. Every so often, in some corner of the globe in fact, you’ll find a handful of jazz musicians experimenting with jazz and hip-hop hybrids. In some ways the musical connection would seem inevitable. After all, early gospel, blues and jazz employed call-and-response cadences dealing with the same themes prevalent in hip-hop today. For some, though, the similarities end there. Straight ahead jazz musicians who have had their music sampled appreciate their work being exposed to

J.Drive – “Untitled” showers the auditory canvas with musical ideas

Hailing from the inner city of Youngstown, Ohio’s Southside, Jessie “J.Drive” grew up in a small apartment in a violent neighborhood without his natural mother or father.  At a very young age he realized that his natural affinity for basketball and Hip-hop music would become the tools necessary to pave his way to a more comfortable lifestyle.  Despite the tragic events that ended his hoop dreams, Jessie’s understanding of what it takes to make the best of his gifts regardless of circumstances is what has brought him thus far. Currently he is pushing his latest single called “Untitled”. In his

“Millions” shows off how talented and self-assured DboySlim is!

“Millions”, the track by DboySlim, has an incendiary takeoff, wasting zero time to underscore the necessary sense of urgency through a compacted sonic boom and a room full of booty. The backdrop is made of a dynamic piano loop, skittering hi-hats, and twisting synths, while the rapper updates his dance-swaying lyricism. DboySlim is impressive to say the least, while the track absolutely bumps. He creates an intense atmosphere that makes you want to jump around and groove. “Millions” shows off how talented and self-assured DboySlim is, and how he can probably live up to any hype you want to put

Andree Cassielll – “Alimento” – a universality that makes him a perfect fit for the modern era!

The Mexico City native, Andree Cassielll, possesses a down-to-earth humility in his vocal tone that makes his storytelling raps feel like they’re always coming from a place of truth over fiction. Considering the producer and artist, predominantly sings and raps in Spanish, which I cannot understand, that’s an impressive feat. The trap-inspired beats flicker in and out as Andree becomes more invested in his storytelling, and it truly feels like you’re on the phone with a rambling friend. He’s a poet, capable of transporting you somewhere otherworldly with his sound. His music has a genuine fluidity, and if he continues

Miss Tun Pickney: “When I Need A Remedy” – a style that offers a glimpse at the roots of reggae history

Based between London, United Kingdom and Murcia, Spain, Miss Tun Pickney (real name Dingle Heywood) is one of five brothers on a mission to produce new original reggae music. Influenced by Bob Marley and Sly & Robbie, Miss Tun Pickney has been amassing knowledge and experience of the reggae scene to use in his current crop of music productions. His freshest release is the single “When I Need A Remedy”, out via Dingazz Music platform which has hosted several singles and a dub EP by Miss Tun Pickney.

If you are looking for that true reggae sound and spiritual lyrical quality this is the track for you. Authentic sounds of reggae’s root elements that take us forward to the present. If you have been listening to reggae from ever since, you will love this.

If you are a new listener to reggae, you will still love this. “When I Need A Remedy” is far superior to so many reggae releases that just attempting to create Bob Marley remakes. Miss Tun Pickney is no Marley clone, and has his own take on the genre.

As a reggae music fan, I enjoy listening to all artists especially those that play roots and culture like the Marley’s do. But I don’t expect them to sound like any of the Marley’s, which is often the case.

Instead Miss Tun Pickney has a style that offers a glimpse at the roots of reggae history and the essence of its journey into today, but in a voice and sound of is his own which also reflects traces of Ska. The instruments, lyrics and harmony come together like music for the gods on “When I Need A Remedy” in a laidback an unforced rhythmic style.

There are none of the clichéd current dancehall reggae traits that are preoccupied with sex and materialism, devoid of the revolutionary, empowering sentiments that were intrinsic to reggae’s development in the late 60’s.

Miss Tun Pickney’s ongoing offensive seems to be to uphold the integrity of reggae music. There’s obviously nothing wrong with dancehall in its appropriate time and place but to preserve reggae’s integrity you must have a balance. Reggae’s consciousness was built on powerful positive Rastafarian messages and that is not being pushed today.

Miss Tun Pickney’s “When I Need A Remedy” is a contemplative song meant to soothe, uplift and inspire. The most commonly misunderstood and misconceived form of music is reggae.

While it has been the conductor on the feel good train for decades, anyone would be hard pressed to pinpoint the decisive reason behind its feel good mantra. Most people like to believe that it’s the music’s heartfelt lyrics that give the genre its reputation.

What those people don’t realize is that, when listened to carefully, those lyrics often were written with angst, heartbreak, and depression. It shouldn’t have been hard to figure out that it’s the music’s happy, upstroke guitar patterns and infectiously calming grooves that deserve the credit for the music’s constant smile, not the lyrical content.

Now Miss Tun Pickney takes those happy, upstroke guitar patterns and blends them with similar lyrical content on “When I Need A Remedy” and the result is soul-fixing music.

OFFICIAL LINKS: DINGAZZ MUSICFACEBOOKYOUTUBETWITTERSOUNDCLOUDBANDCAMPGOOGLE PLUS

 

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