Conscious Rapper Apex aka Levi delivers “The Elevation Clause”

Culture is the best way for self-expression to cultivate if used in the right manner. In this techno savvy era, the authenticity of culture is somewhere getting lost, for everyone wants to join the rat race. One best way to pass this important message to the mass is through music, especially hip hop and rap. This art form has already been used as the platform to speak out loud about the different things taking place in the society. The umbrella term hip hop has a significant part known as conscious rapping performed by rappers who deliver social awareness message to

WATCH VIDEO: “Israeli’s Netta, the 2018 EuroVision Winner Jacked My Chicken Dab Style” – Claims‎ Nigerian Swiss Based Artist NazB

Nigerian Swiss Based Artist Naz B has reacted to the recent victory of Israeli Netta at the 2018 Eurovision song contest with the song “Toy” which was allegedly written and composed by Doron Medalie and Stav Beger.  The West African rapper claimed that the Chicken Dab Style which influenced Netta’s win was his trademark chicken dance moves that attracted overwhelming votes for her with her pink-haired backing singers and dancers. Thousands of people from all over the world enjoyed the spectacular live shows at Lisbon’s Altice Arena last week, with over 200 million viewers tuning in on television as it

NEWS FROM HNA MUSIC NEW RELEASE “DJ” PDS NOW AVAILABLE

The dance pop song, DJ, on the EP entitled DJ is full of excitement and delight! An upbeat, feel-good song to dance to, exercise to or merely listen to as you’re driving local or on a road trip needing a few tracks to keep you engaged, three tracks thumpin. The ecstatic track sure to make you smile while you’re moving to the beat. An upbeat, feel-good song and with an actual story behind it. The song about young women who loves music and DJ who’s delivering it a shared interest soon a relationship; music DJ, and love. The story and

Seattle legend Ian Crawford releases his debut album “Grand Wheel”

Grand Wheel, Ian Crawford’s debut album, was released on April 1st, 2018. This album, years in the making, proves worth the wait. Each track feels like an adventure, part of the larger picture that is the album. Grand Wheel flows effortlessly between songs, masterfully transitioning between both songs and stylings. Ian Crawford is a Washington native, who has played with a number of artists throughout the years since he began playing music in adolescence. Prior to releasing Grand Wheel, he released No Contest (2016) with his band The Contestants. Twitter / Instagram / Spotify / iTunes

Dunja World: “One” – warm instrumentation and a finely tuned arrangement

Dunja World is a classically trained pianist, singer-songwriter now residing in New York. As a survivor of Civil War in 1999, Dunja came to the US with no friends or family, and has since used her talent to compose music for film, television, and commercials. She has performed at prestigious venues, including the White House, and has worked with well-known film directors and music producers. Dunja worked with One Foundation to create her current release – “One” – a simple, yet affecting, song with a message of peace, that could be easily translated and sung by a wide range of

Trae Morris: “The Door” maintains a build-up with veteran techniques

Born in Mississippi and raised in Fayetteville, North Carolina Trae Morris is an independent R&B artist who launched his career in 2014 when he signed with vHIZions Management for artist development; shortly thereafter, he would co-write and release his debut single “Deeper.” After relocating to Atlanta in 2015, Morris aligned with the JP Agency. This would connect Morris with the trio known as Those Guys Music, comprised of singer/songwriters Amore Jones, Steven Ashley, and Grammy Award winning producer and engineer Jeremiah Adkins. In the fall of 2016, Those Guys Music produced the summertime track “End the Night”, written by Dee

Kilo M.O.E’s Rambo Video Delivers On Its Long Awaited Build Up

After Going Almost 3 years without a visual Kilo M.O.E finally delivers the goods with a dual punch from his latest Single Rambo. As the first official preview of the Shoot- Which Also Featured M.O.E’s Debut Single to the Feddy Andretti project ‘Braggin’ produced by Twanbeatmaker, Kilo M.O.E’s “Go To” for Production. “I am The Sh**; And ain nobody out here like us”, M.O.E Taunts as He flexes his muscle in the South Florida Back drop. The track’s accompanying music video sees Kilo M.O.E Spitting his bars by himself in various locations where he coincidentally started his rapidly growing Record Label O.M.G

The Upper Tunist to release self-titled new album!

Jason Hunter is a driven producer, artist and musician with a stunning sonic vision. He makes music as “The Upper Tunist”, and he is about to release a solid brand new album by the same name. This project was a huge labor of love and passion for Jason, who spent a lot of time and all of his hard-earned money trying to produce the best possible music. His creativity went so far that he even invented his own, genre, MIXTAPE music! With this cool genre idea, it’s really hard to predict exactly what the next song will sound like, because

ECHOGLASS – The enveloping embrace of the resonant pianos and layered guitar-driven rhythms

Formed in 2016 ECHOGLASS are composed of frontman DA McKenna, guitarist Remmy, bassist Bo Calista and drummer Bam. They are currently independent and release their music on Darkhouse Recordings. With their heritage deep in the great North West of England music scene, they are inspired by the artists, poets and legends of the region like Shaun Ryder, Ian Curtis, Pete Shelley, Gary Aspden, LS Lowry, The Beatles, James, Oasis, Mark E. Smith, Ian Brown and Morrissey to name but a few. The group’s debut single, “Last to Know” was released in 2017 and draws upon their period roaming the great American wilderness.  This was followed by second singles, “Blackburn Boulevard” released

DAV!D&CLARA: “BODY WORK” – a celebration of epic musical proportions

The new album by DAV!D&CLARA: half man, half machine. Together they have created what is a self-professed “collection of guilty pleasures”. 14 tracks that are fun, inventive, and meteoric on impact from start to finish. An electronic celebration marking the duos 10th year making music. “BODY WORK”, available now on Bandcamp with full booklet. Crashing into the atmosphere this summer to iTunes all other digital and streaming services. Get DAV!D&CLARA’s new album “BODYWORK”. Bandcamp: http://tinyurl.com/p3ls2cu iTunes: http://tinyurl.com/q5muhky Spotify: http://tinyurl.com/pk8gaxa Amazon: http://tinyurl.com/osxgoys SUBSCRIBE to DAV!D&CLARA:  Website: http://www.davidandclara.com Twitter: http://twitter.com/davidandclara Facebook: http://facebook.com/davidandclara YouTube: http://www.youtube.com/thedavidandclara Spotify: http://tinyurl.com/pk8gaxa BODY WORK by DAV!D&CLARA

Mortinus achieves that deep emotional resonance

What separates and differentiates Mortinus from his contemporaries is his ability to structure his ambient electronics in a way that is relatable and immediate, keeping his actual chord progressions astoundingly simple but embellishing each production with enough atmosphere and tiny details that each track feels like a personal epic, a custom-designed soundtrack scoring you and your life. For a man who so commandingly has cornered his own space in the post-spectrum, his self-titled EP pushes Mortinus sound forward in a way that few could have anticipated: it’s more aggressive and yet more pop-friendly at the same time, showing off new angles of his sonic while clearly retaining that relatable open-air accessibility that will enrapture electronic instrumental fans.

As the slowly-warming tones of the opener “New One” wrap the listener in a sense of immediate familiarity, a skittery, fast-paced drum beat soon enters, and it’s clear that for all the goodwill Mortinus has developed since his debut recording dropped, he’s starting to set his sights beyond the restraints of his genre, recognizing that even in the indie-instrumental electronica circuit, there are still valleys that haven’t been explored, and he’s more than willing to spend some of his time to arrive at his new destination with his fans in tow.

After all, once “Belly Stars” kicks on, with its Eastern synthpop opening lick, it’s clear that what Mortinus is going for with this EP is something that he wouldn’t have been able to accomplish with his previous releases.

There’s a little bit more propulsion to the proceedings, his basslines firing more rapidly and his usually-warm synths now dipped in a cool silicone bath, forcing Mortinus to blend in the pulsing heart that’s driven his best work with a sleekness that Orbit only started to hint at.

And even with that in mind, he still fights hard to achieve that deep emotional resonance that his songs are capable of conjuring, even in the midst of all the new challenges Mortinus has given himself.

“February to March” is the kind of fidgety, rumbling bass number that fans may have been pining for: a more deliberate kind of song that shows restraint, using its minimalist tones to lull the listener into a state of ease before eventually shuttling into an intense emotional bass-driven sequence and then falling back into a string-induced lull, only to repeat the intensity ad go back again. More or less like a see-saw ride, or a changing season.

To casual fans, the changes between Orbit and the new EP may hardly be detectable, but the confidence to which Mortinus attacks the new compositions makes for great textural expansion, turning up the intensity but still remaining relaxing and relatable in new and exciting ways.

This EP is represents a short, sweet, and concise recording, which feels lived-in and considered, inspiring his fans while making everyone wonder where this newfound confidence is going to propel Mortinus to next.

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