Owl Company: “Horizon” carves out blistering rhythms

Owl Company is a band from São Paulo, Brazil that combines hard rock influences from the 70s to the 90s with modern rage and brutality, creating a sound that is fresh, aggressive, and engaging. Launched in 2015 the band has built a strong presence in São Paulo, playing all the premier venues in town. Their first single “Condescend,” quickly grabbed attention locally and now the band is setting its sights on crashing international borders. Owl Company’s chosen vehicle to get them where they need to be going is their full-length debut album “Horizon”, set to drop July 14th 2017. The

Harmony Drive: “Be There” – fresh, upbeat and vibrant music!

Most times you can gauge the potential quality of a creative project just by gazing through its credits. In this case, the single by Norwegian band Harmony Drive – “Be There”, was recorded in Denver, Colorado. With help of production duo Glenn Sawyer & Rich Veltrop (Tom Petty, Ozzy Osbourne, Macy Gray), and Dave Elitch (Mars Volta, Killer be killed) on drums. The music video, filmed in Norway and the Philippines, features the multi-talented Supermodel, TV-host, and Surfer Mona Lisa Neuboeck. Of course for the potential quality to transform into effective quality you need a stunning song and band. Lars

Delta Station: “An Unexpected Turn of Events” – the experience is more epic and cinematic

The little 14 year old Australian genius who goes by the moniker of Delta Station, has a new album out. And, somewhat predictably, it’s another utter and perfect treat. Before you listen to Delta Station’s latest album you really should leave all preconceptions at the door. Despite the connotations of the album’s title, “An Unexpected Turn of Events” is a joyous affair. It is an album that is warm, exhilarating, and incredibly uplifting and it is his greatest piece of work to date. Delta Station has only been in the production craft since June 2016, but has already released two EPs, previous to this album.

The Valium: “Amazing Breakdowns” – walking the high-wire intersections of visceral punk-rock expression and high art perfection

The Valium hooked me as soon as I heard the first track “Too Many Dreams Of Rock N Roll” from freshly released album, entitled “Amazing Breakdowns”. This was an album that hit me in the gut and instantly dragged me along for the ride. After listening to it, I must say that this is one of the most unique, interesting and high-energy bands I have ever heard in the alternative rock scene of late. Though taken from a myriad of influences, their sound is completely their own and every song sounds unique to their band. I can’t really imagine some

Newborn: “Honey Trap” – something of a perfect alchemy

The Coney Island, Brooklyn-based band Newborn was formed by  high school friends Allen James (vocals/guitar) and Eric Weglicki (guitar/bass/vocals) and a love of rock spanning from Metallica, Nirvana, to Muse. After many years of jamming together they decided to form a band. Newborn played their first show December 2014 which was followed by the release their debut EP “Broken Virgo”. The band has since evolved musically, adding drummer Dave Goldenberg, and going from strength to strength, culminating in the release of their latest single, entitled “Honey Trap”. The song features Newborn’s most diverse lyrical palette to date. The result is a cohesive,

Gloom Influx: “First LP” – looping the listener into a nostalgic yet futuristic world

Montréal-based musician Luc Leclerc, aka Gloom Influx, delivers a unique and powerful blend of metal and synthwave, influenced by 80’s movies and video game soundtracks, heavy metal, and contemporary artists like Justice, and Carpenter Brut. Sometimes you need to listen to music that makes you feel like you are in the future in outer space and somehow the 80s never ended. And sometimes you want to add elements of robots, monsters and fear. When you want those things, there are few better than Gloom Influx . Whether you come at this album from the perspective of someone into synthwave, darkwave

Jigsaw Man: ‘No Home’ – a self-produced EP with strong stoner overtones

The 4 track ‘No Home’ EP is the debut release from Jigsaw Man, the moniker under which singer-songwriter Steven Faulkner is releasing original material. “It’s nice doing things under a pseudonym because you can be more personal about the lyrics, and because you have that separation,” said Faulkner, continuing: “In my head the lyrics belong to Jigsaw Man, so I can be more honest and personal. I can write far more honestly and I’ve certainly done that on this EP. In the past I’ve always looked for metaphor or simile but this EP is very honest.” Playing since he was a

Corlioni: “Destiny” has a genuinely refreshing effect!

In case you’re not down with the nomenclature being thrown around the EDM community currently, on his latest track, “Destiny”, electronic producer Corlioni, comfortably slides into the trend-setting genre called ‘Tropical house’. Though, it would be correct to say that the masked British producer is not really confined to that specific genre at all. Tropical house is a more relaxing yet uplifting form inside the EDM craze, a response to the grimy, dark sounds of the dubstep craze which has been losing steam for the last several years. Rather than deep bass growls that sound like a broken inkjet printer,

DJ DezZ: “SometimeZ” – a tour-de-force!

Fast forward a quarter of a century and the phrase ‘Deep House’ has become to mean something completely different from its first incarnation during the halcyon days of house. It’s hard to move in the overpopulated market of all things ‘deep’ these days, but in amongst the monotony of the same old EDM samples and generic preset bass lines are a number of artists that really are able to tickle your fancy. One such EDM producer that we believe has kept it deep, down and dirty so far in 2017, with the release of his single “SometimeZ”, is Charlie Desi aka DJ

Toni Castells: 2045: The Year Man Becomes Immortal? – The emotion is very compelling

Toni Castells is a Hispano-British composer currently based in London. A lecturer at Imperial College London and the London College of Music, his sonic worlds transpire an inherited precocious classical training with an inventive use of modern technologies to create unique and distinctive soundscapes. Castells latest musical endeavor is entitled ‘2045: The Year Man Becomes Immortal?’ which explores the prediction by computer engineer and futurologist Ray Kurzweil that the year 2045 will see the start of a new era in which human and artificial intelligence will merge, man will cease to age and so acquire the potential to live indefinitely. In the original interview with Kurzweil

Slightly Left Of Centre: “Euphoria” – a precision-targeted pop-dance missile

How can you resist a band like the Australian crossover rockers, Slightly Left Of Centre?  High energy Maroon 5 styled vocals, Daft Punk-like electro-funk rhythms and a Jamiroquai acid attitude is a temptation far too great for both the ear and the body to withstand. Now, taken from the band’s upcoming album, Slightly Left Of Centre are set to release their brand new single “Euphoria” on Friday May 12, via Spectra Music Group/Tabletop Records. Slightly Left Of Centre members, Adam Spicer (Vocals & Keys), Michael Pace (Guitars & Vocals), have the privilege of being skilled in recording, mixing, editing, filming and mastering both video and audio, which puts them in a perfect position to execute their musical pieces exactly as intended by the writers and performers.

“Euphoria is a song that promotes being on a natural high, being happy to be alive, and to live life without regrets,” says band member Adam Spicer. The single is more polished than almost anything they have ever done, and is confectioned into a precision-targeted pop-dance missile ready to explode across dance-floors worldwide.

These guys have the whole modern electro thing down to a tee, with impeccably precise grooves and a cutting edge production. Slightly Left Of Centre is a slick hybrid of 21st century pop-rock digital drive, blended with a healthy dose of uber-hot 70’s funk and 80’s inspired electronics.

Slightly Left Of Centre have managed to put together a pretty damn good single, but they’re just too cool to admit it. The song is so catchy and so addictive it’s easy for casual listeners to just keep clicking the repeat button and forget about everything else. These dudes are clearly having a blast on “Euphoria”, which becomes even clearer watching the sporting video on YouTube.

It’s not hard to imagine this getting an enthusiastic response from club goers on the dance floor. Especially in light of the fact that Slightly Left Of Centre are putting out a remixed, bass thumping dance version of the song too. And to bring the track full circle, the band is also including an Acoustic Version which is a slower stripped down mix for those who crave ballads.

Bursting out the blocks it’s hard to resist any and all of “Euphoria’s” flashiness, with the driving drums and menagerie of shiny guitars, whirling synths and throbbing bass producing the kind of sonic atmosphere that’ll slay dance-floors and dance charts the world over.

This all equals extraordinary musical entertainment. This is their best single yet. Slightly Left Of Centre couldn’t do mediocre music if they had to. They were born for the art of their unique brand of music. “Euphoria” energizes and motivates!

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