BlackMayo is a platinum hip-hop Producer and Artist!

Generating over 55 million views from his credits alone Bloomington, Indiana’s, BlackMayo ​is a name to know.​ BlackMayo, is a platinum hip-hop Producer and Artist best known for his hit producing Lil Mosey’s single “Pull Up”, which has reached over 30 million views on YouTube since its release. He initially began to make a name for himself by posting and later selling type beats on YouTube, and has since gained popularity through producing songs such as the single “Valentino” by 24kGoldn that has amassed 22 million views on YouTube. Other artists he’s worked with includes house hold names such as

INTERVIEW: Minneapolis based Christian emcee F’RAEL

F’RAEL is a Minneapolis based Christian emcee, youth pastor, husband and father. F’RAEL aims to create quality sound that will minister to the hearts & minds of young people to draw them closer to their creator. He also aims to promote a musical atmosphere of love, healing, deliverance and relationship in Jesus. F’RAEL brings a Gospel message to the world in Hip-Hop form. His music has been featured on multiple sites and magazines including; USAToday.com, Rapzilla.com, ’Rep Da King Magazine’ and reviewed by iamentertainment.com, Afrockin, and more. F’RAEL was also invited to minister at the largest Christian festivals in the

Lorenzo Bazzoni – “The Thrill” – Sweeping strings and excellent percussion complement each other

I would imagine that by now most of you would be familiar with Italian prog-rock, cinematic and symphonic-styled composer, Lorenzo Armando Aldo Bazzoni, as he has appeared on our blogs on previous occasions. Last month, Lorenzo released another musical piece, entitled “The Thrill”, which is described as a composition meant to remind us of the thrilling moments in our lives. As you can expect, the progressive feel is prominent throughout the record, contrasted by the rich orchestrated parts and dynamic choral interludes. The sounds are as atmospheric and mesmerizing as ever, whilst also being addictively catchy, plus the melodies actively

Natalie Jean and Rory Gardiner – “Not Over You” is a beautifully polished piece of work

Artists like Natalie Jean and Rory Gardiner are blurring the lines between country, pop and rock, and creating new fans for all these genres in the process. Great heart-felt lyrics, melodic harmonies and inspiring lead vocals. Storytellers with something worthwhile to say and saying it beautifully to a broad audience. Regardless of genre, good music like this will always stand on its own and attract an ever-growing audience.  It’s easy to see they’re not just in it for commercial ends, Natalie Jean and Rory Gardiner appear to love their craft and keep refining it while their own musical preferences continue

Flyguytk & BigMoneyAce Deliver Anthemic & Groovy Trap/Jazz Fusion Single ‘Religions’

About The Release Flyguytk releases an anthemic, grand, and powerful trap/jazz single ‘Religions,’ featuring BigMoneyAce. The release features a groovy beat with a vocal performance that will grasp the listener. ‘Religions’ will hook the listeners in with the lyricism and mesmerizing instrumentation. The single delivers an uplifting progression, a driving bassline, and a raw, uplifting vocal by the artist. Undoubtedly, the single has the ability to resonate with the listener as it contains a unique style and sound that will have people playing it over and over. Flyguytk does an outstanding job of keeping the track refreshing and engaging through

Soul Singer Randy Hall Drops New Solo Single “A New Way of Love” Following Vault Hit with Late Jazz Legend Miles Davis

After years spent in a lucrative retreat from the spotlight, multi-faceted musician/singer Randy Hall is in the midst of a hot streak as a recording artist as hot as his home base: Las Vegas! Randy Hall has enjoyed international chart-topping success with his solo single “How Do You Want Your Love” (co-composed with Kevin Toney, founding keyboardist of Donald Byrd’s Blackbyrds band) which vaulted over superstars such as Charlie Wilson and Usher to hit the top of the U.K. Soul Chart and several others from Brazil to Germany. Next, Hall had the honor of hitting the top of those same

DEEPSYSTEM – “Dame Locura” – This is a kaleidoscope not just of colorful sound, but of ideas too!

When it comes to passionate electro-driven tunes and seductive dancefloor Latin rhythms, few European-based artists can match DEEPSYSTEM for prolificacy and quality. “Dame Locura” is the latest single brilliantly put together by Socoliuc Andrei Marian, Joel the Alien and Murariu Andrei Ionut. This song once again proves that DEEPSYSTEM remains a power player in the globalization of the Latino music, as it continues to showcase his colorful flow and spirit as a beacon in the European movement. DEEPSYSTEM has expertly curated his status by bringing new audiences into his world without compromise, as he still sings and raps in Spanish

Kindle Flame – “Get In My Bag” – an exceptional flow and a gift for conveying emotion through personal experience

Kevon McCready, known to his friends and family as Killa, goes by the moniker of Kindle Flame. “The Church Has knowledge but No flame, I feel like God sent me to kindle the flame,” the artist is quoted as saying. Emerging from his hometown of Crisfield, MD, Flame has been in the game for over 2o years with more than a decade of engineering experience under his belt. Now Chief Executive Operator at Flame Studio, Kindle Flame represents the new generation of Christian rappers. He is a minister, counselor, father, husband, and business owner, whose environment cultivated his interest in

Den – “3 in the Morning” – witty and explicit lines abound

Den started out in the 2010, using the moniker Den Den So Relentless. He dropped a planned trilogy of underground mixtapes – “Runnin On E” , “Game of Love” , and “Gone” . He then to step away from music to attend college full-time.  In 2015, Den lost everything important to him, including his home. To continue school he worked two full-time jobs, sleeping between classes or during lunch breaks. He graduated later that year, but in 2016 Den was involved in an accident that almost cost him his life. He says that his near-death experience taught him an important

LS Muzik Group Presents Dru Yates & Blac Lou Caine off the upcoming “Real Muzik Revisited: R&B/Hip-Hop Vol.1” Compilation!

In the pantheon of yearly debates, the topic of best hip-hop compilation albums isn’t a discussion that usually comes up, but it should. For over 25 years, releases from labels top labels have serviced the world with song collections that capture the imagination of fans, serving up a hodgepodge of unexpected talents and collaborations. While some of these projects come across as thinly veiled promo materials, the best among theme combine superb production and memorable singles that stand as musical accomplishments rather than just raw teaser exhibitions. When Death Row unloaded their first soundtrack in 1994, they helped set the

Bloomer: “Good Morning, It’s Breakfast Time” – washed away by sunlight and a downpour of musical ideas

Bloomer is a rock band from Baltimore, MD created by musical partners Luke Boardman and Matt Zorzi. The band’s sound emerges from a mix of 70’s & 90’s Rock, Soul and American Roots Music. “Good Morning, It’s Breakfast Time” is contemporary indie rock at its finest. The music is sprawling and psychedelic. The mood can range from rocking to mellow. Bloomer is a band that has great song writing abilities and expressive improvisational abilities. Depending on the given song, the band moves effortlessly between straight rock and psychedelic infused jam-band grooves. This 4 track EP showcases both the band’s alt-rock sound and their improvisational excursions. However, they never confuse improvisation with musical masturbation.

“Good Morning, It’s Breakfast Time” is wonderfully accessible thanks to its relatable sense of communal fun, as well as the band’s own self-awareness. It is clear from the opening track, “Don’t Wait for Lightning” that the band is genuinely enjoying themselves as they create a sense of togetherness. Among tones that reflect sunlight as brightly as you might expect directly after a storm, the EP journeys confidently through melodic ideas as each band member is allowed to shine.

Together, they create a landscape in which the world is washed away by sunlight as well as a varied downpour of musical ideas filled with a lot of different melodies, musical subtleties, and sounds. The second three minutes of the EP comes in the form of “Distracter”, which gets keeps set going on a smooth note, with its laid-back rhythms, motifs, and refrains; one minute it is eerie and almost retro, the next minute laden with rejuvenating guitar and bass lines. The song rides a lush moderate, comfortable beat and melody backed by rich harmonies.

I’d say that “Next Time” is the best song on the EP, and a great overall Bloomer song. It is extremely catchy and great instrumentally, and lyrically. The guitar playing and the drumming are done extraordinarily well. The vocals and harmonies also shine brighter here than anywhere else on this recording.

To put it bluntly, this is a song I can’t get enough of, and will listen to endlessly. Some may compare Bloomer to the legendary Grateful Dead. Though they do not particularly sound like The Dead, they do combine some of the same elements. And all of them are evident on this song.

“Coral” brings all the jam-band qualities of Bloomer to the table. This instrumental is unlike any song on this album, but it’s still great. It’s opening guitar-driven bars seem to be influenced by African rhythms before the track switches into an almost 70’s rock fusion flavor.

This is a live track so it allows itself to meander through various stylistic colors. It’s is a maze of intricate guitar arpeggios and gorgeous piano-tinged high-energy instrumental passages that will no doubt soar in amphitheaters.

Outside of this ambitious closing piece, “Good Morning, It’s Breakfast Time” is relatively less musically adventurous, and the simpler song-craft used on the other tracks seems purposeful, in the way it provides a clearer glimpse inside the heads of its writers and performers.

In the sense that too many flurries of notes, hypnotic grooves and exploratory improvisations can often mask deeper meaning for the average listener. This group-think ethos avoids the title of ‘weird’ and embraces the one of ‘eclectic’, which artistically has significantly more attractive connotations, perfectly suited to what Bloomer has to offer musically.

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