INSTRUMENTAL ENSEMBLE ARMONITE RELEASES SECOND ALBUM “AND THE STARS ABOVE”!

Armonite, the instrumental rock collective led by composer Paolo Fosso and violinist Jacopo Bigi, signed with LA-based indie label Cleopatra Records for the release of their new album, And the Stars Above. Armonite’s instrumental music is perfectly in line with the spirit of the label, especially now that Cleopatra expanded in the movie industry. With the film division Cleopatra Entertainment, the company has distributed, developed, and produced several films most of which have a strong horror and/or music component, including The Devil’s Domain (starring Michael Madsen), The Black Room (starring Lin Shaye), Halloween Pussy Trap Kill! Kill! (featuring the voice

indieOn Connects Music to the Blockchain and Creates Better Experiences for Artists and Music Fans

 Santa Fe, NM, USA – indieOn Inc.(indieOn™) is excited to announce the release of its music currency NDI to bring blockchain technology to the music sharing economy. Using a consensus platform allowing indieOn App subscribers to listen and vote on music selections in return for NDI tokens. indieOn is confident of creating a “music miner” who listens more and grow their Token value. The indieOn protocol is based on a decentralize ecosystem and revolutionize the music sharing economy industry. Chain of custody and smart wallets solve critical problems for musicians in marketing, managing and monetizing their creative talent. The global

Lyrics Of Two: “Summer Song (Hey, Hey)” – lyrical poignancy and a catchy sound

Founded by Los Angeles born, head songwriter and poet,  who is classically trained in piano and has a degree in Sociology from Mount St. Mary’s University, Lyrics Of Two have established themselves as accomplished lyricists, songwriters, and composers. Marie Helen is a member of the Songwriter’s Guild Of America, and has had an interest in creative writing from a very early age. From the acoustic pop of “Mysteries”, to the gritty, rhythmic Americana rock of “Streetlights Are Spotlights” and onto the life empowering anthem “Let’s Make This Earth From House To Home”, Lyrics Of Two have never failed to impress.

DirtyHarvard Is Set To Release Their New Hood Pop Album

DirtyHarvard has recently announced that they are all set to release their new hood pop album. They have already released 3 new singles from the upcoming album on SoundCloud and are ready to launch their first music video later this month. LosAngeles, CA – Biz and Rix Melody are the main men behind DirtyHarvard. DirtyHarvard is strongly becoming known for their HOOD POP style in music, which blends the sounds of known genres like Rock, Pop, and Hip Hop but with a DirtyHarvard twist. This newly crafted masterpiece will consist of 26 songs, while 3 of the album singles have already

SUPADAMN: “Pick the Party Up” – an eargasm that will take you to party heaven

SUPADAMN has been on his grind for a while now. He just gets more focused and more ambitious with every passing day. His latest 7 track project, “Pick the Party Up” dropped worldwide on the 3rd August 2018, and confirms the previous statement. This is his third album release, and follows his critically acclaimed album “Floor It”. A potential heavyweight in the underground circuit since 2016, the sharp-tongued rapper born in n Santa Monica has steadily – and deservedly – been earning widespread respect across the independent hip-hop community. SUPADAMN passion and devotion to the grind certainly pays off with

J. Sariah: “The Journey” – honoring the sounds of past and updating it for today

Singer-songwriter J. Sariah has dropped her full-length debut album, “The Journey”, with tracks produced by 3Bubble & J. Gray of Live From The Pentagon Entertainment and DJ Izzy Ill, idreaminstero and Dorothy Chan of Barron Studios in Houston, Texas. J. Sariah who comes from a family of music producers was once destined for the pro tennis circuit, but her passion for music took into a new direction. The artist began writing songs in middle school as a way of escaping stressful times, and graduated from California University of Pennsylvania in 2017. She has since released her 5 song debut EP, “The

DevGotCharacter: “Draft Night” combines superb flows with a real emotional connection

Out of Memphis, Tennessee, living out in the Bay Area, comes a hip-hop artist who has seen some things, has been there and done that, but after a long look in the mirror, DevGotCharacter has taken his game to another level. Adding some introspective ingredients to spice up his artistry, Dev has created what could potentially be one of the most interesting hip-hop releases this year. Far too often in hip-hop, the status quo becomes boring and stale. DevGotCharacter takes rap back to where it belongs with thoughtful and whimsical wordplay, while telling stories all wrapped up in a singular

Alternative rock band Love Ghost have released their debut album “Lobotomy”

Love Ghost is an alternative rock band from Los Angeles. While young in age (two of them are juniors in high school), these musicians have a genuine and developed grunge rock sound. The band released their first full-length album “Lobotomy” on June 17th. The album was produced by Eric Lilivois and was recorded at London Bridge Studios in Seattle & NRG Studios in Los Angeles. Their sound has been compared to Alice in Chains and Smashing Pumpkins, amongst other throwback rock greats. Their music is influenced by the teenagers’ personal experiences of addiction, mental illness, heartache, love and coming of

Jacob Seeger: “Something Real” – more than enough architecture to warrant multiple listenings

Jacob Seeger is an upcoming singer-songwriter, producer and multi-instrumentalist. His music displays a fresh new blend of Pop, R&B, and Singer-songwriter flavors. Seeger enrolled in Fordham University at Lincoln Center in NYC in 2014, and the following year released his self-produced debut recording – “Girl – EP”. He then moved to Boston and enrolled in Northeastern University to pursue a degree in Music Business with a concentration in Songwriting. Signed to Northeastern’s Greenline Records – he wrote, produced and recorded the single entitled “Call Me”. Since then, Seeger has performed at multiple venues, including the classic “The Bitter End”, and

Arash Behzadi: “The Last Sigh” – a wonderful sense of dynamics and timing

As a Canadian Iranian whose musical evolution has its beginnings in traditional Persian folk music, Arash Behzadi’s vibrant piano compositions explore the gamut of human emotions. “The piano mirrors existence in all its complexities from moments of profound sadness and loss to exhilaration and new beginnings,” he says. Arash’s soulful searchings have evolved in the last few years, spurred by a dedication to yoga along with explorations into a variety of art forms and fresh interpretations of New Age music. He is a creative collaborator working with renowned choreographers, artists, and musicians. Arash’s audience is a global one. He has

Bloomer: “Good Morning, It’s Breakfast Time” – washed away by sunlight and a downpour of musical ideas

Bloomer is a rock band from Baltimore, MD created by musical partners Luke Boardman and Matt Zorzi. The band’s sound emerges from a mix of 70’s & 90’s Rock, Soul and American Roots Music. “Good Morning, It’s Breakfast Time” is contemporary indie rock at its finest. The music is sprawling and psychedelic. The mood can range from rocking to mellow. Bloomer is a band that has great song writing abilities and expressive improvisational abilities. Depending on the given song, the band moves effortlessly between straight rock and psychedelic infused jam-band grooves. This 4 track EP showcases both the band’s alt-rock sound and their improvisational excursions. However, they never confuse improvisation with musical masturbation.

“Good Morning, It’s Breakfast Time” is wonderfully accessible thanks to its relatable sense of communal fun, as well as the band’s own self-awareness. It is clear from the opening track, “Don’t Wait for Lightning” that the band is genuinely enjoying themselves as they create a sense of togetherness. Among tones that reflect sunlight as brightly as you might expect directly after a storm, the EP journeys confidently through melodic ideas as each band member is allowed to shine.

Together, they create a landscape in which the world is washed away by sunlight as well as a varied downpour of musical ideas filled with a lot of different melodies, musical subtleties, and sounds. The second three minutes of the EP comes in the form of “Distracter”, which gets keeps set going on a smooth note, with its laid-back rhythms, motifs, and refrains; one minute it is eerie and almost retro, the next minute laden with rejuvenating guitar and bass lines. The song rides a lush moderate, comfortable beat and melody backed by rich harmonies.

I’d say that “Next Time” is the best song on the EP, and a great overall Bloomer song. It is extremely catchy and great instrumentally, and lyrically. The guitar playing and the drumming are done extraordinarily well. The vocals and harmonies also shine brighter here than anywhere else on this recording.

To put it bluntly, this is a song I can’t get enough of, and will listen to endlessly. Some may compare Bloomer to the legendary Grateful Dead. Though they do not particularly sound like The Dead, they do combine some of the same elements. And all of them are evident on this song.

“Coral” brings all the jam-band qualities of Bloomer to the table. This instrumental is unlike any song on this album, but it’s still great. It’s opening guitar-driven bars seem to be influenced by African rhythms before the track switches into an almost 70’s rock fusion flavor.

This is a live track so it allows itself to meander through various stylistic colors. It’s is a maze of intricate guitar arpeggios and gorgeous piano-tinged high-energy instrumental passages that will no doubt soar in amphitheaters.

Outside of this ambitious closing piece, “Good Morning, It’s Breakfast Time” is relatively less musically adventurous, and the simpler song-craft used on the other tracks seems purposeful, in the way it provides a clearer glimpse inside the heads of its writers and performers.

In the sense that too many flurries of notes, hypnotic grooves and exploratory improvisations can often mask deeper meaning for the average listener. This group-think ethos avoids the title of ‘weird’ and embraces the one of ‘eclectic’, which artistically has significantly more attractive connotations, perfectly suited to what Bloomer has to offer musically.

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