Announcing the 2017 Inductees into the Album Cover Hall of Fame

Latest class of honorees in the 6 major categories – as voted on by a world-wide panel of music, art and marketing experts in the area of album cover art & packaging – represents the “who’s who” of creative and production talent, with many recognized names from the fine art and design world. Chicago, IL – based organization selects the designers, illustrators, photographers, art directors and patrons whose works were released between the years 1960 – Present. Since officially launching the site in 2012, we’ve inducted five classes of Inductees based on the results from the group’s yearly surveys (the

Twice The Holiday Feel-Good Vibe From NYC Indie Rockers

The Baghdaddios Celebrate Homeless Benefit’s 20th Anniversary – and Release a Brand New Holiday Single! For 25 years The Baghdaddios have churned along, trolling the seedier dive bars of New York City that were fortunate enough to have a sound system and a cabaret license.  Occasionally they graced the spotlight of some higher profile venues (including their third-ever show at iconic punk birthplace CBGB).  Somewhere along the way, between the indie CD releases, music videos, trips to other countries and criss-crossing various part of the U.S., they got a bright idea in their 5th year that resulted in the proverbial

INTERVIEW with Alternative Rock Band RAVENSCROFT

Ravenscroft is a seasoned foursome of alternative rock musicians comprising Ralph Buso (Vocals), Pat Magrath (Drums), Brett Octane, (Guitar) and Devin Baker (Bass). The band’s six song EP is set to be released January 2018. In the meantime the powerhouse unit has dropped two lead singles to whet anticipating appetites. Two of the band’s members took the time to answer some curiosities in the following interview. How long has the current line-up of Ravenscroft been together and how did you get together in the first place? Brett Gorke (Guitarist): Approximately three years. Due to personal issues the original guitar player was unable to continue with Ravenscroft. At that

Ann Taylor: “Sober” – an anthem that is so calm and haunting it could put you into a trance

Canadian Record Label Illium Audio signed Ann Taylor in 2017. A singer-songwriter living in Calgary, Ann fell in love with songwriting, propelling her towards the release of her first EP “Roses” in February 2016. She is a versatile artist who has explored genres as diverse as folk, pop and electronic music, and is able to blend them together to form unique and playful new sounds. In addition to her solo work, Ann is a member of musical collective “Plus”. Set to release a full length album in 2018, she is currently working on an EP, and has released the single,

Collaborateurs: “Interstellar Colors” blurs the lines between earnestness and bravado

“Interstellar Colors” is the third album released under the Collaborateurs name, but Curtis Hubbard, Glenn Hubbard, Roger Brandon, and Jeremy Cayton have worked together in other acts for a long time. Most recently, Hubbard, Brandon, and Cayton released three albums under the name Rog & Glenn. Brothers Curtis and Glenn Hubbard have also recorded together for many years, first as Four Day Weekend, and more recently The Hubbard Concept. The Collaborateurs have a formula that works for them. Every album has more than a handful of tracks that are the greatest thing you’ve ever heard, a perfect arrangements of chords

The BoyEatsGirl “Zugzwang” Interview

Australian extreme metal project BoyEatsGirl is driven by one man – Rick ‘Cleveland’ Pinto who launched the project in late 2015. BoyEatsGirl has since been establishing itself as a favorite extreme metal project: Pinto is one of the few underground artists to offer a complete conceptual and experiential package in the genre – food for the heart, mind and senses, as intellectually stimulating as it is emotionally intense. BoyEatsGirl creates a nice balance of standard, aggressive metal riffs, intermingled with fast, monstrous, ultra-heavy, ultra-complex mechanical cyber-grinding percussion, and a crazed use of sonic extremities. Also, there is use of growling vocals, which produces a thick, beastly, darkly regal, searingly

ZALI: “Girls Like Us” – an ambitious blend of bravado and sultry charm

ZALI is an emerging Irish Singer-songwriter creating a buzz in Ireland and the UK with her powerful vocals and the distinct cross-genre sound of Soul-Pop. Passionate about music since her childhood ZALI began performing to crowds of all sizes via her church choir which confirmed her artistic calling. Years of vocal training and a signature sound blended from old-school R&B, mixed with Soul-Pop brings ZALI to her latest single “Girls Like Us”. An anthem for woman around the world, the track was written after the singer had been suffering from heartbreak. ZALI is a powerhouse vocalist, stylistically contemporary but one

PnB ROCK Performing at the Gas Monkey Live November 24, 2017!

PnB ROCK the American artist, singer, songwriter, record producer, and actor from Philadelphia, Pennsylvania, is getting ready to set the Gas Monkey Live!, in Dallas Texas alight with his live performance programmed for 7 p.m. November 24, 2017. The Billboard Hot 100 artist, whose album “Catch These Vibes”, features Wiz Khalifa, Juicy J, Roy Woods, Smokepurpp and more, will also be performing his smash hit single “Selfish”, among others. Below are all the details relating to the artist and live concert. Music Group Name: PnB Rock Date: November 24, 2017 Venue: Gas Monkey 10110 Technology Blvd E, Dallas, TX 75220 Time:

Prilho: “Stay” is set to become a favorite of modern club culture

Although only a couple of years into a career as a DJ and producer, Prilho has quickly become one to watch on the EDM scene, not only in his native Portugal but across the European dance scene as a whole. “Stay” is a song which pulses with the positivity and euphoria of the contemporary dance sound, it glows with great vibes and even though it is built on a fairly mid-paced tempo, its clever use of dynamics, its ability to build musical peaks and sonic troughs means that it is packed with punch, but it is punch which comes from

Grey Smith’s music can easily serve as therapy for music fans

Grey Smith solidified his sound and his soul, engraving it in stone with the first track, “Fear”, taken off his upcoming project, the “Ghost Notes” album. Grey, who wrote, played, sang and engineered every piece of the record is fundraising the entire project via to finance the mixing and mastering of the album, the back-end administrative items like trademarking, publishing, copy-writing, marketing, publishing to  iTunes, Spotify etc., as well as shooting a video for the first song. You can be an important part of this process by logging on to his fundraising page HERE. On “Fear” Grey Smith sounds so

“Final Curtain” represents yet another progression for Roger Cole

Roger Cole is anything but predictable. Other than the fact that excellence flows in abundance from his river of musical and artistic expression, his music (usually together with his partner in crime Paul Barrere) is always engaging on an emotional level. Here on his solo effort, the single, “Final Curtain”, Cole is not content to repeat himself, nor is he afraid to confront difficult subjects or at least ideas that many artists don’t frequent.

This time around there is this ongoing tug-of-war between moving on and living in the past. The time when someone needs to say no, and the other won’t let go.  Lyrically the last few releases from Roger and Paul have been brilliant, cutting and insightful. This one by Roger Cole is no exception in that regard.

Just listen to the wit and wisdom in the words: “The look that you see in my eyes / Someone you don’t recognize, a stranger / The sarcasm within the smiles / Has worn thin from endless miles / There’s anger.” In part the song directly points to the obsession of the fakers living within a false reality instead of accepting what’s really right there in front of them and ceasing to pretend.  And not surprisingly for those familiar with Roger Cole, he delivers this stuff with his usual emotive smoothness.

Musically this track represents yet another progression for Roger, who again plays all the instruments – except the drums which has been handled by Joe Travers – as well as produced, engineered and mastered it.

The grittiness is there, the guitars and bass take a lead role and there is strong taste of progressive rock influences here, which may be the way it differs the most from some of the previous works. I think it is fair to say that as you listen to this Roger’s voice comes to the forefront of the musical landscape.

And while this isn’t as acrobatic as some prog-rock stuff, from an instrumental standpoint, the drums, bass and guitars are essential in driving the music and keeping it at boiling point.

In the end I think fans will find much to chew on here – Roger Cole is crafting music way beyond the masses. This is wonderful sonic art. Roger, on his own, or as the duo Roger Cole and Paul Barrere, remains one of the most consistent, insightful and emotive independent rock acts on this planet. After spinning this single a couple of handfuls of times, it just keeps getting better and better!

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