J Tizzle: “The Chill Zone Vol 3” – The taste is smooth and distinguishable!

As living things, we need a steady supply of certain ingredients to survive. In music, the formula is undeniably similar. A song requires both rhythm and pitch. For the musically hungrier amongst us, these ingredients are not enough. We need to add extras, such as mood, atmosphere, emotion and groove. Unfortunately, even with the proper ingredients and extras the results are not always as expected. Stagnancy spreads within the craftsman, as well as a lack of skill or emotion. Luckily one, by the name of J Tizzle (Jeffery Townsend Sr.), avoids these annoying traits. Within his songbook exists all of

Heavy AmericA: “Motor Honey (Peace)” – It’s rock. Pure and simple.

A couple of years ago, the bands to emulate in modern rock were those that flooded the radios with wickedly catchy upbeat power pop tunes. Then came the neo-metal-driven climate, where even the tame end of the spectrum became heavier. On their new single, “Motor Honey (Peace)”, Boston based three piece rock group Heavy AmericA, proves themselves among the best in the alternative rock genre with a track loaded with hooks for mainstream appeal, but with an energy and drive that keeps them from sounding like mere imitators. The new release which has all the potential to climb the rock

Scotty Seed: One of the more original and thoroughly enjoyable alternative listens of the year!

Proud of his Italian heritage and his role in the LGTBQ community as a queer artist, Scotty Seed is a musician based in the East Village of New York City. Obsessed with art, including fashion and music, Scotty, originally a Jersey boy, started taking songwriting and production seriously in his twenties. Influenced by elements of industrial, pop, grunge, PC music, electronic, and screamo music, he counts artists like Crystal Castles, Marilyn Manson, Hole, David Bowie, Madonna, and Depeche Mode among his inspirations. Fighting an ongoing battle with bipolar disorder, making music provides him with an escape from his mental health

Suburbs: “Sound of the Sea” – a rewarding new project

Suburbs is an indie rock band from Scheveningen, Netherland launched in 1995. The band that has its roots in the eighties and nineties achieved national exposure when they won the national contest “De Grote Prijs van Nederland” (The Grand Prize of the Netherlands), the largest and longest-running music competition in the country.  As of the summer of 2013 Suburbs has started a new chapter. Lead singer Arie Spaans and 2 early band members set to work to bring their old sound back. The following year they started dropping singles and video clips leasing to their mini EP “Masters” in 2016.

Martone: “Erogenous Zone” keeps the adrenaline and emotions flowing!

It was 5 years ago that pop superstar, Sam Smith, stepped up to the plate and showed the world that love songs don’t have to be heteronormative to be beloved. Smith came out publicly, stating that he wanted to be clear on what his album was about. “It’s about a guy and that’s what I wanted people to know.” He was also completely aware of how important his success is to the public narrative. Hearing your humanity represented and validated by pop culture is important, and many LGBT supporting musicians have since been stepping up to share their experiences. The

Red Tan: “Don’t You Dare!” – Vocally anchored and soulful!

Red Tan is a young widow and single mom. Living in an unfamiliar environment while suffering depression and anxiety has been a challenge that she was able to put into music on her single “Don’t You Dare!” It’s an inspirational anthem meant to help others overcome their struggles and difficulties, and achieve their goals. In the meantime it has been a healing medicine for the singer-songwriter herself, helping her to become a stronger and better person. Red Tan’s ability to create deep thoughtful music, her timeless voice, and her capacity to be so introspective, makes her extremely relatable to any

Albert J: “Grow” embraces both aural diversity and true inspiration

Albert J (formerly known as f.o.c.u.s.) is an American hip-hop recording artist residing in Tampa Florida. Moving through Maryland, DC, Virginia, NC, California and now Florida, Albert J got to experience a lot of diverse music and inspirations. From bands ranging from Sigur Ros and Coldplay to Linkin Park and Incubus, as well as many Hip-Hop influences from DMX, Kid Cudi, Mos Def and Busta Rhymes, Albert J grew up with a wide palette of sound. His 3 mixtapes “Youth Religion” (Dec 2013) “Remember” (March 2014) and “YR2” (April 2015), garnered serious attention in the Hip-hop scene, finally leading up

Knarly Jones: “Redemption” takes us on an epic journey

“Redemption”, is Detroit-based EDM producer, Knarly Jones’ second drop in a series of four releases this summer, preceded by “Atonement” which was released in June. After spending time away from music to study mathematics and physics, Knarly returns to the electronic music scene with a refined cinematic style and a slew of new releases. “Redemption” combines cinematic scoring elements with classic electro-house feel and heavy drops to create a unique sound for 2019. Knarly goes into his bag of tricks and creates an enlightening, varied soundscape that unleashes bass all over your face. With all of this to dive into, it’s

Maxime: “The Honest Me Pt.1” – a unique piece of work!

Maxime Boublil was born in Paris, France, into a musical theater family. His father Alain, wrote the musical adaptation of Les Miserables and Miss Saigon, his mother was the first Cosette in Les Miserables in France. As a child Maxime played the cello and then went on to study photography Academy of Arts University in San Francisco, but he discovered what he really wanted to do, when he picked a guitar in a friend’s dorm room. After studying Music in Visual Media, Maxime went on to pursue a career as an engineer at Furstock Studios with three-time aria award-winning engineer

Absolute Doubt: “When Nightmares Become Dreams” – extreme melancholic chill!

John Francis, known by his artist name Absolute Doubt, is an up-and-coming rapper with a talent for freestyling. He works with a number of artists and producers on his latest EP “When Nightmares Become Dreams”, including Lucki, Jay Storm, and Downtime. The project imbues most of the tropes in contemporary swaggy rap music with an omnipresent breeziness that feels endemic to a luxurious daydream. The 2-song release consists of mid-tempo, gently forlorn hip-hop, padded out with New Age trap gauze. The music is pervaded by an all-embracing sonic fog. Absolute Doubt is best when he is pitted against gently fibrillating

Lynne Taylor Donovan: “I Don’t Wanna Mention Any Names” – an emotionally resonant song

Lynne Taylor Donovan has never sounded better. Nothing on her latest track “I Don’t Wanna Mention Any Names”, sounds like anything on top 40 country or pop radio – and that’s a beautiful thing. Donovan is the kind of artist who grows and expands her creative wings with each release, and this is no exception. I don’t know which to rave about more: her voice, her words, or the music. It all comes together in pure country, blues and jazz artistry.

I knew I would love this track before even hearing it, as my experiences with Donovan’s music has its own little history, but I didn’t necessarily expect to be so impressed. This review cannot possibly do “I Don’t Wanna Mention Any Names” justice. You really need to hear it for yourself.

The pain of a broken heart has long existed at the root of country music. For decades it seemed to be the central theme of nearly any great country song, making the genre a hillbilly cousin of the blues.

And while love and loss has found its way into all manner of popular music over the last half century or so, it’s presence within country music has somewhat lessened in favor of a particular lifestyle aesthetic. Packaged and presented to consumers as the commodity it now is, modern country music has lost much of the soul it once possessed.

That having been said, there are still plenty of artists operating under the country banner carrying the traditionalist torch, and incorporating modernist touches in the instrumentation and production. Lynne Taylor Donovan is one of these.

Eschewing pop tropes she has created a relatable, emotionally resonant song at once specific and universally thematically relevant. Being able to see something yourself within a given song helps ensure its longevity and transcendence of passing fads. How many of us have been through high school reunions with tons of nostalgic memories dealing with love’s gained and lost weighing down proceedings?

“I Don’t Wanna Mention Any Names” tackles the high school reunion syndrome rather brilliantly, whereby Donovan brings all the brokenhearted clichés to the table.  Full of heartbreak and hope in seemingly equal measure, the track shows Lynne Taylor Donovan coming full circle, having worked her way through the emotional tumult – real or imagined – and coming out the other side with a quality song. “I Don’t Wanna Mention Any Names” is a beautifully crafted song where not a melody-line or word is wasted.

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