Lee Lee Lanea: “Basswhipped” resonates gloriously

Beats aren’t gendered. So why are we still in the dark ages when it comes to gender equality in the music studio? Women represent less than 5% of music producers and engineers. Yes, the music industry—like every industry on this patriarchal planet—is sexist. That is not news. But this means we’re missing out on a whole world of sounds, stories, and perspectives. Our culture has systematically ingrained this idea that technology is more of a man’s thing. Then of course there’s the fact that most men get freaked out when women do things better than them or even as good

Nothing But You, Nicky has released her latest single on Phoenix Records

American singer Nicky has released her latest single on Phoenix Records. Her much anticipated single entitled, “ON MY OWN,” is available via all digital channels as of now. The single was composed by Multi-award winning composer Emine Sari, produced by Cihat Atlig, with vocal production and engineering by Multi-platinum winning engineer Joel Evenden. “ON MY OWN” showcases Nicky’s strength, both vocally and emotionally, as she performs her bold, unapologetic lyrics. She uses her music to tell stories and to capture the true emotion behind the music. Inspired by artists such as Ella Fitzgerald and Whitney Houston, Nicky also draws influences

DownTown Mystic: “On E STREET” is filled with exceptional music!

Sha-La Music, Inc. announces the release of On E Street, a 4 song EP by US Rocker DownTown Mystic on UK Label Nub Music. The EP’s release date is December 1 and will be digitally distributed via ADA/Warner Music. The EP features rare studio performances by the Rock’n’Roll Hall of Fame rhythm section from Bruce Springsteen’s legendary E Street Band – drummer “Mighty” Max Weinberg & bassist Garry Tallent. Despite having played with Springsteen for over 40 years and studio work for various artists, Max & Garry have only played together on the same session for only a few artists. This puts DownTown Mystic in some very exclusive company. DownTown Mystic started as the alter ego of

Mobb Boss: “Lil Lady” – the depth, perspective and hunger of a performer

Being respected, revered and admired as an emcee is what often elevates a rapper from being one who merely strings together words that rhyme into an appreciated lyricist of the highest order. However, while there are a long string of spitters and scribes that have come along, the elite few who have found themselves mentioned in conversations and debates when discussing quality artists, have one thing in common: a track record of consistently delivering music that make the most of their lyrical abilities and serve as a piece of themselves. When speaking of today’s pack of underground orators, Mobb Boss

“All Your Bull” – A Politically motivated song from The Chile Colorado band

Rock band Chile Colorado’s debut album’s success at Rock Radio was a headline on the Newswire Jumbotron in Times Square, Manhattan, New York, across the street from the Hard Rock Cafe this month. The Chile Colorado band is next scheduled to release the digital single “Getting Restless” to Active Rock and Mainstream Rock Radio from the new self-titled album after having achieved 100 College Radio stations “Adding” the set for airplay. The ‘Chile Colorado’ album features Ron Wright, songwriter, lead guitar, and vocalist, with Paul Goss on bass & background vocals, and John Ferraro on drums. All three are veteran

Pastor Peter Unger Releases New Single “The Memories of God”

NASHVILLE, TENNESSEE, USA — Peter wrote this song for the older people, who he had the honor and privilege of ministering to over many years. Pete explained that many had a humble, kind, and appreciative dignity; qualities born of a long life shaped by faith and wisdom. Most were to experience the debilitating effects of age, including mental decline and dementia. During visits he struggled and prayed with them through the inevitable spiritual and emotional valleys of such a decline. He further explained that those, for whom faith and a personal relationship with God most defined what it meant to

King Draper: “1992” – simplistic in its premise but unquestionably real in its execution

You can’t write about underground or independent hip-hop and not write about King Draper. Or at least I seemingly can’t. For the past couple years the man’s been a nearly constant presence in my journalistic exploits. And now, I’m sitting down again to review his latest 11 track project, “1992”.  The King hits me with dope music and I write about it, and I’m more than happy with the arrangement. If you’ve peeped any of King Draper’s projects before, what you get from this project won’t surprise you. Draper with his soulful, jazzy, production and his smart anecdotes detailing tales

Edgler Vess: “Violet” – essential to your hip-hop collection

Every album that Edgler Vess releases, breathes with a distinct personality, each a shape-shifting assemblage of personage and programming that sounds more like a kind of miraculous hyperlinked sound collage than rap. His lyrical feats go unmatched for sheer idiosyncrasy and insight; beyond rap enthusiasts, many of his strongest supporters are probably writers and music heads. A master of the microphone and the beats, Vess has constantly swapped out his tools and themes, avoiding revision and instead choosing innovation. When Edgler Vess does what he does, he’s impossible to ignore. He’s profound, he’s impressive, and he’s damn entertaining. In short,

J-Hamz: “I Stack Up Remixes” – breaking free from the formulaic!

A medical doctor by day, J-Hamz is a classically trained pianist who produces electronic by night. J-Hamz has been featured in various music magazines and radio stations. His “I Stack Up” track was a Beatport Staff Pick as well as charting in the top ten electro house and big room charts. The EP “I’d Do Anything” also charted on Beatport and has received airplay on over a 100 college FM radio stations. J-Hamz together with Jaculator also received a nomination for the 2017 Edmonton Music Awards’ as DJ/Electronic Recording of the Year for the aforementioned EP. In his 6th release,

Reverse Mechanic: “Cruise Control” – The lyrical skill, the tempo changes, the technique, all of it!

Reverse Mechanic is a completely independent hip hop artist breakin’ it down in Minneapolis, MN. As a former published poet with a Bachelor’s in creative writing, he has been doing the reverse limbo, raising the bar for lyricists since 2012. His recent music videos on YouTube have helped him gain notoriety, winning several Artists and Repertoire Awards from Beat100, as well as entertaining fans throughout the year. Reverse Mechanic’s latest album “The Mixed Ape”, which has been in the works for a while, is almost set for release. In the meantime he has dropped a new single, “Cruise Control” (Co-Prod.

Shadow Puppet Theatre: “Nightvision” – maturity and willingness to experiment musically

Shadow Puppet Theatre (SPT) is a rock band from Kuala Lumpur, Malaysia, established since April 2016. The Band members consist of a group of friends with different musical backgrounds but a common love for rock music. Any hype on behalf of this band is warranted as their EP “Nightvision”, is a thoroughly recommended debut which contains excellent songwriting, strangely charming vocals and very good musicianship which will have you rocking, tapping your toes and singing along.

As if to hammer the point home, the opening track, ‘Insomnified’, is an absolutely cracking opener. Immediately hooky, the first minute showcases impressive instrumentation as well as effective vocals. Structurally, the song is better for its soaring chorus and brief soloing bridge.

Yet things get even better when another EP highlight ‘Wise Man’ rollicks along next. An mid-tempo cut that includes great bass-playing, passionate drumming and effective guitar-work, this track sees the band at their grungy best as dirty hooks frequent the song.

Musically, the rhythm section of the band is astonishingly good. Drummer Chris has had formal training and bassist Chip was the last man to jump onboard. The bass drives many of the tracks efficiently and is mixed perfectly, while it is clear to see Chris puts in his all behind the kit. Elsewhere, Dzul and Yazzer’s guitar-work combine well as a team, to lift the whole unit to a totally outstanding level. Out front, Dzul is one of those vocalists that simply creates magic with his all-embracing range. The track ‘Pink Panther’ at the mid-point of the EP is the perfect example of this.

Despite the seeming adherence to a tried and tested method, what really stands out here is the maturity and willingness to experiment musically. “Mystery Girl” is a laid-back psychedelic wig-out, while “Bonita” is an angular and ominous reggae-styled ballad that ends proceedings nicely.

This is perhaps proof that there are no egos allowed on board Shadow Puppet Theatre and shows a positive attitude; if there is something that can be reworked or made better, then don’t hold back. Commendations should be paid towards the group as musicians too. There is a sweet strand of diversity, subtle or otherwise, permeating the record and points towards the coming together of comfort and talent.

Something’s been missing lately from rock n’ roll music lately – namely smart, quality music made with guitars, drums, bass and vocals. Everything is pop and robot voices these days, which is fine but bands that play rock music are increasingly rare. I’m glad to report, that “Nightvision” is a solid rock n’ roll recording, front to back. It’s both raw and refined at the same time somehow without being overproduced.

The catchy radio songs that first get your attention slowly unfold to showcase more complex progressions and lyrical depth. The recording engineer and producer also need to be hugged endlessly for providing these sounds. So just pop it in and let it play. While listening to Shadow Puppet Theatre, you’ll likely realize that this is a band that is fine-tuning its skill set and using all of the tricks they’ve learned so far to create some wonderful music.

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