Tisabel: “GENRE HOPPING” bristles with energy and artistic audacity

Longtime Musical director and vocalist Tony Isabel aka Tisabel boasts an unprecedented skill set. He writes, arranges, sings, plays, and performs. He busts taboos, flashes unstoppable ambition, blends genres together like paint. Soulful ballads and funky grooves, ambient new age soundscapes, Hip-hop fantasy, and divine EDM devotion. For these qualities alone, he deserves respect. However, as you know, respect is also kind of a bullshit concept. Your favorite songs may not grace anyone else’s mixes; your favorite artists may not have ever left town. A century of recorded music has given us a galaxy of worthy tunes. But the gravitational

Lee Lee Lanea: “Basswhipped” resonates gloriously

Beats aren’t gendered. So why are we still in the dark ages when it comes to gender equality in the music studio? Women represent less than 5% of music producers and engineers. Yes, the music industry—like every industry on this patriarchal planet—is sexist. That is not news. But this means we’re missing out on a whole world of sounds, stories, and perspectives. Our culture has systematically ingrained this idea that technology is more of a man’s thing. Then of course there’s the fact that most men get freaked out when women do things better than them or even as good

Nothing But You, Nicky has released her latest single on Phoenix Records

American singer Nicky has released her latest single on Phoenix Records. Her much anticipated single entitled, “ON MY OWN,” is available via all digital channels as of now. The single was composed by Multi-award winning composer Emine Sari, produced by Cihat Atlig, with vocal production and engineering by Multi-platinum winning engineer Joel Evenden. “ON MY OWN” showcases Nicky’s strength, both vocally and emotionally, as she performs her bold, unapologetic lyrics. She uses her music to tell stories and to capture the true emotion behind the music. Inspired by artists such as Ella Fitzgerald and Whitney Houston, Nicky also draws influences

DownTown Mystic: “On E STREET” is filled with exceptional music!

Sha-La Music, Inc. announces the release of On E Street, a 4 song EP by US Rocker DownTown Mystic on UK Label Nub Music. The EP’s release date is December 1 and will be digitally distributed via ADA/Warner Music. The EP features rare studio performances by the Rock’n’Roll Hall of Fame rhythm section from Bruce Springsteen’s legendary E Street Band – drummer “Mighty” Max Weinberg & bassist Garry Tallent. Despite having played with Springsteen for over 40 years and studio work for various artists, Max & Garry have only played together on the same session for only a few artists. This puts DownTown Mystic in some very exclusive company. DownTown Mystic started as the alter ego of

Mobb Boss: “Lil Lady” – the depth, perspective and hunger of a performer

Being respected, revered and admired as an emcee is what often elevates a rapper from being one who merely strings together words that rhyme into an appreciated lyricist of the highest order. However, while there are a long string of spitters and scribes that have come along, the elite few who have found themselves mentioned in conversations and debates when discussing quality artists, have one thing in common: a track record of consistently delivering music that make the most of their lyrical abilities and serve as a piece of themselves. When speaking of today’s pack of underground orators, Mobb Boss

“All Your Bull” – A Politically motivated song from The Chile Colorado band

Rock band Chile Colorado’s debut album’s success at Rock Radio was a headline on the Newswire Jumbotron in Times Square, Manhattan, New York, across the street from the Hard Rock Cafe this month. The Chile Colorado band is next scheduled to release the digital single “Getting Restless” to Active Rock and Mainstream Rock Radio from the new self-titled album after having achieved 100 College Radio stations “Adding” the set for airplay. The ‘Chile Colorado’ album features Ron Wright, songwriter, lead guitar, and vocalist, with Paul Goss on bass & background vocals, and John Ferraro on drums. All three are veteran

Pastor Peter Unger Releases New Single “The Memories of God”

NASHVILLE, TENNESSEE, USA — Peter wrote this song for the older people, who he had the honor and privilege of ministering to over many years. Pete explained that many had a humble, kind, and appreciative dignity; qualities born of a long life shaped by faith and wisdom. Most were to experience the debilitating effects of age, including mental decline and dementia. During visits he struggled and prayed with them through the inevitable spiritual and emotional valleys of such a decline. He further explained that those, for whom faith and a personal relationship with God most defined what it meant to

King Draper: “1992” – simplistic in its premise but unquestionably real in its execution

You can’t write about underground or independent hip-hop and not write about King Draper. Or at least I seemingly can’t. For the past couple years the man’s been a nearly constant presence in my journalistic exploits. And now, I’m sitting down again to review his latest 11 track project, “1992”.  The King hits me with dope music and I write about it, and I’m more than happy with the arrangement. If you’ve peeped any of King Draper’s projects before, what you get from this project won’t surprise you. Draper with his soulful, jazzy, production and his smart anecdotes detailing tales

Edgler Vess: “Violet” – essential to your hip-hop collection

Every album that Edgler Vess releases, breathes with a distinct personality, each a shape-shifting assemblage of personage and programming that sounds more like a kind of miraculous hyperlinked sound collage than rap. His lyrical feats go unmatched for sheer idiosyncrasy and insight; beyond rap enthusiasts, many of his strongest supporters are probably writers and music heads. A master of the microphone and the beats, Vess has constantly swapped out his tools and themes, avoiding revision and instead choosing innovation. When Edgler Vess does what he does, he’s impossible to ignore. He’s profound, he’s impressive, and he’s damn entertaining. In short,

J-Hamz: “I Stack Up Remixes” – breaking free from the formulaic!

A medical doctor by day, J-Hamz is a classically trained pianist who produces electronic by night. J-Hamz has been featured in various music magazines and radio stations. His “I Stack Up” track was a Beatport Staff Pick as well as charting in the top ten electro house and big room charts. The EP “I’d Do Anything” also charted on Beatport and has received airplay on over a 100 college FM radio stations. J-Hamz together with Jaculator also received a nomination for the 2017 Edmonton Music Awards’ as DJ/Electronic Recording of the Year for the aforementioned EP. In his 6th release,

A Little Bit Country: ‘Whiskey & Wine’ – true lyricists and storytellers

A Little Bit Country launched their debut album ‘Whiskey & Wine’ to eager fans at The Aristocrat in Aylesbury on May 28th 2017, but they had already initiated their journey in 2011. Harriet Stewart, a British born singer and fan of country music wanted to write a song for her EP that not only showed the female side of a break up but that included a male perspective too. Her producer Steve Richmond knew just the man, so enlisted the help of his friend and business colleague Paul Adams, a Texas born singer/songwriter, with a very English upbringing. The three locked themselves away in the garden home of SummerHouse Studios in Aylesbury and began writing.

In the meantime Harriet also had to attend university, but on her return in 2014 the duo began playing live venues, including the world famous Pinewood Studios. A Little Bit Country released their debut single, ‘Come To The Crossroads’ in 2015, and then followed that up with another single in 2016 entitled ‘Shot At Loving You’, while they continued working on more songs for their intended album. That album has now arrived in the form of “Whiskey and Wine”, as A Little Bit Country continues working to break down the barriers and the stigma attached to the Country genre in the UK.

Regardless of how they came together, though, ALBC’s first album is wide-ranging, full of confidence, and mostly an emotional ride. Right from the upbeat opening track “Come To The Crossroads”, A Little Bit Country’s music is bursting with personality and originality.

You can hear that they are true lyricists and storytellers, and their music reflects all the elements you wish to hear on a country record. The duo combines a blend of experience, musicality, harmonies and ear-catching melodies to serenade you through the positive and negative emotional sagas of love and life.  “Walk On By” captures the emotions left behind from a relationship that has reached its bitter end, but like every memorable song, there are twists.

When ALBC are exploring more diverse territory, they’re just as interesting as when their songs sit in the mainstream country pocket. This happens on the acoustic driven, almost pop-rock crossover “Back On The Road” tinged with Paul’s gritty voice. One of the best tracks on the album has to be the heartfelt duet “As Far As I Can See”, where both Paul and Harriet give sterling vocal performances that fit like glove to hand.

The album has been produced in a way that accentuates the qualities of the music, simplistically, allowing the duo to showcase what they do best – write, sing and play. So when everything is cut back to a gentle comfort zone you can fully savor Harriet’s haunting voice on the exquisite “Barely Sleeping”.

Although there are moments of grit on the record, like “Hell Of  A Ride” and the energetic “Trouble”, such snatches of rawness are complemented by the slick, polished sound and the acoustic textures. Almost every moment of powerfully emotive darkness is followed by a moment of hopeful light.

Take for example, “Be Weak”, a song that boasts emotive lyrics, a strong spiritual element and another set of delicious and restrained vocal performances by the duo which is truly impressive.

“Whiskey and Wine” comes off as an album that effectively sits in the middle of Country, yet it could be at the intersection of several genres. In a country market that has room for Eric Church on the one hand and Sugarland on the other, A Little Bit Country is theoretically in the mainstream core.

They could also find success in the smaller roots arenas, or they could just as easily fall through the cracks. But from strictly a musical standpoint, this is a strong debut record that still shows room for growth and maturation in A Little Bit Country’s future.

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