Emmanuel Dalmas & Kirby Howarth: “This Is Love That I’m Feeling” – a song with a country bent

Emmanuel Dalmas a company founder and high level executive in the scientific industry from the South West of France, also moonlights as a multi-genre music composer. Dalmas has been steadily building his music catalog since kicking things off in 2016 from his home studio. He produces instrumental and vocal tracks, engaging talented male and female voices to complete his projects, which in turn are made available for both commercial and non-commercial use. Emmanuel Dalmas recently dropped his latest single, “This Is Love That I’m Feeling”, done in collaboration with Kirby Howarth, who added the vocals and lyrics to Dalmas’ music and

Armonite: “And The Stars Above” – complex, vibrant sonic landscapes

May 2018 saw the release of the new album, “And The Stars Above”, by Italian progressive rock band, Armonite, featuring violinist Jacopo Bigi and keyboardist Paolo Fosso. The album also includes a guest appearance by Porcupine Tree’s bassist, Colin Edwin. Composer Fosso and violinist Bigi are classical musicians who through their teenage years, joined local bands, playing a variety of genres and artists, from the Beatles to Dream Theater. At the end of the ’90s, while still in college, they would play in a band called Armonite. They released an album in 1999, performed a few dates live, and then

MVJOR ARCVNA: “The Last Word in Love”- a master of layers and sequenced progression

Jaron Pearlman aka MVJOR ARCVNA, is an audio engineer, backing musician, and songwriter who grew up in Asheville NC, and is now based in Atlanta GA. Over the years he has toured and recorded with a wide range of artists, including The Indigo Girls, The Shadowboxers, Amor Kismet, Mercury Jackson and more. MVJOR ARCVNA is revered by many critics – and certainly by us – as one of the most quintessential independent producers currently around, standing almost alone in his ability to mix catchy crossover EDM-Pop sounds with complex rock-styled songwriting, and igniting the electronic underground in a truly unprecedented fashion.

DJ Mizzy: “Prost” – gorgeously phrased synth lines, and subtly floating aural overtones

Boasting a sound that goes from his favored deep house grooves to hip-hop, DJ Mizzy, born Claudel Larose, is an international DJ and producer raised just outside of New York. Inspired by artists such as Sander van Doorn, DJ Yonny, and Avicii, Mizzy has a strong passion for his work. Throughout his 18 years of DJing, Mizzy has traveled all over the world to perform, using the original Technic SL1200 turntable as his prime tool. His latest endeavor is “Prost”, a German influenced track with a melodic tone, incorporating a subtle Caribbean flair. DJ Mizzy’s melodies are emotionally evocative and

Boy Leadfoot: “Turn-Buckle” – wholeheartedly playing to their strengths and sounding great while doing it

Max Gordon with Boy Leadfoot is a three-piece blues-based, alternative soul and rock project, from Vancouver Island, Canada. Their latest release, the EP “Turn-Buckle” is a breath of fresh air compared to the pop dribble permeating the American music scene right now. This is the type of musical project that will carve out a steady cult following and attract a good deal of critical acclaim. All three members are very professional and innovative musicians, and musicians of any sort will gobble up all kinds of licks, tones and spices from this release. The EP resides in the nebulous nexus of

Juan Donovan: “Merlot & Marijuana” – a brilliant compendium of styles and luxurious production

As one half of the production duo Darkroom Productions, Juan Donovan has produced with his partner Jamal Roberts some of today’s hottest artists. That list includes R Kelly, Wale, Young Money, Maino, JellyRoll, 24Hrs (Royce Rizzy), Brick Squad, G-Unit, Bad Boy, and more. The duo also won multiple awards for its phenomenal work on HBO’s classic hit series “The Wire”, which garnered them featured in major publications such as FADER, The New York Times, VIBE, and dozens more. It’s not surprising then that Juan Donovan would want to drop a record that’s as much a personal statement as a collection

American Spirits: “Nowhere Near Perfect” – at their most musically and lyrically ambitious

Since being launched in 2017, Bowling Green, Ohio, Indie Rock band, American Spirits, have also founded The Summit Shack, a local DIY venue that has hosted over 25 bands since its inception in the same year. 2018 saw the four piece band release their album “Nowhere Near Perfect”. This recording will grip you by the neck and slam you into the ground. It’s simply one of the most listenable Emo albums you would have heard in a while. You could play the whole thing through without getting bored, probably every day if you wanted to. The music is catchy. The

Internationally Acclaimed Contemporary Jazz Band Drivetime Drops Elegant New Single “Mysterious Life”

 Song is the Lead Single and Title Track of their Latest Album Single Follows their Billboard Jazz #1 Most Added song “Whispers”  Single Marks Band’s relaunch Via Red Hot New The Sound of Los Angeles (TSOLA) Records  (Los Angeles – The Sound of Los Angeles (TSOLA) Records is proud to announce the release of a new single, “Mysterious Life,” by Jazz Fusion torchbearers Drivetime. This Michael B. Sutton production is enriched with sensual soprano saxophone, spacy synths, pulsating drums and percussion, deep pocket bass and enigmatic electric guitar, “Mysterious Life” – the title track of the band’s eight and latest

d’Z: “Connected” – dazzling musical arrangements and a super-tight rhythm section

Hans-Peter de Zeeuw a.k.a. d’Z is a Dutch drummer and composer in the soul, jazz and funk genres. Born to a conservative family in Rotterdam, the life of d’Z changed at the age of nine when he took his first drum lesson. He knew he was destined to be a drummer. By 19, d’Z attended the largest conservatory for pop, jazz and world music in Europe, being taught by leading musicians of the Netherlands. It wasn’t long before d’Z was a sought-after drummer, but he attended the summer of 2016 before turning his attentions to recording. d’Z handpicked his favorite

SUMMY: “Sus” – ready to reach through the stratosphere for stardom

SUMMY is a US-based pop singer who captured the attention of audiences and the music industry with a viral video. SUMMY’s cover of “Issues” by Julia Michaels landed her a spot on MTV’s Cover of the Month and was watched by over half a million music enthusiasts all over the world. These viewers included award-winning producers, and Lady Gaga, who retweeted the video. After her runaway success, SUMMY focused on producing original work. Her current single “Sus” is available now. A music video and album are in the works, and SUMMY is looking ahead to announcing a tour in the

POOL MOON ELEPHANT: “FLUKY ISLAND” – a relentless appetite for new music

Released June 21 via the Symphonic Distribution label, “FLUKY ISLAND” is the brand new 5-track EP from electronic duo POOL MOON ELEPHANT. A storming journey through various rhythmic styles, combining the duo’s skills to create imaginative feel-good moments, the EP spearheads a new wave of indie dance electro-inspired tracks while embracing the love for warm synths, sparkling heights, gentle electric textures and deep drums. POOL MOON ELEPHANT is the moniker under which the Swiss electronic music duo composed of Riccardo Studer and Ivan Nurchis, undertake their creative journey through the electronic world of music and animation. Both have double-decade experiences in audio-visuals, and working for film and TV productions.

There is no doubt that with their recent string of releases, POOL MOON ELEPHANT is branching out as the winds of dance music change direction. This isn’t a place of noise and found sounds, this new EP is a place of understated, creative energy and blissful sonic happiness.

Right from the opening house track, “Ajendrez Club”, gentle washes of sound builds through the tracks and high pitched notes are picked out over undulating basslines; this is deep and melodic, built for big rooms and beach-front bars.

Gradually things get a touch chunkier, with tracks like “Island’s Eye” featuring thumping, rolling basslines and competing percussion lurking just below the surface. The electro house tune that follows – “Innercosmic Safari” carries along in the same vein, hitting a pumping bass and drum groove and sticking to it.

 There’s a classic house hi-hat and snare ticking away at the top of the register, pulling your arms and shoulders up to dance with it, while your feet and hips feel compelled to follow the low-slung bass right down to the floor.

A few tracks develop an edge, a minor-key tension, as they circle around themselves, but there is no rawness here. Every tune is as smooth as the mixing, no room for raucous brutality or acid techno-style hectic-ness. If you let yourself go with it, these tunes are good enough to draw you in and up to their euphoric state. It’s a sound that transports you to dance-floors full of smiles rather than the usual screw faces and that is not a bad thing.

POOL MOON ELEPHANT spin expansive, thinking people’s electronic music, as on the downtempo “Intemporal”. But there’s plenty of rhythm and melody to satisfy casual club-goers as well. There’s a hint of trance on “Egofriendly”, and POOL MOON ELEPHANT handles it all deftly, never pandering.

There’s nary a dud among this collection of tracks, but the sweeping nu-disco number, “Island’s Eye” might be the highlight of a very strong set. The overall vibe of the “FLUKY ISLAND” EP is rhythmic and elegantly chill, yes. But has POOL MOON ELEPHANT gone soft? Hardly! Their sound has just become sweeter on the ear.

Simply put, hype fades and substance endures. POOL MOON ELEPHANT are equally skilled at arranging and layering downtempo pieces as well as mixing club cuts. These consistently savory sonic collages are at once deeply personal and yet quite forward thinking with warm, lush textures brushing up against emotive, melodic house and trance – truly something to behold.

POOL MOON ELEPHANT’s relentless appetite for new music injected this set with new sounds and with them, a profound sense of vitality and constant evolution.  Their sonic diversity and range ensures that each performance on “FLUKY ISLAND” is a unique, lightning-in-a-bottle listening experience.

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