Tisabel: “GENRE HOPPING” bristles with energy and artistic audacity

Longtime Musical director and vocalist Tony Isabel aka Tisabel boasts an unprecedented skill set. He writes, arranges, sings, plays, and performs. He busts taboos, flashes unstoppable ambition, blends genres together like paint. Soulful ballads and funky grooves, ambient new age soundscapes, Hip-hop fantasy, and divine EDM devotion. For these qualities alone, he deserves respect. However, as you know, respect is also kind of a bullshit concept. Your favorite songs may not grace anyone else’s mixes; your favorite artists may not have ever left town. A century of recorded music has given us a galaxy of worthy tunes. But the gravitational

Lee Lee Lanea: “Basswhipped” resonates gloriously

Beats aren’t gendered. So why are we still in the dark ages when it comes to gender equality in the music studio? Women represent less than 5% of music producers and engineers. Yes, the music industry—like every industry on this patriarchal planet—is sexist. That is not news. But this means we’re missing out on a whole world of sounds, stories, and perspectives. Our culture has systematically ingrained this idea that technology is more of a man’s thing. Then of course there’s the fact that most men get freaked out when women do things better than them or even as good

Nothing But You, Nicky has released her latest single on Phoenix Records

American singer Nicky has released her latest single on Phoenix Records. Her much anticipated single entitled, “ON MY OWN,” is available via all digital channels as of now. The single was composed by Multi-award winning composer Emine Sari, produced by Cihat Atlig, with vocal production and engineering by Multi-platinum winning engineer Joel Evenden. “ON MY OWN” showcases Nicky’s strength, both vocally and emotionally, as she performs her bold, unapologetic lyrics. She uses her music to tell stories and to capture the true emotion behind the music. Inspired by artists such as Ella Fitzgerald and Whitney Houston, Nicky also draws influences

DownTown Mystic: “On E STREET” is filled with exceptional music!

Sha-La Music, Inc. announces the release of On E Street, a 4 song EP by US Rocker DownTown Mystic on UK Label Nub Music. The EP’s release date is December 1 and will be digitally distributed via ADA/Warner Music. The EP features rare studio performances by the Rock’n’Roll Hall of Fame rhythm section from Bruce Springsteen’s legendary E Street Band – drummer “Mighty” Max Weinberg & bassist Garry Tallent. Despite having played with Springsteen for over 40 years and studio work for various artists, Max & Garry have only played together on the same session for only a few artists. This puts DownTown Mystic in some very exclusive company. DownTown Mystic started as the alter ego of

Mobb Boss: “Lil Lady” – the depth, perspective and hunger of a performer

Being respected, revered and admired as an emcee is what often elevates a rapper from being one who merely strings together words that rhyme into an appreciated lyricist of the highest order. However, while there are a long string of spitters and scribes that have come along, the elite few who have found themselves mentioned in conversations and debates when discussing quality artists, have one thing in common: a track record of consistently delivering music that make the most of their lyrical abilities and serve as a piece of themselves. When speaking of today’s pack of underground orators, Mobb Boss

“All Your Bull” – A Politically motivated song from The Chile Colorado band

Rock band Chile Colorado’s debut album’s success at Rock Radio was a headline on the Newswire Jumbotron in Times Square, Manhattan, New York, across the street from the Hard Rock Cafe this month. The Chile Colorado band is next scheduled to release the digital single “Getting Restless” to Active Rock and Mainstream Rock Radio from the new self-titled album after having achieved 100 College Radio stations “Adding” the set for airplay. The ‘Chile Colorado’ album features Ron Wright, songwriter, lead guitar, and vocalist, with Paul Goss on bass & background vocals, and John Ferraro on drums. All three are veteran

Pastor Peter Unger Releases New Single “The Memories of God”

NASHVILLE, TENNESSEE, USA — Peter wrote this song for the older people, who he had the honor and privilege of ministering to over many years. Pete explained that many had a humble, kind, and appreciative dignity; qualities born of a long life shaped by faith and wisdom. Most were to experience the debilitating effects of age, including mental decline and dementia. During visits he struggled and prayed with them through the inevitable spiritual and emotional valleys of such a decline. He further explained that those, for whom faith and a personal relationship with God most defined what it meant to

King Draper: “1992” – simplistic in its premise but unquestionably real in its execution

You can’t write about underground or independent hip-hop and not write about King Draper. Or at least I seemingly can’t. For the past couple years the man’s been a nearly constant presence in my journalistic exploits. And now, I’m sitting down again to review his latest 11 track project, “1992”.  The King hits me with dope music and I write about it, and I’m more than happy with the arrangement. If you’ve peeped any of King Draper’s projects before, what you get from this project won’t surprise you. Draper with his soulful, jazzy, production and his smart anecdotes detailing tales

Edgler Vess: “Violet” – essential to your hip-hop collection

Every album that Edgler Vess releases, breathes with a distinct personality, each a shape-shifting assemblage of personage and programming that sounds more like a kind of miraculous hyperlinked sound collage than rap. His lyrical feats go unmatched for sheer idiosyncrasy and insight; beyond rap enthusiasts, many of his strongest supporters are probably writers and music heads. A master of the microphone and the beats, Vess has constantly swapped out his tools and themes, avoiding revision and instead choosing innovation. When Edgler Vess does what he does, he’s impossible to ignore. He’s profound, he’s impressive, and he’s damn entertaining. In short,

J-Hamz: “I Stack Up Remixes” – breaking free from the formulaic!

A medical doctor by day, J-Hamz is a classically trained pianist who produces electronic by night. J-Hamz has been featured in various music magazines and radio stations. His “I Stack Up” track was a Beatport Staff Pick as well as charting in the top ten electro house and big room charts. The EP “I’d Do Anything” also charted on Beatport and has received airplay on over a 100 college FM radio stations. J-Hamz together with Jaculator also received a nomination for the 2017 Edmonton Music Awards’ as DJ/Electronic Recording of the Year for the aforementioned EP. In his 6th release,

Steady Work: “Identity Theft” – full of sonic gems!

Dallas Schwake aka Steady Work, is an independent music artist based out of Colorado Springs, CO. Originally a Mississippi Native, Dallas moved to Colorado in 2012 where he attended the United States Air Force Academy. Instead of continuing a career in the military, Dallas – a multi-instrumentalist – voluntarily left the service towards the end of 2013. For the past few years, he has worked in several different industries and positions while simultaneously honing his music abilities in order to support his dream, his wife, and his son. This month sees the release of Steady Work’s debut album entitled, “Identity Theft”.

Previous attempts to blend hip-hop, country, rock and blues have ranged from good, to amusing, to corny, and just downright embarrassing – and I won’t mention names, but now someone has finally done it right. There’s nothing gimmicky about Steady Work’s debut album; he’s blending genres not to be cute but to serve the fistful of terrific songs he’s written.

Steady Work also defies the biggest taboo in rap by dropping the macho pose to acknowledge any personal errors, issues or weaknesses. He gets away with it because he never whines and always accepts his share of the blame. He is also not afraid to share his religious beliefs and the strength of his faith and how this helps him overcome any difficulties.

In today’s many well-defined fields of music, only seldom someone comes around to create something that can claim to put a new style breaking twist on things. And that’s not even discoverifullng new areas, but just managing to stray away from the same old ones.

With “Identity Theft”, Steady Work creates an effort like that, as he combines Americana and Rock with a Hip hop point of view, touching the preaching and introspective, to provoke the listener with glimpses into situations that people usually hide behind blinds.

One hell of a lyricist, an incredible singer and a rapper to boot, Steady Work is a powerful songwriter and an even better storyteller, one capable of evoking an emotional response at each and every turn. This is a real life record, one that reflects the trials and tribulations we all may face along the pathway of our lives. Plain and simple, the lyrics, the words, and the thoughts heard throughout these tracks, are relatable.

“Identity Theft” is an under-the-radar record that you’re much better off experiencing rather than simply reading about. No matter from which end of the album you start the change in style and feel from track to track is radical. From the lush Americana, acoustic-driven track “So Much More”, to the deep, dark and edgy bass booming rap-rock of “Dazed For Daze”, and the throbbing percussive hip-hop themed verses of “Hold The Line”, Steady Work lays his full throttle powerful gravelly vocals out for all to hear.

His singing soars and emotes with the same visceral energy he rhymes through the rap verses. There is hardly a notable difference between his ability to execute one or the other form of perpetuating his storytelling lyrics.

When it comes to forging sonic gems containing strong melodies, smooth rapping and powerful singing, the album standouts for me, besides the aforementioned tracks, have to be: “Identity Theft”, “Never Had Much”, “Full Spectrum” and “To You”, with a toss up for the absolute album diamond, between “Hold The Line” and “Dazed For Daze” – easily among the best songs of any genre I have heard all year so far.

These days, with so much bad music constantly being shoved in our face, it’s suffocating. Steady Work brings a breath of fresh air with “Identity Theft”. It’s one of those albums you can actually listen to all the way through…without even worrying about genres, they’re all inside here!

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