Tisabel: “GENRE HOPPING” bristles with energy and artistic audacity

Longtime Musical director and vocalist Tony Isabel aka Tisabel boasts an unprecedented skill set. He writes, arranges, sings, plays, and performs. He busts taboos, flashes unstoppable ambition, blends genres together like paint. Soulful ballads and funky grooves, ambient new age soundscapes, Hip-hop fantasy, and divine EDM devotion. For these qualities alone, he deserves respect. However, as you know, respect is also kind of a bullshit concept. Your favorite songs may not grace anyone else’s mixes; your favorite artists may not have ever left town. A century of recorded music has given us a galaxy of worthy tunes. But the gravitational

Lee Lee Lanea: “Basswhipped” resonates gloriously

Beats aren’t gendered. So why are we still in the dark ages when it comes to gender equality in the music studio? Women represent less than 5% of music producers and engineers. Yes, the music industry—like every industry on this patriarchal planet—is sexist. That is not news. But this means we’re missing out on a whole world of sounds, stories, and perspectives. Our culture has systematically ingrained this idea that technology is more of a man’s thing. Then of course there’s the fact that most men get freaked out when women do things better than them or even as good

Nothing But You, Nicky has released her latest single on Phoenix Records

American singer Nicky has released her latest single on Phoenix Records. Her much anticipated single entitled, “ON MY OWN,” is available via all digital channels as of now. The single was composed by Multi-award winning composer Emine Sari, produced by Cihat Atlig, with vocal production and engineering by Multi-platinum winning engineer Joel Evenden. “ON MY OWN” showcases Nicky’s strength, both vocally and emotionally, as she performs her bold, unapologetic lyrics. She uses her music to tell stories and to capture the true emotion behind the music. Inspired by artists such as Ella Fitzgerald and Whitney Houston, Nicky also draws influences

DownTown Mystic: “On E STREET” is filled with exceptional music!

Sha-La Music, Inc. announces the release of On E Street, a 4 song EP by US Rocker DownTown Mystic on UK Label Nub Music. The EP’s release date is December 1 and will be digitally distributed via ADA/Warner Music. The EP features rare studio performances by the Rock’n’Roll Hall of Fame rhythm section from Bruce Springsteen’s legendary E Street Band – drummer “Mighty” Max Weinberg & bassist Garry Tallent. Despite having played with Springsteen for over 40 years and studio work for various artists, Max & Garry have only played together on the same session for only a few artists. This puts DownTown Mystic in some very exclusive company. DownTown Mystic started as the alter ego of

Mobb Boss: “Lil Lady” – the depth, perspective and hunger of a performer

Being respected, revered and admired as an emcee is what often elevates a rapper from being one who merely strings together words that rhyme into an appreciated lyricist of the highest order. However, while there are a long string of spitters and scribes that have come along, the elite few who have found themselves mentioned in conversations and debates when discussing quality artists, have one thing in common: a track record of consistently delivering music that make the most of their lyrical abilities and serve as a piece of themselves. When speaking of today’s pack of underground orators, Mobb Boss

“All Your Bull” – A Politically motivated song from The Chile Colorado band

Rock band Chile Colorado’s debut album’s success at Rock Radio was a headline on the Newswire Jumbotron in Times Square, Manhattan, New York, across the street from the Hard Rock Cafe this month. The Chile Colorado band is next scheduled to release the digital single “Getting Restless” to Active Rock and Mainstream Rock Radio from the new self-titled album after having achieved 100 College Radio stations “Adding” the set for airplay. The ‘Chile Colorado’ album features Ron Wright, songwriter, lead guitar, and vocalist, with Paul Goss on bass & background vocals, and John Ferraro on drums. All three are veteran

Pastor Peter Unger Releases New Single “The Memories of God”

NASHVILLE, TENNESSEE, USA — Peter wrote this song for the older people, who he had the honor and privilege of ministering to over many years. Pete explained that many had a humble, kind, and appreciative dignity; qualities born of a long life shaped by faith and wisdom. Most were to experience the debilitating effects of age, including mental decline and dementia. During visits he struggled and prayed with them through the inevitable spiritual and emotional valleys of such a decline. He further explained that those, for whom faith and a personal relationship with God most defined what it meant to

King Draper: “1992” – simplistic in its premise but unquestionably real in its execution

You can’t write about underground or independent hip-hop and not write about King Draper. Or at least I seemingly can’t. For the past couple years the man’s been a nearly constant presence in my journalistic exploits. And now, I’m sitting down again to review his latest 11 track project, “1992”.  The King hits me with dope music and I write about it, and I’m more than happy with the arrangement. If you’ve peeped any of King Draper’s projects before, what you get from this project won’t surprise you. Draper with his soulful, jazzy, production and his smart anecdotes detailing tales

Edgler Vess: “Violet” – essential to your hip-hop collection

Every album that Edgler Vess releases, breathes with a distinct personality, each a shape-shifting assemblage of personage and programming that sounds more like a kind of miraculous hyperlinked sound collage than rap. His lyrical feats go unmatched for sheer idiosyncrasy and insight; beyond rap enthusiasts, many of his strongest supporters are probably writers and music heads. A master of the microphone and the beats, Vess has constantly swapped out his tools and themes, avoiding revision and instead choosing innovation. When Edgler Vess does what he does, he’s impossible to ignore. He’s profound, he’s impressive, and he’s damn entertaining. In short,

J-Hamz: “I Stack Up Remixes” – breaking free from the formulaic!

A medical doctor by day, J-Hamz is a classically trained pianist who produces electronic by night. J-Hamz has been featured in various music magazines and radio stations. His “I Stack Up” track was a Beatport Staff Pick as well as charting in the top ten electro house and big room charts. The EP “I’d Do Anything” also charted on Beatport and has received airplay on over a 100 college FM radio stations. J-Hamz together with Jaculator also received a nomination for the 2017 Edmonton Music Awards’ as DJ/Electronic Recording of the Year for the aforementioned EP. In his 6th release,

The Blue Phoenix: “Indigo” -The electronics sear and smolder

Minnesota producer, The Blue Phoenix is no stranger to exploring and infusing various genres of music. His eclectic taste, has led to several diverse albums. Well, 10 albums to be exact. And that’s not a bad average for an 18 year-old – especially if he only started producing seriously since 2013! Fact is, to keep his averages and momentum going The Blue Phoenix has just dropped his latest 8 track album, entitled “Indigo”. The central key is that, rather unsurprisingly, “Indigo” is one of the more purely enjoyable electronic records released by this precocious talent; vital by all means, but even more so considering who the source is.

Its nonstop detonations are proficient without a hint of slightness, melodic with a fair bit of sonic chaos, inventive, inviting and plain old mind-fun. A drum and bass album skirting the seas of EDM, trance, ambient, electro, post-rock, and hammering away and just about any other electronic influence.

It is the sound of The Blue Phoenix, the teen-aged extraterrestrial and his trusted super software shining through. The electronics sear and smolder, beats rumble and slice, and the arrangements work like tightening vices. Music as boundless and overwhelming as this needs a dominant focal point, which “Indigo” has. Flexing soaring synth lines, clever drum manipulations and squalls of bass, these tracks somehow maintain a steadily ascendant trajectory of prominent melody no matter how belligerent the soundscapes get.

The album opens with drums that quickly swarm to pound your inner ear and to send you wobbling, on “Spark”. There is a real menace to every thumping kick drum and snare. That this album turns so many EDM tropes on their head is evident on “Starchild”.

From the very first track bar a complex euphoria announces The Blue Phoenix’s intention to flavor the milk. He grabs about 3 or 4 EDM subgenres and melds them into one. It makes something new out of something tired, something powerful, innovative and undeniably otherwise.

What makes The Blue Phoenix so interesting is that not only is he a talented producer, but he also stands out as a daring, experimental artist. No matter what musical style he is emulating or restructuring, he is always doing so with an open mind. This liberal approach to music makes his albums stimulating and rewarding.

Now don’t get me wrong, “Indigo” is by no means an experimental album, on the contrary, it is very accessible, probably the artist’s most accessible album thus far. It’s just that he mixes disparate and unusual sounds to make pleasantly comfortable tracks such as “What I Couldn’t Say”, or “Memories in Melodies”, for example.

Where The Blue Phoenix captivates, he also mystifies. Some of the album’s most engrossing moments are presented in a sonic enigma, as on “Aurora” or “I Can’t Breathe”. One of the record’s most satisfying moments comes on my favorite track, “Atom”, in which a rich, awe-inspiring electronic sequence gives way to equally powerful drums.

On “Indigo”, The Blue Phoenix musters his numerous abilities and allows his songs to unfold naturally, giving them enough buoyancy to maintain a gratifying, and consistent listening experience.

OFFICIAL LINKS: SOUNDCLOUD – YOUTUBE – BANDCAMP – PATREON

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