New solo artist, Rob Math, releases debut single via Cowboy Records Burbank

Emmy Award winning Production Partners, Inc./Cowboy Records (Burbank) is proud to announce the debut of their recently signed artist, Rob Math. Burbank, CA – Emmy Award winning Production Partners, Inc./Cowboy Records (Burbank) is proud to announce the debut of their recently signed artist, Rob Math. (2018) Rock Godz Hall of Famer, first single, solo artist song, “Burn Out” for digital distribution through CD Baby, coming June 28, 2019. Artist, Rob Math, is most known for his prolific lead electric guitar stylings as a touring member of the ever popular “Peter Beckett’s Player,” (hit song “Baby Come Back”) and heavy metal acclaimed rock

BWH Music Group Presents That Summer, Vol. Two, By Various Artists

You don’t have to go to the beach to hear the best songs this summer.  BWH Music Group’s That Summer, Vol. Two, by Various Artists is the hottest indie release of the year. This extraordinary compilation album features 16 songs by internationally acclaimed and award-winning artists in multiple genres.  The album was digitally released, worldwide, the first day of summer, June 16, 2019. About the Artists: 1. “Locations”-  FSG Rell (feat. Nico DC)  FSG Rell is from a small city-like area called Pottstown, PA located outside Philadelphia. Rell is a rapper, clothing ambassador, and a young entrepreneur.  The 20-year old

Stig Gustu Larsen: “WE” – a combination of exceptional charm

Singer, guitarist and songwriter Stig Gustu Larsen spent the first part of the year as part of the TV show The Voice Norway. After which he found the time to release his latest single “WE”. As usual Stig recorded all the instruments, as well as produced and wrote the song. For the first time he also uses a ukulele as the main instrument. Completed within a few hours, the song was apparently written by accident when Stig tried to entertain his 6 month old daughter with a ukulele. Those who have heard Stig before will know that his voice is

Art Tawanghar: “Buddha Lounge 3 Chill – New Age California” allows for endless open-minded interpretations

Art Tawanghar is a genius when it comes to chill, ambient and New Age influenced music. I have been listening to him for a while, and his music seems to be like eating your favorite gourmet meal, you just can’t get enough. I could easily use his latest album, “Buddha Lounge 3 Chill – New Age California” as a morning meditation, beginning every day with it, to explore the space in my mind that will set a positive tone for the day. Its 7 tracks, contain a story of the promise of the coming age in ethereal, beautiful music that

Harper Starling: “Beso” – the melding of EDM and Latin groove!

Harper Starling is a Los Angeles based singer-songwriter and Billboard recording artist. She has been featured in LA Weekly, Buzzfeed, Billboard Magazine, iHeartRadio, Teen Music Insider, and many other prestigious media outlets. Harper co-wrote her #1 Billboard Dance Club Song hit single “Euphoria”, with Kasia Livingston (Britney Spears, Jessie J, The Pussycat Dolls). The production work was done by The Perry Twins (Rihanna, Beyoncé, Jennifer Lopez). Currently on tour, Harper will be releasing an EP soon which include collaborations with Carlos Battey (Madonna, Justin Bieber, David Guetta) and Steve Daly (Pink, Sia, Charlie Wilson). In the meantime Harper Sterling drops

Tiffani Lewis announces the release of her new single entitled “#Pain”

Tiffani Lewis (The Lady Gaimchng3r) announces the release of her new single entitled #Pain the songstress who is now impacting the music scene and creating a buzz with her beautiful voice and amazing delivery of thought-provoking lyrics. The talented R&B recently announced herself as the acclaimed New Princess of the music world with the release of her new hit single #Pain that has become the toast to the music lovers across the globe. Song Credits: #PAIN Performed by: Tiffani Lewis Written by: Royale Lassai & Patrick Pitts Produced by: Robert Baney & Cary Calvin ISRC#(us8q51800003) OFFICIAL LINKS: WEBSITE – INSTAGRAM

The Unwriters – an anonymous concept ghost band!

The Unwriters is a four piece band from 4 different countries (France, Italy, UK, USA) that launched in 2018. Described as an anonymous concept ghost band, they are made up of Z (Zepop): Songwriter, guitars, lead vocals, Twister (She): Keyboards, piano, vocals, tambourine. Mel: Bass, guitar, vocals and Pat: Drums and percussion. A blues-influenced alternative rock band, The Unwriters work in both analog reel-to-reel tape, and digital systems, often recording together live in the studio. They have released a series of critically acclaimed singles, as well as, two EP’s. Including their own version of “Tomorrow Never Knows” – a Beatles

Pops Jr. – “New Bag” is huge in scope and ambition!

The first clue to the fact that Pops Jr. is unlike your regular street rapper, is when he says:  “I’m more James Brown than Jay-Z”. He states that even though he grew up in the nineties, many of his huge influences comes by way of soul artistes from the 70s. At the age of 5 years old his father “Pop Heavenly” aka POPS put him and his 4 older brothers in a rap group called the Heavenly Boyz. The group traveled coast to coast performing wherever their Pops could get a gig. No matter how much he steered his boys

AMARU: “That’s The Way I Like It (Radio Mix)” – a message however of strength, inspiration and upliftment

Last year around about this time we were celebrating the release of the album “CHAMPAGNE ATTITUDE” by AMARU – a singer-songwriter and a trained actor, originally from the Republic of Suriname (South America), residing in The Netherlands (Europe) since 1991. The album reaped in critical acclaim and fan appeal for the passionate and determined artist. At the beginning of this year, AMARU dropped the single “CHAMPAGNE ATTITUDE (RAP-TITUDE MIX)”, to show a rawer side to his usual sophisticated pop and dance vibe. And once again he delighted his fans and baffled his foe with another display of his open-minded and

Nu.Wav: “The Takeover (Deluxe Version)” is infectious and compelling

Flip and Eazy, make up the rap collective Nu.Wav. They have been performing and working towards their dreams as a duo since June 2018, traveling to Oregon, Atlanta, Las Vegas, Seattle, and many more places. Singularly, they have opened for Atlanta group Crime Mob, T.I and Lil Wayne’s Americas Most Wanted Tour and many more. Nu.Wav and their label Mogul Music Entertainment have recently signed a label partnership deal with Vision &Vitality Entertainment. The joining of the labels, has the resulted in the duo releasing their debut album, entitled, “The Takeover”, on June 14th 2019. “The Takeover (Deluxe Version)”, comes

Han Sino: “Glucose” – connections with mystifying electronic elements

If Han Sino isn’t a name that immediately rings any bells for you, don’t worry. Upon listening to his latest album “Glucose”, it will become obvious why he is so gorgeously good in his genre, and quickly you won’t be able to get enough of him. Put the 12 track album on repeat and there will be something new to hear upon every listen. Each track is littered with layers of thick bass, multiple keyboard pads, pulsating percussion and harmonies that are nicely unpredictable. It’s the kind of midnight summer soundtrack that gives you an uncontrollable urge to sway your shoulders. There is a distinctive Nu Jazz and Soul vibe running throughout Sino’s latest LP, drawing many well-founded comparisons and major differences to other artists exploring these same styles. Hans Sino’s nuances in style here, border on fragile, truthful storytelling through music, that draws you in emotionally along with the use of left-field beats and effects bathed in delay and reverb.

“Glucose”cover artwork

“Glucose”cover artwork

“Glucose” represents an individual take on a sound that is far from what is dominating the charts at present, and an absolute breath of fresh air. Though Sino’s vocals in no way pretend to be technically perfect, they are sensual, mysterious and loungy, complementing the instrumental layers that accompany them. The album begins with soft and glittering electric keys and percussion in the title track, “Glucose”. The prominent melody switches from the bass line, to the string interlude and then into the wind instruments, and that is all that is needed. It is a simplistic and intriguing opener that leaves you desperate to discover the sounds that Han Sino will be tapping into throughout the album.

We are then gradually introduced to echoing keyboards and vocals in “Dovez”. Though it is still mellow, connections with more mystifying electronic elements are established, as the bass continues to dominate the soundscape. “III Tongues” revolves around Sino’s vocal interludes, while the effects are artistically used. Again, Sino’s dominating bass line is ever present. “Arabesques” is a genuine foot tapper, and it’s from here on that the songs become more complex in a musical sense, mostly through the eclectic beats and the pulsating basslines that are always present in Han Sino’s mixes…there go my shoulders again!

By the time you hit play on “Wax”, it is clear that if strong and powerful basslines make you go weak at the knees, you have found the right album. Han Sino’s bass dominates all the songs and is not just a background rhythm support, but holds a front row seat in his arrangements. Often times it sounds as if the bass carries both the rhythm and primary melody line. I say primary, because sometimes there is more than one audible melody in a song. This even happens on a short and concise track such as “Colors” – with the bassline carrying one melody and the vocals elaborating another.

Han Sino

Han Sino

The apparent importance of the dominating bass equation in Sino’s music is easily explained – essentially self-taught, he perfected his musical training with double bass player and keyboardist Jade (Jean Luc Riga). However, regardless of the gorgeous basslines, this is a slickly produced album of late-night electronic soul grooves, with Sino’s smoldering vocals unexpectedly coming in left, right, front and center, on the occasion. The album is soulful, sexy and chilled, while also pleasingly free of modern-day braggadocio. I found myself entranced by Sino’s mesmerizing rich warm vocals and harmonies on “Feelingz” and “Blue Roses” which will transport you to another place entirely.

It’s so easy to get lost in the music; one of the most distinguishing features about Han Sino is his unique production, and the unusual instruments – a mix between electronic and organic. It truly sets this music apart from so much else. A myriad of instruments, sounds and beats lay strong bearings for the album, and especially on the final four tracks of the album – “Mystic Blues”, “Purple Dovez”, “Deeply Sleepin” and “Mo’ Glucose”, which represent the highlights of the collection, for me.

Though laid back and chill, there’s so much happening throughout “Glucose”, ranging from the mystical, rusty effects, to the heavy bass and obvious rare groove, nu soul and nu jazz influences. Han Sino’s music is so diverse and unified all at once, like a completed jigsaw puzzle – you can see the dividing lines of the collage if you concentrate on them, but the power of the bigger picture is much more captivating.

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