The BoyEatsGirl “Zugzwang” Interview

Australian extreme metal project BoyEatsGirl is driven by one man – Rick ‘Cleveland’ Pinto who launched the project in late 2015. BoyEatsGirl has since been establishing itself as a favorite extreme metal project: Pinto is one of the few underground artists to offer a complete conceptual and experiential package in the genre – food for the heart, mind and senses, as intellectually stimulating as it is emotionally intense. BoyEatsGirl creates a nice balance of standard, aggressive metal riffs, intermingled with fast, monstrous, ultra-heavy, ultra-complex mechanical cyber-grinding percussion, and a crazed use of sonic extremities. Also, there is use of growling vocals, which produces a thick, beastly, darkly regal, searingly

ZALI: “Girls Like Us” – an ambitious blend of bravado and sultry charm

ZALI is an emerging Irish Singer-songwriter creating a buzz in Ireland and the UK with her powerful vocals and the distinct cross-genre sound of Soul-Pop. Passionate about music since her childhood ZALI began performing to crowds of all sizes via her church choir which confirmed her artistic calling. Years of vocal training and a signature sound blended from old-school R&B, mixed with Soul-Pop brings ZALI to her latest single “Girls Like Us”. An anthem for woman around the world, the track was written after the singer had been suffering from heartbreak. ZALI is a powerhouse vocalist, stylistically contemporary but one

PnB ROCK Performing at the Gas Monkey Live November 24, 2017!

PnB ROCK the American artist, singer, songwriter, record producer, and actor from Philadelphia, Pennsylvania, is getting ready to set the Gas Monkey Live!, in Dallas Texas alight with his live performance programmed for 7 p.m. November 24, 2017. The Billboard Hot 100 artist, whose album “Catch These Vibes”, features Wiz Khalifa, Juicy J, Roy Woods, Smokepurpp and more, will also be performing his smash hit single “Selfish”, among others. Below are all the details relating to the artist and live concert. Music Group Name: PnB Rock Date: November 24, 2017 Venue: Gas Monkey 10110 Technology Blvd E, Dallas, TX 75220 Time:

Prilho: “Stay” is set to become a favorite of modern club culture

Although only a couple of years into a career as a DJ and producer, Prilho has quickly become one to watch on the EDM scene, not only in his native Portugal but across the European dance scene as a whole. “Stay” is a song which pulses with the positivity and euphoria of the contemporary dance sound, it glows with great vibes and even though it is built on a fairly mid-paced tempo, its clever use of dynamics, its ability to build musical peaks and sonic troughs means that it is packed with punch, but it is punch which comes from

Grey Smith’s music can easily serve as therapy for music fans

Grey Smith solidified his sound and his soul, engraving it in stone with the first track, “Fear”, taken off his upcoming project, the “Ghost Notes” album. Grey, who wrote, played, sang and engineered every piece of the record is fundraising the entire project via to finance the mixing and mastering of the album, the back-end administrative items like trademarking, publishing, copy-writing, marketing, publishing to  iTunes, Spotify etc., as well as shooting a video for the first song. You can be an important part of this process by logging on to his fundraising page HERE. On “Fear” Grey Smith sounds so

Singer-Songwriter Wants to Flood the Earth with a Love and Peace Revolution

Singer-Songwriter, Sankarshan Das, who began his songwriting career in the late 60’s during the legendary love and peace revolution era days in San Francisco’s Haight Ashbury district, has a written a song called “The Peace Formula,” which was very much appreciated by former US President Obama when he was in the White House. It has now been released on the Turn-On- the-World-Records label.  (www.TurnOnTheWorld.com) Listening to the song, it’s blindingly obvious that Sankarshan Das possesses a real passion behind the message he is trying to convey. This is reflected in his lyrics and performance that is delivered throughout the song.

Subreel offer decades of experience in various areas of music

Subreel is a website designed to help aspiring musicians, a music hub with a goal of offering equipment reviews, how-to guides and loads of other musical information. Their writers offer decades of experience in a lot of different areas of music, from live sound to instruments and music technology. Some of the areas Subreel cover include: “Recording and microphones” – Home recording has become something we can all do, and with a real lack of information online, Subreel have taken it upon themselves to provide guides such as how to make your own homemade acoustic panels and microphone reviews, from USB

Jaief & Asong: “Don’t Need To” – an understated showcase of minimalistic rap and pop

The two friends Jaief & Asong live in separate cities in the south of Germany but plan and execute their musical projects with producer KasAkustix in Berlin. In 2014, with a baggage of musical tastes that stretch across genres like Hip-hop, Country, Jazz, Soul, Rock, Pop, Electronic, and Afro-pop, among others, Jaief & Asong formed a musical duo that released its debut project, “EARWORMS”, in the fall of that same year. The recording amassed over 1 million streams; over 200,000 downloads and several sync licenses, were totaled exclusively on the Jamendo music platform. 2017 sees the duo working on new

The Book Of Harmony album is a spectacular achievement

Kind readers, if you know nothing of Book Of Harmony, start here. Book Of Harmony is a 7-piece NYC based Progressive Rock band who recently released their 14 track self-titled album. As is usually obligatory with this genre, the band displays outstanding technical musicianship, a flawless grasp of form, a captivating depth of lyricism, great vocals and complex harmonies. Members Leah Martin (Vocals), Jon Perkins (Guitars), Phil Duke (Bass), Anupam Shobhakar (Guitars and Composer), Michael Sutton (Drums), Takahiro Izumikawa (Keyboards) and Kensuke Shoji (Violin), also add warm ambience, an almost “live” feel, and lots of little progressive motifs…however they are

Earl Adamant Allen: “Can’t Get Enough” – cleverly structured storytelling and positive, open thinking

Listen to the latest track “Can’t Get Enough” by Earl Adamant Allen while you’re reading this. Do you hear that? It’s innovation in hip-hop. Adamant is a mic controller if there ever was one. His songs are the kind of laid back that makes the listener feel like they just woke up on a sunny Sunday morning, lying next to a beautiful woman after the deepest most romantic night they’ve had in weeks. Yeah, it is that good. Earl Adamant Allen is most definitely an inventor when it comes to the world of hip-hop. Not because he mixes R&B into

King Loot X Loot Boss X Bic Bee: “Face” – another great listening experience

The founder of Creative Enterprises LLC, Creative Entertainment, and Loot Boy Entertainment, among others, King Loot is an artist out of Buffalo NY. In the past King has dropped multiple projects under various monikers receiving critical acclaim and fan approval for his efforts. In his latest project, entitled “Face”, King Loot has joined forces with Loot Boss and Bic Bee AKA The Loot Boys. King Loot is a likable, larger-than-life figure, and his persona has kept him relevant for years and will continue to do so. “Face”, seems to be an exploration into all different aspects of his music and into King Loot as an artist himself. In this genre, studio recordings are generally crafted to appeal to the mass populous with a heavy emphasis on catchy singles, serving a specific purpose and perfectly produced. The Loot Boys follow this golden rule, are able to throw in their trademark style and put together a uniquely organized yet thoroughly ‘loose and live’ sounding project.

It’s refreshing to hear that King Loot stays true to his style as an emcee and that The Loot Boys made this banger for themselves and hip-hop fans instead of for some nameless suite behind a desk. The track is another solid release by King Loot and if this is a foreshadowing of what’s to come from the artist, it’s safe to say that he’ll still be around a number of years from now; and in this era of hip-hop one hit wonders, just being able to stay relevant, let alone continuing to come out with solid tracks, is an accomplishment in itself.

It’s hard to accurately describe King Loot’s style, and he switches regularly on the different tracks he does, and that’s what makes it so thrilling. Together with Loot Boss and Bic Bee, the three mix and mingle seamlessly, keeping the hypnotic momentum of the song running from end to end.

For all the hype that King Loot and crew will be receiving for this new release, long-time listeners of the rapper aren’t likely to be left too unexpected by the quality of the final product. Since his indie debut came out, King Loot (under different names such as King Midas or King Unicorn) has continued to put out a steady stream of top notch releases over the last few years.

By now, his fan base should be familiarized with the man’s style and subject matter. The only hugely noticeable departure is that here he is sharing the space with a couple of talented features, which frankly may appeal to many fans who enjoy hearing spitting variation in a song. Those hoping to hear a banging track filled with references to money, guns, women and dope, will have a great listening experience here.

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