JT Music: “Never Give Up”(ft. Fabvl & Divide) – totally unmatched in their genre!

JT Music is a nerdcore hip-hop group formed by artists Christian Ames and John Gelardi in December 2008. With 10 years of experience under their belt, Ames and Gelardi have taken their project to a new level. Every Saturday at 12 pm EST, JT Music posts a music video on YouTube based on video games, often in the form of rap battles between video game characters. With 2.2 million subscribers on YouTube, JT Music gets 25-30 million views on their videos per month. Some of their most popular videos include “Sans and Papyrus Song – An Undertale Rap” with 45

Katie Garibaldi Music Video “Safe and Warm” Premieres On The Christian Beat

Katie Garibaldi is an award-winning singer/songwriter and guitar player whose characteristic Christian-contemporary blend with Americana roots. This gives her a dreamy and soulful musical sound drenched in sparkling memorable melodies. The prolific songwriter hailing from San Francisco, CA, continues to stretch the boundaries of any genres walls with the release of her latest album, Home Sweet Christmas, a collection of original holiday and faith-inspired songs that embrace Garibaldis operatic vocal prowess and soulful folky affection, but also branch out into traditional country and gospel atmosphere. This week, Garibaldi releases the official music video for “Safe And Warm (Lullaby For Jesus)”

Multi-Talented P Tee Money Gets Back On The Track With ”I’m Not Afraid” album

P Tee Money is an English DJ/EDM, Electronic Artist; a royal descendant of Nigeria bloodline was born in London, England and studied Aeronautical Engineering in the military. He discovered his passion for music at a very young age, drawing influence from a variety of genres and especially from artists such as George Duke and Earth Wind & Fire. From his love of music, he eventually settled down in progressive house, the genre that he connected most. His productions cross a wide range of electronic music styles, from House, deep house, indie-dance, progressive, future, electro-pop and chill out. Despite being a

J-Hamz ft. Jesse Peters: “Keep On Lovin’ Official Remixes” – smooth groove and audio euphoria

Electronic music producer and classically trained pianist J-Hamz has accumulated a series of accolades which include Beatport Staff Picks and Top 10s, FM radio play across Canada and the USA, and nominee for Electronic Recording of the Year 2017 at the Edmonton Music Awards. He has had his songs remixed by producers in Canada, the United States, Germany, Japan, and Russia, including “Keep On Lovin’” – featuring lyrics and vocals by Jesse Peters – in a remix contest with Digital Empire Records. Now the hard working producer has just dropped his 8th release – “Keep On Lovin’ Official Remixes” featuring

C-Neil: “A Working Progress” ft. Timara Rogers – enthralling and emotional

C-Neil is a talented artist, songwriter, and producer based in Arkansas. He has worked in the music business since he was 15 years old. For years, he rapped and produced for artists local to St. Louis before moving to Atlanta to hone his craft. C-Neil has performed at several showcases in Arkansas, St. Louis, and Atlanta, including the Royal Peacock and the Urban Network Festival in Memphis. Despite being well-received, C-Neil, inspired by his mother, turned to his roots to gospel music. His latest release, “A Working Progress”, opens up about the obstacles he has faced. The track also features

Harmless Habit: “FRONTERROR” – a marvel of rock hard timelessness

Harmless Habit sound as confident as a band that have already paid their dues, and established a sound that is just as good or better than the bands that inspired them, and now give us a two way mirror into the rawness of their creative process with their 6-track album, “FRONTERROR” which feels heavy, hypnotic, emo(tional) and transformative. The best three words to describe this recording would simply be…TURN THIS UP!  The album kicks off full force and doesn’t really take the pedal off the metal until very late in the album, and only for a few seconds. So if driving,

Musicbyko: “Life In Element” – a melded perspective derived from a focused vision

Rap and hip-hop is no longer strictly about an artist’s lyrical ability, there is a series of beats and melodies that need to come together in perfect harmony to create the sonic excellence that fans demand to hear. To that end, Musicbyko is the embodiment of real modern rap in a production heavy hip-hop environment that has very little care for bars. This Bay Area rapper from Oakland, CA, has a message of ambition and a constitution of excellence that he is attempting to establish within his craft. It is clear that he has grown into more than just a

Maelstroms by Julian Kerins injects new life into Rock

Julian Kerins is a New York based singer-songwriter whose music is the end result of an eclectic amalgam of influences that have been centered around a Rock backing. His latest debut EP Maelstroms has reached the ears of this writer to wondrous effect. The EP blends Classical, Opera, Avant-garde, Folk, some Eastern influence and even a touch of Jazz to create a beautiful menagerie of melancholic delight. If you’re looking for an overwhelmingly passionate listening experience that just may leave you in tears (with the heart wrenching operatic ballad “In Billowing Skies” or the simply monolithic hard Rock foray that

Los Angeles songwriter/producer Betty Moon celebrates her latest single Parachute with a new music video

The video takes viewers up above the cityscapes and back again. (LOS ANGELES, CA) – Betty Moon continues to build upon her assent on the international streaming music charts with the release of her new music video for Parachute. With the single being released last week, the video compliments a very personal song about self-empowerment and escaping to live the life you’ve always dreamed about. The 90s tinged pop video boasts large doses of nostalgia, rock n roll and mixes things up with Moons fashionably unique brand of indie rock, mainstream and electronic influenced music. The video premiered this morning

‘Sound of the City’ A New Four-Part Episode Docu-series is Launched by A Houston Record Company

‘Sound of the City’ gives viewers a behind-the-scenes look at what it takes to produce an album by following the creation of Wreckshop Nation’s collaborative new project titled ‘Unity Vol. 1.’ The docu-series premiered Sept. 17, 2018. Wreckshop Nation (WSN) is an independently owned entertainment company focused on promoting and producing digital content, products, and services for artists while simultaneously embracing the Southern Hip-Hop culture that developed in Houston during the late 1990’s “Wreckshop Records” era and still thrives today. Wreckshop aims to be more than just a label, but a brand; it is striving to be a centralized platform

Lord Doom: “II” – a mind-boggling array of sounds

Lord Doom leads the SGV trio Doom Squad who put on shows and support the growth of their local scene. Starting his own label and building a home studio, Lord Doom began working on a follow up to last year’s self-titled EP. Self-produced and written, the 25 y/o rapper aims to strike emotion rather than a turn up. The new album entitled simply “II” features beats that aren’t just made, but composed very well, and never monotonous. It fuses genres and sounds in a great blend that fits perfectly. The most immediately arresting feature of this album, is the production; the creator has dug deep and come up with a mind-boggling array of sounds that gives this record a character unlike many other hip-hop releases in recent memory.

The album is permeated with a gritty, old-school flavored beats and futuristic experimental interludes. There are fantastically intricate layers of sound at work here, but never so much do the beats detract from the rhymes. On the contrary, the choice of beats and sounds seems more directly related to the rhymes, giving this record a rare degree of integrity. The one notable exception is “Opus” (Bonus Track/Instrumental) which purposefully stands apart from all the other songs on the album and thus has a sound all its own.

The complex and edgy production seems spur Lord Doom on; his delivery is sure, his rhymes always intelligent, and there’s a confident flow at work here, with a characterful voice backing it up. Like all great music, this album succeeds on several levels. It has a consistency of character, but enough variety from track to track to keep the listener from getting bored.

On some of the songs, effects are applied to the voices adding an extra dimension to the already original sounding tunes. Lord Doom delivers his lyrics in a powerful – sometimes booming, sometimes hushed, but always intimate tone. As background music, most of the songs on the album provide plenty of bass driven bump; standouts that immediately come to mind here are, “Stumped (I’d Rather Be By Myself)” and “Day Ones”.

On the other hand, for discerning listeners who love dark and edgy slow-burners, “Lost Never Found” and “Cold Hands” are absolutely not to be missed. For those with a taste for the mysteriously sublime, “Lullabye” is manna from alternative heaven. It’s also the track where Lord Doom gets to flaunt his flow and offset rhyme scheme.

Motivated to make the album a musically unique experience, Lord Doom continues to make magic by combining a healthy mix of eclectic and moody beats hanging side by side. This is not like all the commercial hip hop. Rap is supposed to have something to say, to break the quintessential mold, but today’s rap is just like all the crap that plagued rock n’ roll before its death rattle.

“II” provides an excellent array of songs to get a feel of what Lord Doom is about, and what creative underground rap can really be like. Most will find that the lyrics never disappoint, and there’s always plenty to come back for musically.

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