SKOWT A Brand New Platform Connecting Unsigned Musicians To The Industry

SKOWT is a brilliant new venture that helps give recognition to unsigned musicians around the world. SKOWT helps connect unsigned artists with the biggest target markets most relevant to their needs – streaming music fans, event/media companies and A&R/Licensing Managers. The platform is highly interactive with artists from a wide range of genres represented. The platform is free to register on and provides for a much better and faster introduction of new music to fans – while at the same time creating a chart which quickly gives insight into the most listened to tracks, helping A&R/Licensing Managers as well as

Bitter Lake: “Frozen Landscapes” has both atmosphere as well as pummeling force

Ambient and Symphonic metal often run into walls of mundane sameness that conflict with intended results. No matter what could go wrong with these types music, one-man Scottish project, Bitter Lake, of does not fall victim to it. The composer reliably challenges the genres’ categorical parts to create something unique and as equally beautiful as it is noisy. And noisy it is, as Bitter Lake’s blend of the aforementioned genres is abrasive, aggressive and loud on the single “Frozen Landscapes”, which is taken from an upcoming album. The song construction and the use of classic black metal fare work well

Angel: “Hero” – all-embracing artistic approach

Angel is a Los Angeles and Sydney based socially conscious artist who composes what is described as “Statement” Cinematic Soundtracks and Music Short Films/Videos. Trained in acting, singing and dancing, the award-winning artist who has picked up accolades in the UK and Australia, adopted her signature style after attending a Hans Zimmer Masterclass. As a child, her mother introduced her to Hollywood musical and style icons such as Ginger Rogers, Grace Kelly, and Audrey Hepburn, who have shaped her work, and probably explains her all-embracing artistic approach. To complete the picture of Angel’s go-ahead attitude it should be noted that

Its Showtime with Billy Stark Stone & Rico Blythe!

Billy Stark Stone w/ Rico Blythe is a new project featuring the aforementioned. Billy Stark Stone was the lead singer/founding member of NYC’s first and original seminal and notorious teen ‘punk’ band, The Blessed. Rico Blythe was the guitarist in a later incarnation of the same that resulted in the release of an EP titled ‘Taboo’ that sold out its initial run. Now Billy and Rico have teamed up to create this exciting new enterprise. Coming hot on the heels of their acclaimed single and video ‘Revolution Rerun’ they have just re-released a re-mastered version of ‘Potters Field’ from the

M3 El Famoso Leon drops “Dead Inside” (Prod. Vessels)

“Dead Inside” (Prod. Vessels) by M3 El Famoso Leon  is a dark, deep, rock, hip hop love song, about a guy that gets a record deal and falls in love with a mysterious girl. A songwriter, rapper, and singer from Bronx NY, music is M3 El Famoso Leon’s life, it’s how he express his most dark, as well as happy, life experiences. This is hip-hop which does away with the soothing regularity of traditional flows and lyrics in favor of a brash, dangerously off-kilter rock attitude. M3 El Famoso Leon’s lively lyricism and the brilliantly grungy and experimental production form

Matt Westin: “Legacy” – the rising country star with a deep baritone

Matt Westin found his fulfillment in the creative outlets of singing and singing after years of searching, and walked away from a promising career in engineering to pursue that passion. Influences by legendary artists, ranging from Johnny Cash to Garth Brooks, to even Frank Sinatra, Matt found his voice. He honed his vocal ability in bars and clubs around Pittsburgh for over a decade, with his at first reluctant family, becoming his biggest supporters. But it was the tragic event of his father passing away due to complications of chemotherapy in his battle with Leukemia, which drove Matt to seriously

North Carolina Jimmy Bones Releases his first major Single worldwide

From River Head, Long Island, NY by way of Elizabeth City NC emerges Jimmy Bones and his long awaited Single, “Goin In” Feat. Ms. B now available on ITunes, Spotify, Amazon, Apple Music, and Google Music worldwide Jimmy Bones is Goin In, all the way in with this first major Single release. Signed to Indie Label, out of Muncie, Indiana, G.I. Records LLC, a label that is known for breaking artists, from Indie to Major, one hit at a time. Jimmy Bones lives the life that he writes and raps about; his music is his blood. The Hip Hop Rap

Myja display a very specific amount of fearlessness

Los Angeles, CA-based side project Myja featuring Michael Marquart and Jacob Bunton release their debut self-titled album on January 12th, 2018. The record was produced, engineered and mixed by Jason Elgin (Maylene & The Sons Of Disaster, Collective Soul), at The Barn, Marquart’s studio in Malibu, CA. In today’s world of singles, short attention spans and immediate gratification, it goes against the grain to release a 10 track rock album. But then I guess that Myja are not a band to go along with the crowd. Let’s face it: Being a classic rock band in 2018 requires a very specific

Andrew Gerard: “Run Away With Me” – This album has much to offer listeners

Canadian singer, guitarist and songwriter Andrew Gerard was born in Ottawa, and grew up on Vancouver Island. He is also known as Gerard The Hypnotist from the TV series Mindfreak with Criss Angel. Departing from TV and the world of magic after a car accident he rediscovered music while recovering. Discovered by LA Producer Ran Pink who produced his “Two Birds” recording at Fonogenic Records in LA, Andrew has just released his brand new full-length album “Run Away With Me”. Two songs on the album – the titular track and “Miracles” was produced by Danny Craig, while “Shine” and “Rewind”

NOAH ARCHANGEL & THE BAND OF THE HAWK – “THE MASCHINE WARS: SONGS OF SOLOMON”

The Maschine Wars: Songs of Solomon is a journey more complex and original, yet more accessible than anything Noah Archangel & The Band of the Hawk may have released before it. The fact that it exists at all is testament to the projects perseverance, raw talent, and prophetic direction with which Noah Archangel, King Aka Yeaux Majesty, Ash Ra Aka Houey Freeman Fka Ashtonomics, P.ey3, Grynd Seazon, and Juskwam steer the good ship Band of the Hawk aka BOHUP, to the richest musical waters; plucking out those worth bringing along on their musical voyage and creating records greater than the

Lord Doom: “II” – a mind-boggling array of sounds

Lord Doom leads the SGV trio Doom Squad who put on shows and support the growth of their local scene. Starting his own label and building a home studio, Lord Doom began working on a follow up to last year’s self-titled EP. Self-produced and written, the 25 y/o rapper aims to strike emotion rather than a turn up. The new album entitled simply “II” features beats that aren’t just made, but composed very well, and never monotonous. It fuses genres and sounds in a great blend that fits perfectly. The most immediately arresting feature of this album, is the production; the creator has dug deep and come up with a mind-boggling array of sounds that gives this record a character unlike many other hip-hop releases in recent memory.

The album is permeated with a gritty, old-school flavored beats and futuristic experimental interludes. There are fantastically intricate layers of sound at work here, but never so much do the beats detract from the rhymes. On the contrary, the choice of beats and sounds seems more directly related to the rhymes, giving this record a rare degree of integrity. The one notable exception is “Opus” (Bonus Track/Instrumental) which purposefully stands apart from all the other songs on the album and thus has a sound all its own.

The complex and edgy production seems spur Lord Doom on; his delivery is sure, his rhymes always intelligent, and there’s a confident flow at work here, with a characterful voice backing it up. Like all great music, this album succeeds on several levels. It has a consistency of character, but enough variety from track to track to keep the listener from getting bored.

On some of the songs, effects are applied to the voices adding an extra dimension to the already original sounding tunes. Lord Doom delivers his lyrics in a powerful – sometimes booming, sometimes hushed, but always intimate tone. As background music, most of the songs on the album provide plenty of bass driven bump; standouts that immediately come to mind here are, “Stumped (I’d Rather Be By Myself)” and “Day Ones”.

On the other hand, for discerning listeners who love dark and edgy slow-burners, “Lost Never Found” and “Cold Hands” are absolutely not to be missed. For those with a taste for the mysteriously sublime, “Lullabye” is manna from alternative heaven. It’s also the track where Lord Doom gets to flaunt his flow and offset rhyme scheme.

Motivated to make the album a musically unique experience, Lord Doom continues to make magic by combining a healthy mix of eclectic and moody beats hanging side by side. This is not like all the commercial hip hop. Rap is supposed to have something to say, to break the quintessential mold, but today’s rap is just like all the crap that plagued rock n’ roll before its death rattle.

“II” provides an excellent array of songs to get a feel of what Lord Doom is about, and what creative underground rap can really be like. Most will find that the lyrics never disappoint, and there’s always plenty to come back for musically.

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