GentleBeatz: “Soul City” – the rhythm and flow of free form poetry

Sometimes a recording catches you off guard, rising from nowhere and worming its way into your ears with new sounds and ideas. Such a recording grows on you over time, and eventually can reorient what music and sounds you thought you liked. “Soul City” released on December 31 by artist and producer GentleBeatz, is such an EP. Emotionally rich, musically rich, and technically brilliant, it appeared with little fanfare or publicity to mesmerize our senses. GentleBeatz is an artist and producer currently residing in Mozambique. The eclectic creative crafts his tracks in the lo-fi hip-hop/chill-hop genres. Here he includes flavors

Younk makes the music business transparent and accessible to all!

Success in the music business has always depended on connections. The only way to make it was to know the right people or be lucky enough to play in front of someone with influence. Today, everything has changed. Younk now allows artists to get their music heard by listeners, quickly build a fanbase, and even create professionally produced Tracks and music videos with recording industry experts (when they receive enough support from the community). Younk’s group of show-business experts and world-famous producers make, for the first time, the music business transparent and accessible for all. There’s no red tape to

SKOWT is Revolutionizing the Independent Music Industry!

Kuala Lumpur: SKOWT, an innovative new music platform which caters to unsigned and independent talents, presented awards for the SKOWT-VIMA Best New Act at the SKOWT-VIMA Microawards Music Showcase at Oasis Discovery Centre (ODC), Ara Damansara. Present at the ceremony were Skowt Head of Operations Kumar Krish, Head of Talent Khai Aziz and founder of VIMA Siva Zaphod Chandran. The top 3 winners were Mero (1st Place), Tash (2nd place) and Airwaves on Fire (3rd place). Quote from  the winner, Meroshana Thaiyalan – Singer songwriter, classical veenai instructor, doctor: “Winning the SKOWT-VIMA award has been a surreal experience for me. From

Producer, podcaster and artist, Wes Yee drops “Found Us”

Wes Yee is a music producer and podcaster turned artist. He is the host of the top ranked podcast, The Music Journal, which he also audio engineers and produces the music for. He grew up playing music he didn’t like on instruments that he did like, which ultimately led to him becoming a producer of music that he is passionate about. After years of working behind the scenes, the artists he worked with inspired him to want to start putting out his own music under his name. If you ask Wes Yee what took him so long to finally put

Dreamstate: “Two Hands” grabs you at first listen and becomes more meaningful every time through

Maryland based music group Dreamstate is made up of Josh Hilson, Tyler Gagnon, and Kyle Santos. All of who come from diverse musical backgrounds, ranging from country music to Hip Hop and R&B. They’ve blended their influences into smooth R&B melodies, overlaying lush electronic pop sounds in their very own DreamLabs studio. 2018 saw the release of the band’s critically acclaimed debut EP “Take Care”. From which comes the single, “Two Hands”, which also has a video in the making. It’s an emotionally moving track which features a catchy and uplifting chorus with the impressive vocal style of lead singer

Roc O Star moves in untapped lanes!

Roc O Star’s music is rock with soul and a splash of hip-hop. This untapped lane is what sets him apart from many artists today. It affords him the opportunity to be a global and worldwide star. In addition to the songs, he uses great visuals in his videos to help convey messages of change, hope, despair and inspirations, as told through the backdrop of his personal life experiences. With a strong desire to succeed, Roc O Star is quickly building a reputation as an artist who can merge rock, soul and street level realism with a honesty that will

From Dubai to The Globe, Raveland Celebrates The New Year with His Fans with “Resolution 19”

Electronic dance music producer and DJ, Raveland, goes independent with his latest progressive house single Resolution 19. After releasing 4 singles with the music giant Universal Music MENA in 2017 and 2018, the electronic dance music producer and DJ, Raveland, decides to try going independent with his latest progressive house single Resolution 19. The Egyptian artist has signed to Universal Music MENA in 2017 and released his first official single Re, which has achieved a high reach worldwide throughout the music platforms like Spotify, Anghami and even YouTube through its official music video. The EDM producer has been touring locally

Sharmila exceeds expectations with her new single – “Burning For You (Club Mix)”

Netherlands – Taking the best elements of pop and marrying them with the soulful delivery of R&B, Sharmila has exceeded expectations with her new single, Burning For You (Club Mix). Born and raised in the Netherlands, Sharmila’s love of the arts developed at an early age. She started taking dance lessons as a child and from there, her passion for movement continued to grow. Now she’s intertwining that love of dance with her vocal abilities and creating music people can really get into. A combination of pop and R&B, Burning For You (Club Mix) is a song that could be

The Band of the Hawk & Noah Archangels – New Album “The Maschine Wars: LevitiKush”

This recent album contains 19 tracks with each song having its own unique sound. The instrumentals range from smooth and punchy to hard-hitting and grungy. This album only has 3 tracks with vocals and those tracks are the intro Evol featuring Klashher, The Glow featuring AG Da Coroner, and Chariots of Fire featuring Yeaux Majesty. The Band of the Hawk stay true to original hip hop sounds and flows so expect nothing less from Yeaux Majesty, AG Da Coroner, and Klashher. The instrumentals are dope to vibe too even without vocals. The bass in each track sounds amazing on headphones.

Bad Bones: “High Rollers” is 5 star material!

Bad Bones blows the doors off the rest of the industry with their “High Rollers” album. What makes the Italian hard rock group so special is a combination of their musicianship and singing. These guys can really play their instruments and sing the roof off of any location. They have mastered melody, inventiveness and matched it with excellent chord progressions. They understand how bone-crushing guitar riffs hit the listener and create the power and angst just as much as sheer volume does. On top of that, Bad Bones’ tunes will have you singing along in the car, in the shower,

Digital Down: “Open Source Nervous System” – pulsing rhythms, mingling with the spiraling synths

Digital Down is located in central Arkansas and consists of sole member, Melville Bragg. Melville started his professional career in late 2015 with the release of the first EP entitled “Incunabula”. Melville has since placed 2nd in an international music contest hosted by software company Open Labs and sponsored by Linkin Park, as well as release his first full-length album, entitled “Open Source Nervous System”. At this point, many decades into its existence, it can be fairly expected that rock is not going to cough up a new paradigm anytime soon. The advent of digital sampling technology and electronic manipulation, both of which slunk in through the back door, have not reworked the fundamental rock structure in any significant manner; rather, it has changed the way it is generated, and real guitars may be traded for synths and samples.

This is not to say that rock is a dead form, by any means either. Though it often seems to move forward on hiccups and inertia, it periodically shakes itself awake and offers something genuine and vital, a small jewel extruded from a largely undifferentiated mass of refuse. Such a small jewel is the album from Digital Down. After the opening “Retina”, the immediate impact of Melville’s voice on “Incunabula” cannot be discounted; it was the thing which immediately catapulted Digital Down beyond their contemporaries for me. A smooth, melodic blanket of warmth, Melville’s voice can raise goosebumps on the skin. He never resorts to the screeching or barking of so many rock singers – electric or electronic.

The confirmation of the above statement comes with the advent of “Beyond The Trees”, which is loaded with a dark, mysterious atmosphere. Melville’s voice rises gently above the pulsing rhythms, mingling with the spiraling synths to create a quiet storm reminiscent of Nine Inch Nails, only less monstrously ominous and more melodically captivating.

This quaint combination is repeated on “Stepdown – Alternate” with the same positive results. A mention obviously has to be made for the throbbing darkwave version of “Putting On The Ritz”, but it’s “Heaven Isn’t Here” where Digital Down have a clear advantage over almost every band in America right now: their sound.

Melville is clearly working in an area trod by few groups, the essential power-electronic foundation of their music is bolstered by throbbing, mantra-like basslines and synth leads which create a wholly new kind of blend between darkwave and industrial. Digital Down also do right by choosing mood and economy over pretension and bloat.

The occasional growling experimental sound is splattered across the album here and there, like “Dr Faust” and “Mind Harvest”. The songs are short and to-the-point, disregarding the final monster track, “Heer Public Archive 1943”, coming in at 11 minutes and 57 seconds, and which I shall leave you to hear for yourself.

“Open Source Nervous System” is an amazing album. Full of several mystical and mysterious songs, with beautiful arrangements, outstanding vocals and really impressive electronic sounds and rhythms loaded with emotion. Melville Bragg’s eerily sweet tone emphasizes his dark melodies that both caress, and taunt your soul.

“Open Source Nervous System” includes 3 remastered versions of older songs, 2 alternative versions, a B-Side from the “Nervous System EP”, 6 segues, an intro track which is the oldest track released so far (2009), an outtro track, 1 demo version and a Bonus track from “Incunabula” originally only released under Chinese distribution.

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