Ann Taylor: “Sober” – an anthem that is so calm and haunting it could put you into a trance

Canadian Record Label Illium Audio signed Ann Taylor in 2017. A singer-songwriter living in Calgary, Ann fell in love with songwriting, propelling her towards the release of her first EP “Roses” in February 2016. She is a versatile artist who has explored genres as diverse as folk, pop and electronic music, and is able to blend them together to form unique and playful new sounds. In addition to her solo work, Ann is a member of musical collective “Plus”. Set to release a full length album in 2018, she is currently working on an EP, and has released the single,

Collaborateurs: “Interstellar Colors” blurs the lines between earnestness and bravado

“Interstellar Colors” is the third album released under the Collaborateurs name, but Curtis Hubbard, Glenn Hubbard, Roger Brandon, and Jeremy Cayton have worked together in other acts for a long time. Most recently, Hubbard, Brandon, and Cayton released three albums under the name Rog & Glenn. Brothers Curtis and Glenn Hubbard have also recorded together for many years, first as Four Day Weekend, and more recently The Hubbard Concept. The Collaborateurs have a formula that works for them. Every album has more than a handful of tracks that are the greatest thing you’ve ever heard, a perfect arrangements of chords

The BoyEatsGirl “Zugzwang” Interview

Australian extreme metal project BoyEatsGirl is driven by one man – Rick ‘Cleveland’ Pinto who launched the project in late 2015. BoyEatsGirl has since been establishing itself as a favorite extreme metal project: Pinto is one of the few underground artists to offer a complete conceptual and experiential package in the genre – food for the heart, mind and senses, as intellectually stimulating as it is emotionally intense. BoyEatsGirl creates a nice balance of standard, aggressive metal riffs, intermingled with fast, monstrous, ultra-heavy, ultra-complex mechanical cyber-grinding percussion, and a crazed use of sonic extremities. Also, there is use of growling vocals, which produces a thick, beastly, darkly regal, searingly

ZALI: “Girls Like Us” – an ambitious blend of bravado and sultry charm

ZALI is an emerging Irish Singer-songwriter creating a buzz in Ireland and the UK with her powerful vocals and the distinct cross-genre sound of Soul-Pop. Passionate about music since her childhood ZALI began performing to crowds of all sizes via her church choir which confirmed her artistic calling. Years of vocal training and a signature sound blended from old-school R&B, mixed with Soul-Pop brings ZALI to her latest single “Girls Like Us”. An anthem for woman around the world, the track was written after the singer had been suffering from heartbreak. ZALI is a powerhouse vocalist, stylistically contemporary but one

PnB ROCK Performing at the Gas Monkey Live November 24, 2017!

PnB ROCK the American artist, singer, songwriter, record producer, and actor from Philadelphia, Pennsylvania, is getting ready to set the Gas Monkey Live!, in Dallas Texas alight with his live performance programmed for 7 p.m. November 24, 2017. The Billboard Hot 100 artist, whose album “Catch These Vibes”, features Wiz Khalifa, Juicy J, Roy Woods, Smokepurpp and more, will also be performing his smash hit single “Selfish”, among others. Below are all the details relating to the artist and live concert. Music Group Name: PnB Rock Date: November 24, 2017 Venue: Gas Monkey 10110 Technology Blvd E, Dallas, TX 75220 Time:

Prilho: “Stay” is set to become a favorite of modern club culture

Although only a couple of years into a career as a DJ and producer, Prilho has quickly become one to watch on the EDM scene, not only in his native Portugal but across the European dance scene as a whole. “Stay” is a song which pulses with the positivity and euphoria of the contemporary dance sound, it glows with great vibes and even though it is built on a fairly mid-paced tempo, its clever use of dynamics, its ability to build musical peaks and sonic troughs means that it is packed with punch, but it is punch which comes from

Grey Smith’s music can easily serve as therapy for music fans

Grey Smith solidified his sound and his soul, engraving it in stone with the first track, “Fear”, taken off his upcoming project, the “Ghost Notes” album. Grey, who wrote, played, sang and engineered every piece of the record is fundraising the entire project via to finance the mixing and mastering of the album, the back-end administrative items like trademarking, publishing, copy-writing, marketing, publishing to  iTunes, Spotify etc., as well as shooting a video for the first song. You can be an important part of this process by logging on to his fundraising page HERE. On “Fear” Grey Smith sounds so

Singer-Songwriter Wants to Flood the Earth with a Love and Peace Revolution

Singer-Songwriter, Sankarshan Das, who began his songwriting career in the late 60’s during the legendary love and peace revolution era days in San Francisco’s Haight Ashbury district, has a written a song called “The Peace Formula,” which was very much appreciated by former US President Obama when he was in the White House. It has now been released on the Turn-On- the-World-Records label.  (www.TurnOnTheWorld.com) Listening to the song, it’s blindingly obvious that Sankarshan Das possesses a real passion behind the message he is trying to convey. This is reflected in his lyrics and performance that is delivered throughout the song.

Subreel offer decades of experience in various areas of music

Subreel is a website designed to help aspiring musicians, a music hub with a goal of offering equipment reviews, how-to guides and loads of other musical information. Their writers offer decades of experience in a lot of different areas of music, from live sound to instruments and music technology. Some of the areas Subreel cover include: “Recording and microphones” – Home recording has become something we can all do, and with a real lack of information online, Subreel have taken it upon themselves to provide guides such as how to make your own homemade acoustic panels and microphone reviews, from USB

Jaief & Asong: “Don’t Need To” – an understated showcase of minimalistic rap and pop

The two friends Jaief & Asong live in separate cities in the south of Germany but plan and execute their musical projects with producer KasAkustix in Berlin. In 2014, with a baggage of musical tastes that stretch across genres like Hip-hop, Country, Jazz, Soul, Rock, Pop, Electronic, and Afro-pop, among others, Jaief & Asong formed a musical duo that released its debut project, “EARWORMS”, in the fall of that same year. The recording amassed over 1 million streams; over 200,000 downloads and several sync licenses, were totaled exclusively on the Jamendo music platform. 2017 sees the duo working on new

Timi Alexander writes music that pushes boundaries

Timi Alexander is a 23-year old Finnish singer, producer and multi-instrumentalist living in London. Timi, who also collaborates in the Hip-hop duo, Morceau, is set to release his self-titled debut album this month. The album which was entirely recorded in Timi’s room feature songs that go from electronic to 90s alternative rock and hip hop. Alexander’s music exemplify everything that is to be valued and cherished in most art. It sifts through the signs of human emotion. These signs sweep through lush waves of orchestration, music that overwhelms you, swells your chest, makes you feel when you don’t want to feel anything. It’s the catch between the human, the heart, the mind and the soul.

It’s the eclecticism: the insane vocal changes, the willful over or underproduction, and the different flavors of angst in one lyric sheet. It makes you think about what kinds of decisions were made, and to what ends, to create something to hit particular emotional triggers. These key points heighten our response to music, because that’s the way in: it’s where the naked soul shines through. It’s where Timi Alexander shines brightest.

His music hits all of these sweet spots. And it is so utterly, utterly engaging. Curious. Kind. Tormented. Genius? Timi may be any one, or all of those things. He’s a production polymath that sparkles with enthusiasm, and with a lack of snobbery that’s damn refreshing. When written down, this album should be a mess. It shouldn’t work as a whole.

Instead of sticking to a single style and sound, Timi Alexander decides to take colossal opposing directions, flirting with electro, world, atmospheric, ambience, rock, epic and experimental soundscapes. At a glance, he may seem like an artist that has lost all sense of direction, spiraling out of control in a desperate attempt to find a new sound…

However, call it a divine blessing, but it works. It works better than it should. It seems that Alexander has a rare skill, to take bits and pieces of samples, sounds, ideas and styles, spike it with his production-drug, and make it flow so well on an album that is different from anything you’ve heard before, yet cohesive and in some way familiar.

My guess is that these songs are not so much familiar to our ears, as they are to our emotions. It is there that Timi finds the common ground on which we all stand. And on which we will all find solace or distress.

Hence, music that shifts emotions will always find a listener. And it does so regardless of styles and genres. Having said that, the songwriting on this album is top notch, and the expansive arrangements all play a major part in bringing Timi’s outlandish creations to life.

Simply put, the dude is a quality songwriter, and an even better innovator. He creates songs that are at once hard-hitting, yet languid and atmospheric. Which he then wraps up in astonishingly elastic vocals that stretch from the lowest lows to the highest highs. At times he whispers and squeals, at others he growls and roars.

If you’re looking for simple melodies and easy listening arrangements, you will not find those here. Timi Alexander writes music that pushes boundaries and are meant to emote and challenge the listener. Essential listening includes: “Cold Leather”, “Heartblood”, “Bonus” and “Glide”. But these are not tracks a writer could, or should, even describe. A simple pair of earphones is really the only go-between you need to have between Timi Alexander and yourself.

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