“OXYGEN” – New music video and song with a strong message by Rikke Normann

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Kaytlyn Cate: “You’re Making My Heart Feel Like” – captivates with perceptive sensitivity and devastating simplicity

Kaytlyn Cate, the singer-songwriter who hails from the Cascade Mountain range of the Pacific Northwest, was called “the alt-rock genre’s best kept secret”, by Pitchfork, on hearing her first single. Since then she has been reinventing herself, and is currently hard at work on her forthcoming EP, “The Blue Hour”, with producer David Samuel. At the same time Kaytlyn is also busy in the West Coast club scene and booking shows for the 2019 season, as her brand new single gains traction. A confident, empowering woman in music always makes for a great listen, and the captivating first impression of

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Blake G’s Double Crossover. “Caminar Sin Ti” and “Number One”, Invading The Airwaves

On November 9th, Blake G’s first English single was released. The catchy “Number One”, produced by Big D, channels the good ol’ 50s Rock n’ Roll style, infused with electronic sounds that makes it even more so unique.  The signature 50’s beat, completely modernized, with a great sounding, contagious bass, and today’s sound, compliments Blake G’s vocals on a memorable, superb pop tune that gets easily stuck in your earlobes for good. Blake G, the young up and coming sensation, found his calling in music. He caught the attention of the legendary producer Emilio Estefan Jr, who has been pivotal

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ROBERT MILLER’S PROJECT GRAND SLAM RELEASES THE SONG “TREE OF LIFE (DEDICATED TO THE VICTIMS)”

New York, NY – A Plea For Peace, Sanity And Gun Control. In Response To The Recent Pittsburgh Synagogue And California Mass Shootings. America is plagued by hatred and wanton, senseless gun violence. Yesterday it was 12 college age people who were gunned down in California. Just two weeks ago it was a mass shooting at the Tree of Life synagogue in Pittsburgh which took 11 lives. And many more such tragedies have occurred over the years.  Something has to be done. Robert Miller, leader of the band Project Grand Slam, decided to do something. He has written and released today

Ross is a Hip Hop, R&B, Pop, Dance, and EDM music producer inspired by old-school beats of previous eras

Born in Detroit and raised in Miami, Ross is known for his hard work, humble attitude, and passionate dedication and commitment to his music. His career to date has spanned over twenty years and includes producing local television shows, co-owning the Prestigious Tempo Entertainment Studios, scoring for films, and collaborating with and producing artists from various genres. As a producer, writer, and sometimes singer on his own tracks, which also include featured artists, Ross’ songs are labeled as ROSS Presents. An artist who creates and performs behind the scenes, Ross’ physical identity remains a mystery. Ross’ recently-released track “Look at

Mike Dekleva: “Psychedelia” immediately grabs your attention

Instrumental rock guitarist Mike Dekleva has released his second four song EP, “Psychedelia”,on Friday, November 9, 2018. This is the follow-up to his critically acclaimed and award-winning 2015 debut instrumental EP, “Synergy.” Recorded at Paragon Recording Studios in Franklin, Tennessee, and in Dekleva’s home recording studio in Albuquerque, New Mexico. “Psychedelia” was co-produced by Dekleva and Nashville session guitarist Robbie Calvo, and features performances by Dekleva (lead, rhythm and acoustic guitars), Robbie Calvo (rhythm guitars), Jason Webb (piano and keyboards), Amanda McCoy (bass guitar) and Grady Saxman (drums and percussion). “Psychedelia” was mixed by Casey Barker at Paragon Recording Studios,

Kaytlyn Cate – The New Single – “Making My Heart Feel Like”

Singer/songwriter Kaytlyn Cate hails from the picturesque Cascade Mountain range of the Pacific Northwest. Upon the release of her first single, Pitchfork called Kaytlyn “the alt-rock genre’s best kept secret”. Writing about the deepest emotional issues that belie youth and innocence, Kaytlyn’s lyrical work addresses the themes of love, hope, fear, hurt, heartache, and haunting insecurity. In addition to writing songs for other artists, Kaytlyn has been hard at work on her forthcoming EP, ‘The Blue Hour’, with producer David Samuel. Kaytlyn has been reinventing herself as an artist since her first debut. She felt Darkside was not representing who she

Chaz Hearne: “Rise of the Voluminous” – sneakily inventive and massively engaging

The very first thing I learned while listening to the album “Rise of the Voluminous” by eclectic folk artist, Chaz Hearne, is that the defining question regarding any Hearne song is which Chaz Hearne he’ll be. Will it be the introspective, contemplative Hearne of slow-burning masterpieces like “Falling For Reason” and “Hount The Jab”? Or will the party-starter behind “Fun In ‘82” poke his head out, armed with flash phrases and funky beats? Or maybe he will just activate his progressive art-rock mode, as on “Voluminous Man” and “Spicy In The Dim Halls” – catchy, complex, yet ultimately armed with a sort of weightless. Of course he could just slip into the sprawling dreaminess of “51 With the Crusts Cut Off” (Feat. Carrie Allen), or the more stripped-down and folksy “Older”.

The truth is, the Rochester, New York based musician, Chaz Hearne, is no regular folk artist, in the classic sense of the title. His music is certainly rooted in folk elements, but Hearne points his creativity in quite a few different directions. Built around a collection of organic instrumentation, “Rise of the Voluminous” is a weird new classic, sneakily inventive and massively engaging.

Hearne is a master of infusing his signature essence into whatever styles he wants to play with at any given moment, and that remains true throughout the 8 tracks on this album. Though to be honest, with a gloriously distinctive high-pitched voice like his, it would be sufficient just to open his mouth and sing, for any song to have Hearne’s signature essence.

But as an artist, Chaz Hearne doesn’t just sing divinely, he plays his favorite instrument, the banjo, as well as the guitar, piano, violin and singing saw, when needed. Hearne’s artistic integrity and spirit are deep-seeded in this record. His melodies and music arrangements are a dream. They do all the things that you wanted them to do, but never expected a record like this would do.

With its wide-ranging sonic assemblages cut with oblique texts, “Rise of the Voluminous” is “a reflection on privilege,” explains the album’s liner notes, continuing: “While touring the lands, one of the Voluminous learns the complicated levels of inequality of which he had previously been ignorant as one of the elite. He discovers the history of his people; how they have kept themselves on top while turning the rest against each other. How their power created the Voluminous Man.”

The lyrics are interesting and evocative, the production strong and full. Musically “Rise of the Voluminous” sounds like folk writ large, with expansive and full instrumentation where decades ago there was only a voice accompanied by guitar. This is the evolution of folk into a progressive era, while still maintaining its roots.

It’s an all-embracing masterpiece that sweeps as it coaxes the mind into a perfect mix of uplift and rest. This music is not a quick fix to simply fill the empty void inside your head, although it could be if that’s what you ultimately desired — rather, toward the patient listeners, “Rise of the Voluminous” will resonate and reflect something intensely profound and uniquely affecting to each individual user.

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