Lord Conrad: “Only You” – a journey through sound, emotion and introspection

Italian DJ, producer and model Lord Conrad, continues his prolific run with a series of acclaimed crossover hits like “Touch the Sky”, “Day After Day”, “1 Minute” and “Fight Till The End”. Lord Conrad has made it so far since his introduction to the music scene with his first release. With his innovative sound that only he can perfect, his reception is steadily growing, to beyond the strongest communication devices on the planet. Now with the release of his brand new track, “Only You”, the producer once again takes the music world by storm. His sound has drastically improved through the years, and it

Arush Dayal is a triple threat!

With a career spanning acting, singing, and writing, Arush Dayal is a triple threat. Originally hailing from India, Arush has seen a wide swath of the globe on his quest to hone his craft. He has studied at prestigious acting programs across the world including the Acting Program at the International Academy of Film and Television in Hong Kong and the One Year Conservatory at T Schreiber Studio in New York. Meisner Technique, Acting for the Camera and Commercial Acting are all facets of the industry Arush has studied in depth. He continues to perform both onstage and in front

The Frost: “Keep It Real” – There’s a classiness to this!

The Frost is a multi-genre group comprised of Leah Evans (Vocals) and Christian Gratz (Guitar, Piano). Located in Pennsylvania, their brand new single “Keep It Real” was released on December 7.  The duo emerge at a time when the ranks of sophisticated pop contenders seemed to have disappeared on a daily basis. Simultaneously chic and very creative, they thrive on the considerable charm of lead singer Evans, with her smooth chocolate voice, the instrumental talents of Gratz, as well as the pair’s impressive abilities as a songwriting unit. An absolute stand-out aspect of the new song is the way it’s

Forest Robots: “Timberline and Mountain Crest” – Inspired by natural landscapes

Let’s start of by saying that Fran Dominguez aka Forest Robots is a master at producing chilled out electronic music with heavy beats, and lots of orchestral instrumentation thrown in the mix. To call it electronic music almost seems unfair, as it implies this is music made by machines. Yes, I realize he is called Forest Robots, but this could not be further from the truth, as Dominguez’s music is pumping with life and human emotion. His latest album “Timberline and Mountain Crest” showcases 10 tracks of stunning depth, the kind of album you just throw the headphones on, turn

Edward St. Martin: “Lullaby” – blur the lines between savvy pop stylings and hard hitting kinetic soundscaping

Hailing from San Diego, Edward St. Martin has a background in film composition and classical music. His most recent single is “Lullaby”. Expectations met, superseded and immediately I hit replay. This track is going round again and I’m not the only one within ear shot of my stereo who is pleased about it. The easy laid back crossover Pop/EDM groove take is not unexpected, as I had already read that St. Martin was one for mellow tones combined with pop and soul vibes. But this track has another key element which makes a record of this nature standout. Intelligence. This

Katiah One: “Tail Spin” – an evolving, audacious artist

Soon releasing debut first EP “A Whole Lotta Water Works”, Katiah One is an artist raised on the Upper West Side of New York City. His mission is changing the common perception of the average rapper. Katiah draws inspiration from many genres including R&B and Rock, while his favorite artists include Freddy Mercury, Sam Cooke and Issac Brock.  On his latest single “Tail Spin”, taken off the aforementioned EP, Katiah deals with the deep issues of existentialism, or simply put, the meaning of a human being’s existence. Sure his talking ‘black’ talk, but you can’t go there without understanding the

Alisa Chirco: “Give Me More” – bench marked with confidence!

Alisa Chirco sure isn’t shy about revealing what’s on her mind, on her brand new single “Give Me More”, the follow up to her almost gothic-like pop ballad “Box”. Alisa sounds passionate, wanting and determined, in a driven rock song that is an anthem for empowered women. Her music here is very strong, has meaning, and is legit. The track shows that she is learning to emote in a more visceral and arguably more demonstrative way. Alisa has now escalated to being a rock chic with an attitude and bold open-confessional lyrics. A sensible direction for any reinvention is maturity, and

Roger Cole & Paul Barrere: “Old Folks Boogie Redeux” – true to their sound!

“Ya know that you’re over the hill, when your mind makes a promise that your body can’t fill!”, this is the line that inspired Paul Barrere to write the original version of the “Old Folks Boogie”, which would subsequently feature on the 1977 Little Feat record “Time Loves a Hero”. The citation came from a line Paul’s dad – an actor at the time – picked up at a vaudeville theater. He would often sing it around the house, so eventually Paul got hooked turned it into a song. For some time, Paul’s partner over at Better Daze Records, Roger

Glorious: “Move” – throbs with club energy

Pop singer, Livetronica drummer, producer and songwriter, Glorious, is a graduate of Berklee College of Music, who has been making music since she started playing drums at the age of three. Named after her grandmother Glorious Cooper, Glorious recently unveiled her single “Move”. In an increasingly crowded field of urban pop artists, you may be wondering what makes Glorious worth your time. To be sure, she boasts a lot of the qualities that her peers also bring to the table. Her song is outlined with an exquisite beat, her vocals are mesmerizing, and her persona appears spectacularly captivating. Without close

Ferentz and The Felons: “Hudson County” – an engaging and gripping performance

During his childhood, Zak Ferentz experienced both his parents suffering with drug addiction which eventually claimed the life of this mother. A life on the streets selling drugs and getting in trouble with the police, found Zak headed down his own dark path. However he soon discovered that creating music could help him heal. Furthermore it gave him a purpose in life and also a way to explore his creativity and bring it to tangible fruition. He subsequently teamed up with drummer Matt Waz, bass player Rob Dudziak and lead guitarist Rich Catalano to give birth to the band, Ferentz

David Vaters: “A Voice In The Wilderness Volume 2” – wonderfully orchestrated narratives

“A Voice In The Wilderness Volume 2” finds David Vaters in top form. This is a beautiful complex album that highlights the full brilliance of David’s genius, as well as the serenity and wisdom of a long, full life. Those of you who have listened to the previous, ambitious and critically acclaimed project, “A Voice In The Wilderness Volume 1 ”, showcasing a cast of a-league musicians, will know exactly what to expect. As this offers more of the same emotional experiences savored on that recording. Once again David enlightens us with his lyrical wisdom, as he warns about our cultural and spiritual shortcomings and our insatiable desire to reap personal fulfillment from worldly possessions.  What David Vaters has given us here is a ten-song cycle that eloquently elaborates the daily vicissitudes of a man passionately uncovering the truths inside his soul.

The record is as much a view of both the beautiful and ugly corners of contemporary society, as it is an interior monologue on the power of faith. With unabashed, yet understated tenderness, there is none of the cloying quality in David’s voice and phrasing that somewhat mars your regular rock star’s performances. Vater’s sings from the heart at all times, without cunningly searching for the all-enticing hook.

The magnetizing power of his songs lie in the engaging melodies, the lavish production and the visceral approach he has to his storytelling vocal deliveries. More than simply singing a song David seems to be baring his soul. Hence the listener remains captivated all throughout the album.

“A Voice In The Wilderness Volume 2” is rock, it’s Americana, it’s thoughtful, gracious, beautiful, uplifting, and most of all it is David Vaters at his best. Here he opens up his heart for the most personal and most emotional release thus far. The electric, acoustic and organic composition of the songs are wonderfully orchestrated narratives mixed with hope and praise as Vaters chronicles the vivid gift and joy of believing.

He has created an album with vertically-focused worship songs. The record hits the ground running with “Castles In The Sand”, a mid-tempo song with a simple melody that you will find yourself quickly singing along to. On the heels of this anthem you will run into a tune written with the thought of avoiding resentment called “Forgive”. Starting off intimately with a piano and vocal lead-in, it falls into a beautiful groove as it hits the first chorus.

The first real universal standout arrives with “Godly Man”, a very worshipful song that contain powerful declarations to God, it employs a large and lavish rock arrangement. From here on out the album rises to amazing heights both musically and spiritually, as David’s relationship with God becomes more intense throughout the narratives.

“Brothers Of Mine” has a pretty deep meaning. It seems the song is telling the listener that the light shines brightest in the darkest places and times. One thing that I like about David Vaters for sure is the way he writes his songs, which make the listener imagine the situation and feel the meaning of every word in the track.

For arrangement, musicality and lyricism, moments of excellence can be savored on “Talking To God”, “Like I’ve Been Born Again” and “Service Of The King”, the best three back-to-back songs I have heard on any album during the last year or two. Regardless of genre.

It’s really hard to believe that “A Voice In The Wilderness Volume 2”, is only David Vaters’ second solo album. All things taken into consideration, it actually sounds like his twentieth. It does of course help that he had a roster of well-known players in the studio.

Including Grammy and Dove award winner Tom Hemby on guitars and mandolin, John Hammond and Brian Fullen on drums and percussion and Jeff Cox and Gary Lunn on Bass, Johnathan Brown on Keyboards, Susie Vaters and K.J. Raney on Background Vocals, and David Vest on background vocals, keyboards and orchestration, while David himself handles the Acoustic Guitar and of course the Vocals. All the songs were written by David Vaters, except “Castles in the Sand”, which was written in collaboration with Ward Pike.

OFFICIAL LINKS: WEBSITE – AMAZON – GOOGLE PLAY – ITUNES – SPOTIFY – TWITTER – REVERBNATION – STORE

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.