JT Music: “Never Give Up”(ft. Fabvl & Divide) – totally unmatched in their genre!

JT Music is a nerdcore hip-hop group formed by artists Christian Ames and John Gelardi in December 2008. With 10 years of experience under their belt, Ames and Gelardi have taken their project to a new level. Every Saturday at 12 pm EST, JT Music posts a music video on YouTube based on video games, often in the form of rap battles between video game characters. With 2.2 million subscribers on YouTube, JT Music gets 25-30 million views on their videos per month. Some of their most popular videos include “Sans and Papyrus Song – An Undertale Rap” with 45

Katie Garibaldi Music Video “Safe and Warm” Premieres On The Christian Beat

Katie Garibaldi is an award-winning singer/songwriter and guitar player whose characteristic Christian-contemporary blend with Americana roots. This gives her a dreamy and soulful musical sound drenched in sparkling memorable melodies. The prolific songwriter hailing from San Francisco, CA, continues to stretch the boundaries of any genres walls with the release of her latest album, Home Sweet Christmas, a collection of original holiday and faith-inspired songs that embrace Garibaldis operatic vocal prowess and soulful folky affection, but also branch out into traditional country and gospel atmosphere. This week, Garibaldi releases the official music video for “Safe And Warm (Lullaby For Jesus)”

Multi-Talented P Tee Money Gets Back On The Track With ”I’m Not Afraid” album

P Tee Money is an English DJ/EDM, Electronic Artist; a royal descendant of Nigeria bloodline was born in London, England and studied Aeronautical Engineering in the military. He discovered his passion for music at a very young age, drawing influence from a variety of genres and especially from artists such as George Duke and Earth Wind & Fire. From his love of music, he eventually settled down in progressive house, the genre that he connected most. His productions cross a wide range of electronic music styles, from House, deep house, indie-dance, progressive, future, electro-pop and chill out. Despite being a

J-Hamz ft. Jesse Peters: “Keep On Lovin’ Official Remixes” – smooth groove and audio euphoria

Electronic music producer and classically trained pianist J-Hamz has accumulated a series of accolades which include Beatport Staff Picks and Top 10s, FM radio play across Canada and the USA, and nominee for Electronic Recording of the Year 2017 at the Edmonton Music Awards. He has had his songs remixed by producers in Canada, the United States, Germany, Japan, and Russia, including “Keep On Lovin’” – featuring lyrics and vocals by Jesse Peters – in a remix contest with Digital Empire Records. Now the hard working producer has just dropped his 8th release – “Keep On Lovin’ Official Remixes” featuring

C-Neil: “A Working Progress” ft. Timara Rogers – enthralling and emotional

C-Neil is a talented artist, songwriter, and producer based in Arkansas. He has worked in the music business since he was 15 years old. For years, he rapped and produced for artists local to St. Louis before moving to Atlanta to hone his craft. C-Neil has performed at several showcases in Arkansas, St. Louis, and Atlanta, including the Royal Peacock and the Urban Network Festival in Memphis. Despite being well-received, C-Neil, inspired by his mother, turned to his roots to gospel music. His latest release, “A Working Progress”, opens up about the obstacles he has faced. The track also features

Harmless Habit: “FRONTERROR” – a marvel of rock hard timelessness

Harmless Habit sound as confident as a band that have already paid their dues, and established a sound that is just as good or better than the bands that inspired them, and now give us a two way mirror into the rawness of their creative process with their 6-track album, “FRONTERROR” which feels heavy, hypnotic, emo(tional) and transformative. The best three words to describe this recording would simply be…TURN THIS UP!  The album kicks off full force and doesn’t really take the pedal off the metal until very late in the album, and only for a few seconds. So if driving,

Musicbyko: “Life In Element” – a melded perspective derived from a focused vision

Rap and hip-hop is no longer strictly about an artist’s lyrical ability, there is a series of beats and melodies that need to come together in perfect harmony to create the sonic excellence that fans demand to hear. To that end, Musicbyko is the embodiment of real modern rap in a production heavy hip-hop environment that has very little care for bars. This Bay Area rapper from Oakland, CA, has a message of ambition and a constitution of excellence that he is attempting to establish within his craft. It is clear that he has grown into more than just a

Maelstroms by Julian Kerins injects new life into Rock

Julian Kerins is a New York based singer-songwriter whose music is the end result of an eclectic amalgam of influences that have been centered around a Rock backing. His latest debut EP Maelstroms has reached the ears of this writer to wondrous effect. The EP blends Classical, Opera, Avant-garde, Folk, some Eastern influence and even a touch of Jazz to create a beautiful menagerie of melancholic delight. If you’re looking for an overwhelmingly passionate listening experience that just may leave you in tears (with the heart wrenching operatic ballad “In Billowing Skies” or the simply monolithic hard Rock foray that

Los Angeles songwriter/producer Betty Moon celebrates her latest single Parachute with a new music video

The video takes viewers up above the cityscapes and back again. (LOS ANGELES, CA) – Betty Moon continues to build upon her assent on the international streaming music charts with the release of her new music video for Parachute. With the single being released last week, the video compliments a very personal song about self-empowerment and escaping to live the life you’ve always dreamed about. The 90s tinged pop video boasts large doses of nostalgia, rock n roll and mixes things up with Moons fashionably unique brand of indie rock, mainstream and electronic influenced music. The video premiered this morning

‘Sound of the City’ A New Four-Part Episode Docu-series is Launched by A Houston Record Company

‘Sound of the City’ gives viewers a behind-the-scenes look at what it takes to produce an album by following the creation of Wreckshop Nation’s collaborative new project titled ‘Unity Vol. 1.’ The docu-series premiered Sept. 17, 2018. Wreckshop Nation (WSN) is an independently owned entertainment company focused on promoting and producing digital content, products, and services for artists while simultaneously embracing the Southern Hip-Hop culture that developed in Houston during the late 1990’s “Wreckshop Records” era and still thrives today. Wreckshop aims to be more than just a label, but a brand; it is striving to be a centralized platform

Marcus Alexander: “Suited Up Vol.1” – a rapper who understands the importance of lyrics

Marcus Alexander is a Puerto Rican Hip hop artist, actor, voiceover talent and event host from Chicago, IL. He has had many of his songs played on Jamie Foxx’s Sirius XM Radio Station “The Foxxhole”, and his last mixtape “#ShareThePositivity” was hosted by Jamie Foxx’s Dj, DJ MicahPhoneChecka. The entertainer, who is signed to the Desanti Talent Agency in Chicago, has acted in 13 Independent Films since 2014. He has overcome many obstacles along the way and shares that growth throughout his creative endeavors, describing his music as “lyrical therapy”. Marcus who has also been noted for his mature dress code on stage, has aptly titled his new album “Suited Up Vol.1”.

For the last few years, hip-hop has been overrun by the mumble, with nearly all of its biggest stars basically unintelligible to the casual ear. Fetty Wap, Young Thug, Gucci Mane, Future, and Rich Homie Quan are all proponents of a style of rap which is about 80 percent vowel sounds.

In some cases it’s known that lean—the codeine-based cocktail favored by many of these artists—makes you slur your words. On the other hand it’s easy to assume that this poor diction is just a way of fudging half-baked lyrics with no meaning. Whatever the debate, you can keep Marcus Alexander out of the discussion.

This dude has a clear, concise and masterful control of the spoken word – translated, that means you can understand every word that he says on this brand new album. In a recent scientific study on who has the largest vocabulary in the game. New York data analyst and coder Matt Daniels found the answer – Aesop Rock comes out with the biggest lexicon in hip-hop, with 7,392 unique words, Aesop’s closest competition is GZA with 6,426 words.

It’s early days yet, and I haven’t even counted the unique words on this album, but just listening to Alexander, you have the sensation of a rapper who understands the importance of lyrics. Which brings us to the ongoing debate of old school lyrical hip hop vs new school beat-dominated rap.

In this optic Marcus Alexander is decidedly old school, which is always a breath of fresh air in the current scene, where producers are becoming more important that rappers. Marcus puts the record straight, as he matches, and surpasses each beat, bar for bar on “Suited Up Vol.1”.

The energy and elegance of his style is evident from the very first track “Control”. A delivery that’s insistent and loud, but never shouted or in your face. And it gets even better on “All For Show”, where Marcus’ flow is metered and paced to perfection, switching up and down to match the message.

“Basic Rappers” leans on a thumping beat and a shimmering keyboard line delivered with an anthemic urgency, and is closely followed by the compelling beat on “The Gambler”, yet in both instances its Marcus Alexander’s vocal inflections and tones that dominate these tracks.

By track number 4, I’m impressed by another factor – Marcus never overstays his welcome, with all tracks staying well within the 3 minute mark, some just making it to 2 minutes. That reflects a powerful ability to withhold superfluous information – not a trait many rappers can claim to have.

From “Here We Go Again”, to “Hover High” and “Sperm Donor”, Marcus stays within his usual pair of poles: the detail-oriented old school rapper and the veritable modern-day entertainer. Some artists pull off crossover appeal without compromising artistic integrity.

Marcus Alexander evidently, is capable of being one of those artists too, and he proves it on “Battle Cry” as he measures his talents with a current hook-filled styled beat, enriched by a stunning male vocal – a really tough call for any rapper to match in terms of auditory impact. Needless to say Marcus comes up trumps again!

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